SANATANA DHARMA , HINDUISM EXHUMED AND RESURRECTED, PART 73 - CAPT AJIT VADAKAYIL

THIS POST IS CONTINUED FROM PART 72 BELOW---

http://ajitvadakayil.blogspot.in/2017/04/sanatana-dharma-hinduism-exhumed-and.html

Rajpura

April 15, 2017 at 7:09 AM

Ajit ji in US cremation is done - The casket or container is placed in the cremation chamber, where the temperature is raised to approximately 1400 degrees to 1800 degrees Fahrenheit. After approximately 2 to 2 1/2 hours, all organic matter is consumed by heat or evaporation. The remaining bone fragments are known as cremated remains.

Can you provide your feedback on this process whether it is an ok process for soul to escape to one of the astral plains after death.

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Hi r,

AS LONG AS THE ELECTRIC CREMATORIUM FURNACE EXHAUST IS MADE OK, THERE IS NO PROBLEM.    

AS SOON AS THE SKULL POPS , THERE IS A SOLITION WAVE WHICH TRANSPORTS THE SOUL TO AN ASTRAL LAYER.

Coconut breaking is done by Hindus with an intention—this carries on a solition wave ( tsunami ) carrier to brahman at the seventh astral layer.

THE SOLITON WAVE WILL CARRY ON THE DEAD MANs SOUL- IF SOME OTHER SOUL IS HANGING AROUND AT THE CREMATORIUM, IT WONT GET A FREE RIDE

IMAGINE A WOMAN LIKE MADRI JUMPS INTO HER HUSBANDs PYRE.   THE SKULLS OF HUSBAND AND WIFE WILL POP AT DIFFERENT TIMES .  BOTH HUSBAND AND WIFE WILL HAVE DIFFERENT KARMIC BAGGAGE AND HENCE DIFFERENT SOUL FREQUENCIES

EVOLUTION IS NOT CHARLES DARWIN MADNESS OF MONKEY TO MAN ..

EVOLUTION IS SOUL EVOLUTION- AN AMAZING CONCEPT ,  WHICH THE SHALLOW THINKING WHITE MAN CAN NEVER UNDERSTAND

BRAHMAN -- THE MORPHOGENETIC CONSCIOUSNESS FIELD-  THE HINDU ADVAITA GOD --  OR THE SEVENTH ASTRAL LAYER (CORRESPONDING TO HUMAN SAHASRARA CHAKRA ) SHEARS OF A PART OF HIS OWN BODY , REDUCED THE FREQUENCY OF THE SMALL PART ( SOUL ) AND SENDS IT TO EARTH.

THE SOUL ( SMALL BALL OF ENERGY ) IS NOW ON A MIGHTY AND LONG VOYAGE..

THIS BALL OF ENERGY COMES ON EARTH AND STARTS OF WITH THE SMALLEST LIFE FORM --  A UNICELLED FUNGUS..

WNEN THIS FUNGUES DIES  , THE SOUL GOES TO THE FIRST ASTRAL LAYER AND PARKS THERE AWAITING THE SECOND INDUCTION.

EVERY THING ON EARTH WHICH HAS LIFE AND GROWS HAS A SOUL WITHIN ..

THE SAME SOUL IS SENT BACK AGAIN ON EARTH  A SECOND TIME TO EVOLVE --AND RAISE ITS FREQUENCY

THE SOUL NOW DOES THIS UP AND DOWN TRIP AGAIN AND AGAIN AND AGAIN --

FROM FUNGI -TO  BACTERIA--  TO GRASS – TO TREE-  TO BANYAN TREE – TO BIRD- TO PEACOCK -- TO ANIMAL - CONSCIOUS ELEPHANT -  TO BASE  HUMAN ( FIRST LAYER / CRIMINALS- HOMOSEXUALS )  -  TO EVOLVED HUMAN ( SECOND TO SIXTH LAYER ) --  TO MOKSHA HUMAN OR JIVAN MUKTH ( NOW AT HIGHEST FREQUENCY --SAME AS BRAHMAN--  TO MERGE BACK AT SEVENTH LAYER  ) 

THIS IS REAL GHAR WAAPSI.

WHEN THE SOUL AT THE END OF ITS VOYAGE AND AT ITS HIGHEST FREQUENCY MERGES BACK WITH THE MOTHER FIELD BRAHMAN -- IT GIVES FEEDBACK OF ITS LIFEs  SEVERAL EXPERIENCES ON THE PLANET  --

THIS IS AN AMAZING CLOSED FEEDBACK INFORMATION LOOP

BRAHMAN KNOWS EVERYTHING—FROM EXPERIENCE …

AS LONG AS THIS FEEDBACK LOOP IS NOT STAGNANT AND GOD GETS FOOD FOR THOUGHT ,  THE LEELA ON THIS COSMOS CONTINUES

WHEN THE FEEDBACK LOOP GETS STAGNANT,  THERE IS PRALAYA AND DISSOLUTION ( TOTAL FORMAT IN COMPUTER TERMS )

BRAHMAN DOES NOT ALLOW STAGNANCY—CHANGE IS THE ONLY CONSTANT , AS TOLD BY KRISHNA IS BHAGWAD GITA.. 

DO YOUR JOB, BE IN THE MOMENT – YOU ARE KILLING A MORTAL RELATIVE  / TEACHER , YOU CAN NEVER KILL HIS SOUL..

AFTER EVERY PRALAYA , THE COSMOS GETS A NEW SET OF MAHARISHIS -- A NEW SET OF 10 VISHNU AVATARS --

THE RAM OF THE LAST PRALAYA , IS NOT THE RAM OF THE SECOND LAST PRALAYA --IN TERMS OF TIME SPIRAL YUGA ..

THIS IS WHAT KOSHER COLUMBIA UNIVERISITY ( WHO DID NOT UNDERSTAND DEEP  TRUTHS )   USED BR AMBEDKAR TO ATTACK HINDUISM --IN HIS BOOK " RIDDLES IN HINDUISM "

AFTER EVERY PRALAYA -- THE WRITTEN DOWN VEDAS WILL DIFFER ...VEDAS AS SRUTI ARE A SMALL PART OF THE HUMONGOUS COSMIC LIBRARY, THE MEMORY OF WHICH CANNOT BE DESTROYED ..

BUT THE UNWRITTEN VEDAS IN AAKASHA MEMORY IS STILL THE SAME -- THIS MEMORY BANK IN AETHER CONTAINS MEMORY OF ALL PREVIOUS SAPT RISHIS AND VISHNU AVATARS ( ALL PREVIOUS PRALAYAS ) .

WHEN EARTH IS FORMED NEW AFTER PRALAYA, WATER CONTAINS ALL MEMORY.   WATER QUANTITY ON PLANET EARTH  IS CONSTANT –NOT A MOLECULE IS LOST..

THIS IS WHY THERE IS GREAT DISCREPANCY WHEN IGNORANT PEOPLE ARGUE , WHEN RAMA WAS BORN…

PEOPLE ASK ME --HOW DO YOU KNOW ALL THIS….

FROM MY GENOME….. IT WONT LIE…

NO INVENTION N EARTH HAS BEEN MADE BY MAN ON HIS OWN --THE IDEAS HE VISUALIZED TO FRUITION CAME FROM HIS GENOME… HAVE YOU SEEN HOW ISRO DOES THINGS …

VISION IS A DIVINE THING..

AGAIN SECOND TO SIXTH ASTRAL LAYERS CORRESPOND TO SECOND TO SIXTH HUMAN CHAKRAS …

A HOMOSEXUAL OR A CRIMINAL REMAINS AT HIS MOOLADHARA ( FIRST CHAKRA ) .    HE CAN NEVER GO TO THE SECOND TO SEVENTH LAYER .   HE WILL BE AT THE FIRST ASTRAL LAYER AFTER DEATH , WITH OTHER BASE FORMS OF LIFE FROM BACTERIA TO TREES TO ANIMALS ..

CONSCIOUS ANIMALS WHO PASS COLOR AND MIRROR TEST ( DOLPHINS/ BONOBOS/ ELEPANTS )  AND NOT EATEN BY HUMANS .. AS IN THEIR NEXT LIFE THEY WILL BE HUMANS .

RAISING KUNDALINI IS NOT AN INSTANT NOODLE THINGY.. POLE VAULT FROM FIRST TO SEVENTH LAYER  ..

YOU ARE PEGGED AT YOUR CHAKRA LEVEL. ..  THIS IS WHAT YOU ARE WORTH. THIS IS THE LEVEL OF YOUR SOUL FREQUENCY..

A MAN READY FOR MOKSHA WILL HAVE SEVEN AURAS – WITH NO BLACK HOLES ..

A 12 STRAND MAHARISHI CAN SEE YOUR AURA AND FIND OUT WHICH CHAKRA IS PREDOMINANT. ..  HE CAN MAKE OUT IF YOU ARE FIRST ASTRAL LAYER MAN OR SIXTH ASTRAL LAYER MAN OR MOKSHA MAN ..WITHOUT WRITTE AND ORAL EXAMS …

A MOKSHA MAN HAS FANTASTIC PERCEPTION. .. HE IS BASICALLY A CHANNEL ..

MOST GREAT INVENTORS AND PATH BREAKING ARTISTS / WRITERS HAVE BEEN SIXTH ( SIXTH CHAKRA ) AND SEVENTH ASTRAL LAYER MEN  ( SEVENTH CHAKRA ) MEN..

http://ajitvadakayil.blogspot.in/2013/06/moksha-final-stop-to-endless-cycle-of.html

MANY FAKE GURUS OFFER INSTANT NOODLE KUNDALINI JUMP..

IT DOES NOT HAPPEN THAT WAY…

IF YOU FATHER DIES AND YOU DO PROPER SHRADDH AS A SON , HE WILL GET ONE LAYER BOOST..

IF YOU DIE IN KASHI GHATS  WHERE THERE WAS A MOBIUS WATER FLOW AND HENCE A MASSIVE SCALAR FIELD--YOU GET A MASSIVE JUMP UP TO SIXTH LAYER--  BUT NEVER A JUMP TO THE SEVENT LAYER AND MOKSHA.    

A SIXTH LAYER MAN ( SIXTH CHAKRA WITH SIX CLEAR AURAS )  IF HE DIES AT KASHI WILL GET A BOOST TO SEVENTH LAYER AND HENCE MOKSHA

THE ONLY JOB OF A SOUL IS TO GET MOKSHA AND REUNITE WITH THE MOTHER FIELD OF BRAHMAN ,  THE MORPHOGENETIC CONSCIOUSNESS FILED AFTER WHICH THE SOUL IS GOD..

WHEN TWO HUMANS MEET THEY DO NAMASTE AS BOTH ARE SOULS --BOTH WERE PART OF THE SAME FIELD OF BRAHMAN ONCE..

THERE IS A DIFFERENCE-- ONE SOUL COULD BE AT HIGHEST FREQUENCY --HAVING NIL KARMIC BAGGAGE…    THE OTHER SOUL COULD BE A CRIMINAL / HOMOSEXUAL WITH LEAST SOUL FREQUENCY AND HEAVIEST KARMIC BAGGAGE…

VISHNU HUMAN AVATARS WERE MORTALS WITH 13 STRAND DNA AND MORE  ( NIL JUNK )--WHILE YOU AND ME ARE OF  2 STRAND DNA,  97% JUNK

MAHARISHIS HAD 12 STRAND DNA -NIL JUNK ..

MAHARISHIS AND VISHNU AVATAR GODS WERE ULTIMATE MACHINES .. THEY COULD DO BLUE TOOTH OR SKYPE OR INFRA RED SIGNATURE READING -- IF YOU KNOW WHAT I MEAN . .. JUST AN EXAMPLE TO MAKE HALFWITS UNDERSTAND

A MAHARISHI CAN HAVE ONE LOOK AT YOU AND KNOW WHO YOUR ARE AND WHAT YOU ARE WORTH --HE CAN DO AURA READING ..

MOKSHA CAN HAPPEN ONLY FROM THE SOIL OF INDIA, THE LAND OF THE GOLDEN MEAN --  YOU ARE LUCKY TO BE BORN IN INDIA..

WE HAVE HOMOSEXUALS IN INDIA-- IF YOU LOOK CLOSELY THEIR HAVE FOREIGN DNA MIX… I HAVE DONE THIS STUDY..

WHEN YOUR SOUL FREQUENCY IS HIGH , GOD ( BRAHMAN ) DECIDES TO USE YOU AS A CHANNEL -- YOU WILL DO THINGS OF GREAT BEAUTY AND INTELLIGENCE …

PEOPLE WHO RIDICULE SANATANA DHARMA ARE NOW SHOCKED TO SEE THERE IS DIVINITY EVERYWHERE . ..

QUANTUM PHYSICS HAS SHOWN THAT THERE IS ZERO SUPERSTITION IN SANATAN DHARMA…

TODAY IDIOTS LIKE AMISH TRIPATHI, WENDY DONIGER , SHELDON POLLOCK HAVE PEEKED INO THIS BLOGSITE AND DEVELOPED NEW RESPECT FOR HINDUISM …

ALL HINDU GODS ARE COSMIC ALLEGORIES -- EXCEPT VISHNU HUMAN AVATARS WHO SUBJECTED THEMSELVES TO THE LAWS OF KARMA…

ONLY VISHNU CAN HAVE AVATARS – BECAUSE HE IS A MEDIATOR IN THE TRINITY —DIMWITS LAY OFF….

SO FORGET ABOUT ALL THESE POISON INJECTED STORIES LIKE SRI SRI RAVISHANKAR SAYING ON TWITTER THAT SHIVA AND VISHNU HAD ANAL SEX AND CREATED AYYAPA –

AND SAGDURU JAGGI VASUDEV TELLING ON TV THAT MALE ANAL SEX IS OK , AS LOMG AS IT IS DONE BEHIND CLOSED DOORS…

MIND YOU BOTH SRI SRI RAVISHANKAR AND SADGURU JAGGI VASUDEV WERE AWARDED INDIAs SECOND HIGHEST AWARD BY PM MODI—WE KNOW WHY !

WE ENEMIES OF HINDUISM  SAYING CORPSE EATING SHIVA SCREWED THE HORNY WIVES OF THE SAPT RISHIS .. THIS IS MORE STUPID THAN SAYING SUN HAD ANAL SEX WITH JUPITER…

OR SHIVA / VISHNU/ BRAHMA HELD COMPETITIONS TO SEE WHO IS BETTER ..

OR BRAHMA SCREWED HIS OWN DAUGHTER –OR EARTH SCREWED MOON

OR WHATEVER…

ROTHSCHILD CREATED HINDUS SECTS AND MADE THEM FIGHT ( DIVIDE AND RULE ) --  

LISTEN THIS IS AS STUPID AS FIGHTING OVER --WHICH IS BETTER OR MORE POWERFUL -- CONDENSATION OR EVAPORATION .

THE TRINITY DEPENDS ON EACH OTHER …THEY WORK IN HARMONY ..

READ THE THREE TEMPLATES OF HINDUISM IN THE POST BELOW--I AM THE FIRST ON THE PLANET TO WRITE ALL THIS .. 

THIS IS WHY I SAY MY SANATANA DHARMA SERIES WILL LAST ON PLANET EARTH  TILL THE NEXT PRALAYA AND IT WILL BE IN AAKSHA AFTER THE PRALAYA..

http://ajitvadakayil.blogspot.in/2015/09/sanatana-dharma-hinduism-exhumed-and.html

TODAY ALL FAKE GURUS HAVE DELETED WHAT THEY HAVE WRITTEN AND ARE NOW TALKING ON YOUTUBE ABOUT THE EMPTY SPACE WITHIN THE ATOM AND HOW ELECTRONS REVOLVE AROUND IT…

PERPETUAL MOTION WITHIN THE ATOM IS BRAHMAN AT MICRO LEVEL..

http://ajitvadakayil.blogspot.in/2016/12/perpetual-motion-of-orbiting-electrons.html

Below: Shiva wears a 108 bead Rudraksha mala 

THE CONSTANT 108  BETWEEN PLANETS AND STARS AND GALAXIES IS BRAHMAN AT MACRO LEVEL..

http://ajitvadakayil.blogspot.in/2016/12/108-numerical-equivalent-of-hindu-king.html

SINCE ADI SHANKARACHARYA 4000 YEARS AGO--ONLY CAPT AJIT VADAKAYIL HAS WRITTEN  THE TRUTH ABOUT THE GLORY OF SANATAN DHARMA --AS BRILLIANT AS THE SUN…

WHEN TEESTA SETALVAD COMPARED KALI ( WIFE OF SHIVA ) TO AN ISIS TERRORIST BEHEADING PEOPLE --  SHE BEING EVIL DOES NOT KNOW KALI IS A COSMIC ALLEGORY. 

ONLY KALIs HUSBAND SHIVA CAN CONTROL HER , WHEN SHE DEVOURS ENTIRE GALAXIES  --   SHIVAs WIFE AS KALI IS THE COSMIC BLACK HOLE… SHIVAs WIFE IS KNOWN ALSO AS PARVATI/ SHAKTI/ DEVI/ BHAGAWATI/ DURGA etc . 

WHEN SHIVA WIFE IS SHAKTI , SHE CREATES THE COSMOS  ALONG WITH HER HUSBAND  ( PURUSHA / PRAGATI OF THE THIRD TEMPLATE OF HINDUISM ) ..

WHEN THEY MERGE AS TWO TRIANGLES THEY FORM THE SIX POINTED STAR SEEN IN ALL ANCIENT SHIVA/ DEVI TEMPLES.    

JEW ROTHSCHILD GROUND THESE SYMBOLS OFF TEMPLE PARIKRAMA GRANITE STONES AND HE WANTED THE STAR OF JUDE TO BE A JEW SYMBOL. 

JEW ROTHSCHILD WANTED SWASTIKA FOR NAZIS ... NAZIS ARE NASIS , LEADERS OF THE HIGHEST JEWISH LEADER  .

INITIAL NASIS OF SANHEDRIN WERE ALL KERALA NAMBOODIRIS ….HITLER WAS A NASI …

SWASTIKA IS A GIANT SKY CLOCK REPRESENTING CHANGE – SWASTIKA  IS THE SAPT RISHIS ( BIG DIPPER )  REVOLVING AROUND DHRUV ( POLARIS ) .. THIS WAS THE CLOCK OF OUR MAHARISHIS..

YOU DRAW A GIANT LINE FROM CHAPH STAR OF SHARMISTA CONSTELLATION ( CASSOPEA ) THROUGH DHRUV ( POLARIS ) MEETING  PULAYASTA OF SAPT RISHIS ( PHECDEA ) –THIS IS THE CLOCK  ARM…

To find your latitude simply measure the angle from the northern horizon to Polaris.

The line from Polaris to Phecda is like the 180 deg longitude line on the globe.

The line going from Polaris to Chaph is like the 0 deg longitude line.

Right Ascension is the longitude of a star while declination is its latitude

CHITPAVAN JEW NAY BRAHMIN LOK MANYA BAL GANGADAHARA TILAK GAVE AWAY OUR PRICELESS VEDAS TO THE WHITE SKINNED BLUE EYED BLONDE INVADER BY WRITING FOUL LIES IN HIS BOOK’ “ARCTIC HOME OF THE VEDAS “..   

WHO KNOWS , DARLING OF JEWS , PM MODI WILL NOW RUN LIKE USIAN BOLT TO WORSHIP HIM….

KALI CAN BE 21 BILLION TIMES LARGER THAN SURYA BHAGAWAN. ( SUN )

http://www.dailymail.co.uk/sciencetech/article-3442599/The-sleeping-giant-Record-breaking-black-hole-21-BILLION-times-mass-sun-heart-Coma-Cluster.html

WHEN KALI IS ON THE RAMPAGE,  SHIVA STOPS HER BY MAKING HER FEEL ALL BALLS  –

SHIVA FLINGS HIMSELF IN FRONT OF HER--  AND WHEN KALI STEPS ON SHIVA CHEST , SHE BEING A DUTIFUL WIFE , STICKS HER TONGUE OUT IN SHOCK , STOPS DEAD IN HER TRACKS AND REDUCES HER SIZE AND POTENCY

WHAT DO THESE TURDS WHO POOH POOH SANATANA DHARMA KNOW !

IDIOTS !

capt ajit vadakayil

..

Lord AseemApril 15, 2017 at 12:06 PM

CAPTAIN!!! -EMERGENCY-

Sorry for caps, but I needed emphasis. I have just found a new candidate for the Vadakayil Prize. This lady on Quora, Suzanne Marie Sullivan has single-handedly deciphered the INDUS VALLEY SCRIPT!

Here is the link for her work. Check it out ASAP. It is not faalthu clickbait:-

https://drive.google.com/folderview?id=0B6jR88LVnUUEODA2bzVZc2JyRDA&usp=sharing3

Please, please read it. It is ground breaking! It has proven that IVC spoke Sanskrit, Prakrit and proto-Tamil.

Gora gaandus have ignored and sunk her. Please, only you can save and extol her legacy. This is one of the greatest academic contributions not just for India but the World.

1. 
   Capt. Ajit VadakayilApril 15, 2017 at 12:34 PM

   KICK HER ON HER ASS
   
   ANCIENT INDIA LIES UNDER THE ANCIENT CITIES --OVER WHICH MODERN CITIES HAVE COME UP
   
   NOT SOME GODFORSAKEN BACK YARD WHERE SHEPHERDS GRAZED THEIR CATTLE AND LIVED IN TENTS OVERNIGHT
   
   WHAT DOES THE WOMAN WRITE ABOUT ASHWAMEDHA YAGNA IN THE PDF SHEET BELOW ( PAGE 520 ) ?
   
   https://drive.google.com/drive/folders/0B6jR88LVnUUEODA2bzVZc2JyRDA

   
   

   
   

   QUEEN IS FUCKING THE DEAD HORSE ? 

   
   I WANTS ALL MY READERS TO READ PAGE 520 ( OUT OF 613 ) FIRST PDF..
   FINALLY THIS IS WHAT COCK-EYED NR NARAYANA MURTHYs CHELA SHELDON POLLOCK IS DOING - INJECTING POISON WHILE CLAIMING TO SAVE HINDUISM
   
   

   ASHWAMEDHA IS A VOTE OF CONFIDENCE --NOT A BLOOD SACRIFICE

   
   http://ajitvadakayil.blogspot.in/2014/09/ashwamedha-yagam-bloodless-sacrifice.html
   THERE IS NO TAMIL IN THOSE SEALS -- THE WORDS SHE SAID IS TAMIL ARE SANSKRIT.EVERY SANSKRIT WORD IS MALAYALAM TOO. IT IS MY MOTHER TONGUE .
   
   capt ajit vadakayil
   ..

http://ajitvadakayil.blogspot.in/2014/11/all-animal-sacrifices-in-hindu-temples.html

PratikApril 15, 2017 at 11:25 AM

feels so great to see the sanatan dharm series back sir.... :) only you can explain sanatan dharm as you are a engineer, chemist, quantum physicist, doctor, astrologer, sea captain, accountant etc etc.... plus my ultimate guru _/\_

1. 
   Capt. Ajit VadakayilApril 15, 2017 at 12:46 PM

   BEING A SHIP CAPTAIN REQUIRED ME TO BE A JACK OF ALL TRADES ( EXCEPT FOR CERTAIN BRANCHES LIKE NUCLEAR SCIENCE )
   
   I TRIED TO BE A MASTER OF ALL SCIENCES -- TOOK EXTRA PAINS.
   
   http://ajitvadakayil.blogspot.in/2010/12/captain-sleeps-tonight-capt-ajit.html

   SOMETIMES MY DETRACTOR ( JEALOUS ) BOSSES WOULD ASKED ME -AJIT WHY DONT YOU BREAKDOWN FROM INFORMATION OVERLOAD? 

   
   BECAUSE AS PER THEM-- A MAN CAN HANDLE ONLY SO MUCH IN HIS ENTIRE LIFETIME
   
   LIKE YOU CAN EAT ONLY SO MUCH IN A DAY --TEE HEEEE !
   
   capt ajit vadakayil
   ..

Today with the disappearance of Vedic ritual practice ( except in Kerala ) , purohit has become a generic term for "priest"

There are two basic types of yagya - srauta performed by pandits .  These men had to be married with living wives.

 and

grihya ceremony performed by the householder, along with his wife.

Srauta ceremonies are more detailed, richer and more complicated, and their goals extend far beyond the well-being of a household.

As I have said, Srauta yagya includes the participation of four pandits. They are known as hotr, adhvaryu, udgatr and brahmin, each of which performs a strictly defined part of the ceremony:

One prepares a place for the rite according to the instructions of the Vedic science about space - Vastu Shastra, the second sings mantras, the third performs the ritual, and the fourth oversees the correctness of the above and corrects tiny errors with special mantras.

The performance of the yagya itself consists of four main parts, which are present in each ceremony. In the first part a fireplace is created (depicted, built and richly decorated), which is also a mandala that at this stage does not contain life or pran-shakti.

In the second part this character is filled with life energy, hence this level is called prana pratistha.

The third part is called upacar, and that is the part during which the evoked energy intensifies and increases.

The fourth part is called parayan or prasthan - the energy release, in which yagya culminates.

The derivation of the word Yajus is 'yajur yajanaat' - yajus is for the sake of yajna - the ritual of sacrifice.

The Havis is the offering of the oblation. The attitude in offering is sradha devotion.

The Rigveda, containing hymns to be recited by the hotṛ;

The Yajurveda, containing formulas to be recited by the adhvaryu or officiating priest;

The Samaveda, containing formulas to be sung by the udgatṛ.

JEW ROTHSCHILD SPLIT THE YAJUR VEDA INTO SHUKLA ( WHITE FOR FAIR SKINNED NORTH INDIANS  ) AND KRISHNA YAJURVEDA  ( FOR DARK SKINNED  SOUTH INDIANS ) TO DIVIDE AND RULE.

YOU SEE TARUN VIJAY CLAIMED THAT NORTH INDIANS ARE NOT RACISTS –SINCE THEY TOLERATE BLACK  SOUTH INDIANS.     THIS IS THE INHERENT QUALITY OF BJP AND RSS TODAY –INFILTRATED BY JEW ROTHSCHILDs AGENTS.

HINDU MARRIAGE ARE SOLEMNIZED ONLY DURING DAY.   BUT NOW WE SEE MISLED NORTH INDIANS MARRYING AT NIGHT.    

WE SEE KARNATAKA VEERASHAIVA  LINGAYATHS  BURYING THEIR DEAD . 

THE ONLY FIRM REQUIREMENT FOR A HINDU IS TO CREMATE  THE DEAD BODY.  IF A WHITE MAN WRITES DOWN IN HIS WILL THAT HE WANTS TO CREMATE HIS BODY—HE IS A HINDU.

Rig Veda manuscripts have been selected for inscription in UNESCO's "Memory of the World" Register 2007.

The Atharvaveda stands apart from other Vedic texts. It was never fully penned down due to VASHIKARAN MANTRAS which could do damage.  

It contains both hymns and prose passages and is divided into 20 books. Books 1–7 contain magical prayers for precise purposes: spells for a long life, cures, curses, love charms, prayers for prosperity, charms for kingship and Brahmanhood, and expiations for evil actions. They reflect the magical-religious concerns of everyday life and are on a different level than the Rigveda, which glorifies the great gods and their liturgy.

Books 8–12 contain similar texts but also include cosmological hymns that continue those of the Rigveda and provide a transition to the more-complex speculations of the Upanishads. Books 13–20 celebrate the cosmic principle (book 13) and present marriage prayers (book 14), funeral formulas (book 18), and other magical and ritual formulas. This text is an extremely important source of information for practical religion, particularly where it complements the Rigveda.

Parts of the Atharva Veda which could destroy or cripple were NOT penned down.   

It is still transmitted orally after 400 centuries .

JEW ROTHSCHILD INJECTED POISON INTO VEDAS.

HE DID NOT KNOW THAT SRUTI SANSKRIT VERSES ARE PURE MATH .

SRUTI IS OF DIVINE ORIGINAL—THERE IS NO AUTHOR—

SEER MAHARISHIS HEARD IT IN THEIR TRANCES -- OR SAW IT AS GEOMETRY

THERE IS NO WAY YOU CAN MEDDLE WITH THIS WITHOUT GETTING CAUGHT WITH YOUR PANTS DOWN

THERE IS A WAY TO CREATE SOFTWARE – A SRUTI METER— ANY INJECTION WILL CAUSE A LOUD BEEP –WITH A VOICE CRYING POISON—POISON—POISON

AT SCHOOL NCERT- KENDRIYA VIDYALA WE HAVE HINDI POETRY – DURGAM PATH KEE RAAHI.

THE HINDI TEACHER SORT OF WENT WOW WOW WITH THE DOHAS OF ROTHSCHILDs FAKE AND BACKDATED CREATIONS –THE DOHAS , THE SHAILIS .

I TOLD THE TEACHER—MIND YOU, I WAS ONLY 13 YEARS OLD – WHAT IS GO GREAT ABOUT THESE DOHAS  ?  EVEN A DIMWIT CAN DO THIS .

AND THEN I DID SOME VOICE TUNE WITHOUT LANGUAGE –AND TOLD HIM—THIS IS YOUR DOHA

HEY, KUMAR VISHWAS HAS HIS OWN CHOOT LUND ( CUNT/ PRICK ) BRAND DOHAS ..  

CHECK OUT THE WAY IIT PROFESSORS AND STUDENTS  GUFFAW.. THIS IS THE QUALITY OF THESE RUSTIC -- 

NO CLASS-- NO CULTURE –IIT PROFESSORS/ KOTA TYPE STUDENTS  .

WAH WAH WAH

KYA BAATH KAI

NOIDA KEE JAI !

मेरा अपना तजुर्बा है, तुम्हें बतला रहा हूँ मैं,

कोई लब छू गया था तब, के अब तक गा रहा हूँ मैं....

SOMEBODY CALLED ME AND SAID—IT IS A LIE THAT ITALIAN FIBONACCI COPIED HIS SERIES FROM INDIA.

http://ajitvadakayil.blogspot.in/2010/12/perfect-six-pack-capt-ajit-vadakayil.html

I SAID -  MUCH BEFORE INDIAN SAGES BUILT THE PYRAMIDS , MUCH BEFORE THIEF FIBONACCI WAS BORN, THE VEDAS HAD THIS GOLDEN VEDIC SERIES EMBEDDED IN OUR SRUTI VERSES.  THIS IS A SURE SHOT INDICATION THAT VEDAS ( SRUTI IS DIVINE )

MY REVELATIONS NOW JUMP TO 37.5%

http://ajitvadakayil.blogspot.in/2016/10/eight-sided-pyramid-of-giza-egypt.html

Matrameru, is the field of counting sequences such as 0, 1, 1, 2, 3, 5, 8 and so on ( stolen Fibonacci numbers), in their prosody studies. 

The Fibonacci numbers  appeared, under the name matrameru (mountain of cadence), in the work of the Sanskrit grammarian Pingala ( Chandah-shastra, the Art of Prosody, 500 BC).

Prosody was important in ancient Indian ritual because of an emphasis on the purity of utterance. The Indian mathematician Virahanka (6th century AD) showed how the Fibonacci sequence arose in the analysis of metres with long and short syllables.

The brain is an electrochemical machine that processes through binary code - zeroes and ones that create patterns of experiences and realities. Reality is a consciousness hologram (algorithm) that uses the Fibonacci Sequence to create experiences in which we vicariously experience.

The Great Pyramids in Giza, the Parthenon in Athens and Chichen Itza in Mexico, Sun Temple at Mesa Verde National Park in Colorado  were made by Indian sages . They all have the vedic  golden ratio 1.618 embedded

http://ajitvadakayil.blogspot.in/2012/07/maya-inca-aztec-civilizations-decoded.html

THE POST BELOW IS MY MOST RIDICULED POST—BUT IS MY BEST .

1.618 IN GNOMONIC—GREAT CIRCLE –IS NOT A COINCIDENCE .

http://ajitvadakayil.blogspot.in/2011/11/flight-of-vedic-vimana-capt-ajit.html

The Mesa Verde National Park is in North America ( once part of Mexico— Donald Trump does not know this ) 

Meruprastāra, ( stolen Pascal's triangle ) is also called as the Halayudha's triangle in books on Vedic mathematics.

The first five rows of the Pascal's triangle, also called the Halayudha's triangle. Halayudha discusses this and more in his Sanskrit prosody bhasya on Pingala.   

Halayudha ( 300 BC ) a Kerala mathematician wrote the Mṛtasañjīvanī,  a commentary on Pingala's Chandaḥśāstra ( 500 BC .   The latter contains a clear description of Pascal's triangle (called meru-prastaara).

Algorithms enumerate binomial combinations of meters through pratyaya. For a given class (length), the six pratyaya were:--

prastāra, the "table of arrangement": a procedure for enumerating (arranging in a table) all metres of the given length,

naṣṭa: a procedure for finding a metre given its position in the table (without constructing the whole table),

uddiṣṭa: a procedure for finding the position in the table of a given metre (without constructing the whole table),

laghukriyā or lagakriyā: calculation of the number of metres in the table containing a given number of laghu (or guru) syllables,

saṃkhyā: calculation of the total number of metres in the table,

adhvan: calculation of the space needed to write down the prastāra table of a given class (length).

MUCH BEFORE KERALA MATHEMATICIAN VARAHAMIHIRA 2660 BC EXPOUNDED PASCALS TRIANGLE

http://ajitvadakayil.blogspot.in/2011/08/mihira-muni-great-astrologer-cum.html

Let me quote Wikipedia---

QUOTE : Combinatorics[edit]  He was among the first mathematicians to discover a version of what is now known as the Pascal's triangle. He used it to calculate the binomial coefficients.[11][12][13]UNQUOTE

https://en.wikipedia.org/wiki/Var%C4%81hamihira

GERMAN HERMANN GUNDERT STOLE ALMOST ALL OF NORTH KERALAs  MATH, ASTRONOMY AND SCIENCE WORKS.  

THE GLORY OF KERALA WAS IN NORTH KERALA  ( MALABAR ) .

http://ajitvadakayil.blogspot.in/2011/12/hermann-gundert-hermann-hesse-and.html

In mathematics, THIEF Pascal's triangle is a triangular array of the binomial coefficients.

Pascal's triangle determines the coefficients which arise in binomial expansions. For an example, consider the expansion

(x + y)2 = x2 + 2xy + y2 = 1x2y0 + 2x1y1 + 1x0y2.

Notice the coefficients are the numbers in row two of Pascal's triangle: 1, 2, 1. In general, when a binomial like x + y is raised to a positive integer power we have:

(x + y)n = a0xn + a1xn−1y + a2xn−2y2 + ... + an−1xyn−1 + anyn,

where the coefficients ai in this expansion are precisely the numbers on row n of Pascal's triangle. In other words,

{\displaystyle a_{i}={n \choose i}.} a_{i}={n \choose i}.

This is the binomial theorem.

http://ajitvadakayil.blogspot.in/2011/01/isaac-newton-calculus-thief-capt-ajit.html

ABOVE : VARAHAMIHIRAs TRIANGLE

BELOW: VEDIC GOLDEN SPIRAL

BELOW: VEDIC GOLDEN MEAN --THESE BASTARDS PASCAL/ FIBONACCI / NEWTON etc NEVER EXPECTED TO GET CAUGHT BY A HARDCORE CAPT AJIT VADAKAYIL

SHABDA BRAHMAN SOUND , SRUTI OF VEDAS IS DIVINE GEOMETRY WHEN SEEN VISUALLY 

BELOW: KING MANTRA OM- DIGITAL 

BELOW: THE GOLDEN VEDIC MEAN IS THE BASIS OF ANCIENT INDIAN SRI YANTRA ( KING MANTRA OM ) WHICH GIVE THE 54 ALPHABETS OF SANSKRIT / MALAYALAM AND THE 108 ELEMENTS OF DIMITRI MENDELEYEEV .  

INDEED THE COSMOS IS CONSTRUCTED BY SHABDA BRAHMAN 

THIS CAN NEVER HAPPEN TO SANSKRIT OR MALAYALAM

HEY --  RECENT BOOK KORAN WAS EDITED IN CHERAMAN PERUMAL MOSQUE , OWNED BY CALICUT KING ( MY HOMETOWN )-- SLOW DOWN !

Pingala (in Chandaḥśāstra 8.23) has assigned the following combinations of zero and one to represent various numbers, much in the same way as the present day computer programming procedures.

0 0 0 0 numerical value = 1

1 0 0 0 numerical value = 2

0 1 0 0 numerical value = 3

1 1 0 0 numerical value = 4

0 0 1 0 numerical value = 5

1 0 1 0 numerical value = 6

0 1 1 0 numerical value = 7

1 1 1 0 numerical value = 8

0 0 0 1 numerical value = 9

1 0 0 1 numerical value = 10

0 1 0 1 numerical value = 11

1 1 0 1 numerical value = 12

0 0 1 1 numerical value = 13

1 0 1 1 numerical value = 14

0 1 1 1 numerical value = 15

1 1 1 1 numerical value = 16

Other numbers have also been assigned zero and one combinations likewise.

Pingala’s system of binary numbers starts with number one (and not zero). The numerical value is obtained by adding one to the sum of place values. In this system, the place value increases to the right, as against the modern notation in which it increases towards the left.

The procedure of Pingala system is as follows:

Divide the number by 2. If divisible write 1, otherwise write 0.

If first division yields 1 as remainder, add 1 and divide again by 2. If fully divisible, write 1, otherwise write 0 to the right of first 1.

If first division yields 0 as remainder that is, it is fully divisible, add 1 to the remaining number and divide by 2. If divisible, write 1, otherwise write 0 to the right of first 0.

This procedure is continued until 0 as final remainder is obtained.

Example to understand Pingala System of Binary Numbers :

Find Binary equivalent of 122 in Pingala System :

Divide 122 by 2. Divisible, so write 1 and remainder is 61. 1

Divide 61 by 2. Not Divisible and remainder is 30. So write 0 right to 1. 10

Add 1 to 61 and divide by 2 = 31.

Divide 31 by 2. Not Divisible and remainder is 16. So write 0 to the right. 100

Divide 16 by 2. Divisible and remainder is 8. So write 1 to right. 1001

Divide 8 by 2. Divisible and remainder is 4. So write 1 to right. 10011

Divide 4 by 2. Divisible and remainder is 2. So write 1 to right. 100111

Divide 2 by 2. Divisible. So place 1 to right. 1001111

Now we have 122 equivalent to 1001111.

Verify this by place value system : 1×1 + 0x2 + 0x4 + 1×8 + 1×16 + 1×32 + 1×64 = 64+32+16+8+1 = 121

By adding 1(which we added while dividing 61) to 121 = 122, which is our desired number.

In Pingala system, 122 can be written as 1001111.

Though this system is not exact equivalent of today’s binary system used, it is very much similar with its place value system having 20, 20, 21, 22, 22, 23, 24, 25, 26 etc used to multiple binary numbers sequence and obtain equivalent decimal number.

Reference : Chandaḥśāstra (8.24-25) describes above method of obtaining binary equivalent of any decimal number in detail.

These were used 1600 years before westeners invented binary system.

We now use zero and one (0 and 1) in representing binary numbers, but it is not known if the concept of zero was known to Pingala— as a number without value and as a positional location.

Pingala’s work also contains the Fibonacci number, called mātrāmeru.

Pingala also knew the special case of the binomial theorem for the index 2, i.e. for (a + b) 2, --GREEK THIEF Euclid  patented this in his name.  All  Euclid’s work in Geometry is STOLEN from the Kerala school of Math.

Every vestige in his book THE ELEMENTS ( 13 volumes ) was taught in Kodungallur Univeristy . This THIEF Greeko Euclid just stole it and claimed that he invented Geometry

“ number theory. It considers the connection between perfect numbers and Mersenne primes (known as the Euclid–Euler theorem), the infinitude of prime numbers, Euclid's lemma on factorization (which leads to the fundamental theorem of arithmetic on uniqueness of prime factorizations), and the Euclidean algorithm for finding the greatest common divisor of two numbers”  at least 2000 years before Euclid was born.

Books 1 through 4 deal with plane geometry:-- 

Book 1 contains Euclid's 10 axioms (5 named 'postulates'—including the parallel postulate—and 5 named 'common notions') and the basic propositions of geometry: the pons asinorum (proposition 5), the Pythagorean theorem (proposition 47), equality of angles and areas, parallelism, the sum of the angles in a triangle, and the three cases in which triangles are "equal" (have the same area).

Book 2 is commonly called the "book of geometric algebra" because most of the propositions can be seen as geometric interpretations of algebraic identities, such as a(b + c + ...) = ab + ac + ... or (2a + b)2 + b2 = 2(a2 + (a + b)2). It also contains a method of finding the square root of a given number.

Book 3 deals with circles and their properties: inscribed angles, tangents, the power of a point, Thales' theorem

Book 4 constructs the incircle and circumcircle of a triangle, and constructs regular polygons with 4, 5, 6, and 15 sides

Books 5 through 10 introduce ratios and proportions:

Book 5 is a treatise on proportions of magnitudes. Proposition 25 has as a special case the inequality of arithmetic and geometric means.

Book 6 applies proportions to geometry: similar figures.

Book 7 deals strictly with elementary number theory: divisibility, prime numbers, Euclid's algorithm for finding the greatest common divisor, least common multiple. Propositions 30 and 32 together are essentially equivalent to the fundamental theorem of arithmetic stating that every positive integer can be written as a product of primes in an essentially unique way, though Euclid would have had trouble stating it in this modern form as he did not use the product of more than 3 numbers.

Book 8 deals with proportions in number theory and geometric sequences.

Book 9 applies the results of the preceding two books and gives the infinitude of prime numbers (proposition 20), the sum of a geometric series (proposition 35), and the construction of even perfect numbers (proposition 36).

Book 10 attempts to classify incommensurable (in modern language, irrational) magnitudes by using the method of exhaustion, a precursor to integration.

Books 11 through to 13 deal with spatial geometry:

Book 11 generalizes the results of books 1–6 to space: perpendicularity, parallelism, volumes of parallelepipeds.

Book 12 studies volumes of cones, pyramids, and cylinders in detail and shows, for example, that the volume of a cone is a third of the volume of the corresponding cylinder. It concludes by showing that the volume of a sphere is proportional to the cube of its radius (in modern language) by approximating its volume by a union of many pyramids.

Book 13 constructs the five regular Platonic solids inscribed in a sphere, calculates the ratio of their edges to the radius of the sphere, and proves that there are no further regular solids.

 Varahamihira ( 2660 BC ) was a student of Aryabhatta in Kodungallur University.  Kerala mathematician bhattathiripad , Aryabhatta was a visiting professor in Nalanda University

EUCLID DID NOT UNDERSTAND WHAT HE STOLE

VEDIC MATH IS DONE MOSTY IN THE MIND ( ORAL ROUTE ) IS MUCH FASTER

The first book, Geometry for an Oral Tradition, states and proves theorems as far as elementary properties of a circle.   

The second book, The Circle Revelation, re-presents the material of Geometry for an Oral Tradition informally.

Euclid’s foundations are inadequate. The Elements is based on ten axioms, which traditionally had been accepted on the grounds of being self-evident.

But this consensus fell apart when it was discovered that being apparently self-evident is no guarantee of the truth of a statement.

The status of Euclid’s axioms plummeted to being assumptions, generally (more on this later). It cannot be acceptable to base a fundamental subject such as geometry on a set of assumptions.

The first step in sorting this matter out is taken in Geometry for an Oral Tradition, which, instead of Euclid’s ten axioms relies on a single axiom, namely, magnitudes are unchanged by motion. (The term postulate is used in Geometry for an Oral Tradition, rather than axiom, a postulate being defined there as an assumption made for the purpose of the study.) However, relying on even one assumption fails to set the subject on terra firma.

The third book, Eight Essays on Geometry for an Oral Tradition, eliminates this single axiom (postulate) by using two well-supported principles to prove it, as we show next. The result is rocksolid foundations.

PROOF OF THE GEOMETRY FOR AN ORAL TRADITION POSTULATE

To be proved. Magnitudes are unchanged by motion.

Given.

Principle 1 Once completed, a figure in a plane at rest remains unchanged.

Principle 2 If any two planes are in relative motion, either of them can serve as our standard of rest. That is to say, all states of rest and motion are relative.

Proof

Calling the two relatively moving planes A and B, let us first treat plane A as our standard of rest. [By Principle 2]

Then a figure drawn in plane A remains unchanged [by Principle 1], and so do its magnitudes.

Now, instead, let plane B serve as our standard of rest.

Then plane A is in motion relative to plane B,

But we have just shown that the magnitudes in plane A remain unchanged.

Therefore the motion of the magnitudes in plane A relative to plane B does not change them.

That is, magnitudes are unchanged by motion. QED.

Euclid’s axioms are unsatisfactory the need is to find more satisfactory axioms. This amounts to replacing one set of assumptions by another set of assumptions. Rock-solid foundations are not obtainable in this way.

Let us take a closer look at some of Euclid’s axioms, first covering ground also useful to us in another way as we do so.

GROUNDS FOR ACCEPTING A STATEMENT

1) It has been proved.

2) There is adequate evidence for it.

3) It is self-evident, and accepted as an axiom.

4) It is an assumption.

Re the second point above, consider the first three of Euclid’s postulates. They are as follows.

Let the following be postulated:

Postulate 1. To draw a straight line from any point to any point.

Postulate 2. To produce a finite straight line continuously in a straight line.

Postulate3. To describe a circle with any centre and distance.

Euclid does not say that he is using a straight edge and compasses; however, these first three postulates refer to what you can do with them, as anyone familiar with these instruments will be aware. What is being relied on here is evidence obtained from use of a straight edge and compasses.

Euclid gives two more postulates and five common notions .  These seven are not supported

by evidence, and so, since being self-evident is no longer considered to be grounds for accepting a statement we are obliged to treat them as assumptions. That is to say, instead of being soundly based Euclid’s Elements rests on seven assumptions (plus three postulates which are well supported  by evidence

The other point covered by the above analysis is that being adequately supported by evidence is grounds for accepting a statement, and this applies to Principles 1 and 2 used in the proof given above. (The evidence is spelt out in Essay 6 of the Eight Essays On Geometry for an Oral Tradition.)

So much for the three books of the title; now for the paper.

WHAT THE PAPER A MUCH-NEEDED INNOVATION IN GEOMETRY CONTRIBUTES

It explains how a Vedic mathematics approach proved helpful in formulating the foundations for Geometry for an Oral Tradition, in various ways. These include:

1) Having no more than a handful of geometry proofs initially , a completely fresh start for the study of geometry was needed.

2) The paper explains why there was no reason to suppose that axioms are needed in Vedic geometry.

3) The Vedic tradition is an oral one, which draws attention to the vital role of language and especially of speech in the study. (This is discussed further in the paper A Much-needed Innovation in Geometry, and also in Geometry for an Oral Tradition, both in the Preliminaries and in the Commentary, Part II, Section 3(f).)

4) The word ‘Innovation’ in the title of the paper refers to treating determination of the foundations as a problem to be solved. Euclid did not do this and there is no reason to think that anyone else has thought of doing so prior to the present project.

The Vedic approach has made a contribution here, too, as the above-mentioned ‘Innovation’ paper explains.

Note that this ‘problem to be solved’ approach was crucial to eventual success. (See Essays 3 and 7 of the Eight Essays on Geometry for an Oral Tradition for an explanation of how the foundations were worked out.)

* * * * * * * * * *

Finally, two matters conclude the present paper; they are:

(i) A statement of the foundations of geometry.

(ii) An example of Euclid’s proof of one of his theorems, and the brief proof of the same theorem given in both The Circle Revelation and Geometry for an Oral Tradition.

(i) THE FOUNDATIONS OF GEOMETRY

These consist of the two Principles given above, plus the first three Provisions given in Geometry for an Oral Tradition. The three Provisions can readily be seen to be indispensable for the study:for remove any one of them and the study is not possible.

PROVISIONS

1. A language, in use.

2. A means of drawing figures in a plane, using a straight edge and compasses.

3. The ability to recognise valid reasoning.

PRINCIPLES

1. Once completed, a figure drawn in a plane at rest remains unchanged.

2. If any two planes are in relative motion, either may be used as the standard of rest. That is to say, all states of rest and motion are relative.

There are a few further points to be made concerning these foundations.

1. Euclid takes Principle 1 for granted without mentioning it, and Geometry for an Oral Tradition likewise.

2. Principle 2 is necessary because it is well-established that space is relative. In combination with Principle 1, Principle 2 also meets the need to start the sequence of Propositions off, via proof of the postulate used in Geometry for an Oral Tradition.

3. Thus Principles 1 and 2 are necessary for the study, and so are the three Provisions (the indispensables). To establish that the foundations are both NECESSARY and SUFFICIENT for the study, we now need to show to what extent they suffice. They certainly suffice to take the sequence of propositions at least as far as elementary properties of s circle, as Geometry for an Oral Tradition shows; we cannot rule out that they suffice to take the investigation much further.

(ii) TWO PROOFS OF A THEOREM

Euclid’ proof of Book I Proposition 32 is given in an attachment. It shows that the angles in a triangle total two right angles. In Geometry for an Oral Tradition the same theorem is covered by Proposition B17, which states that the angles in a triangle total a half turn. The proof is given in a second attachment; The Circle Revelation re-presents this proof in a more informal way

http://conference.vedicmaths.org/2016%20Conference/The%20sutras%20of%20VM%20in%20Geometry.pdf

In India Math was synonymous to the context of spiritual pursuit. Spiritually advanced India was a grandmaster in the principles of mathematics, yet we saw no necessity to explore those principles beyond that which was helpful in the advancement of God realization.

Intoxicated by the gross power inherent in STOLEN from India mathematical principles, later western civilizations, succumbing to the all-inviting arms of illusion, employed these principles and further explored them in an attempt to conquer nature.

Both Archimedes and Pythagoras ( both studied at Kodungallur University ) had NOTHING original of their own . Whatever they published in the names-  every last vestige was stolen from India

Capt. Ajit Vadakayil

November 26, 2016 at 3:55 PM

LEONARDO DA VINCI IS A CHARLATAN WHO KNEW DAMN WELL THAT JESUS CHRIST WAS COOKED UP AT THE FIRST COUNCIL OF NICEA IN 325 AD. SO ALL HIS PAINTINGS OF CHRIST ARE FOUL LIES..

read all 4 parts of the post below ---

http://ajitvadakayil.blogspot.in/2016/04/apollonius-or-jesus-christ-who-is-real.html

Also-

http://ajitvadakayil.blogspot.in/2016/10/the-huge-statue-of-colossus-of-rome-at.html

HE WAS NO GENIUS-- ALMOST ALL HIS TECHNOLOGICAL DRAWINGS ARE LIFTED FROM INDIA( VIA ARABS ) LIKE FIBONACCI -- HE JUST INNOVATED A BIT.

http://ajitvadakayil.blogspot.in/2010/12/perfect-six-pack-capt-ajit-vadakayil.html

The book De divina proportione (On the Divine Proportion) on mathematics written by Luca Pacioli and illustrated by Leonardo da Vinci, is 100% lifted from Vedas-- Brahmanas and Aranyakas. It related to the golden mean of Sri Yantra .

In De divina he explores its relation to the five regular (or Platonic) solids: the cube, tetrahedron and octahedron (used by the Pythagoras who studied in Kodungallur University )

The Pythagoreans had assigned each figure to an element: the cube to earth; the tetrahedron to fire; the octahedron to air; the icosahedron to water; and the dodecahedron to heavenly ether. ( VAASTU stuff lifted and fudges ).

THIEF Pacioli says he’s included in his book all the material forms of geometric bodies which have ‘hitherto been unknown to the living’.

"The geometric expression of divine proportion involves three lengths and God also contains three (the Holy Trinity of Father, Son and Holy Ghost)"--LIFTED FROM INDIAN TRINITY.

THIEF Pacioli proposes a fifth, esoteric, quality shared by the divine proportion and the Christian God, which he derives from Plato: ‘As God has conferred being to heavenly virtue as a fifth substance, and by means of this fifth substance has extended being to the other four simple bodies or four elements (earth, water, air and fire) and through these to every other thing in nature, so in our divine proportion, following the ancient Plato in his Timaeus, we give formal being to Heaven itself by creating for it the body called the dodecahedron or the body of twelve pentagons.’

BRAAAAYYYY !

SORRY PLATO STUDIED IN KODUNGALLUR UNIVERISTY AND HAD NO UNDERSTANDING OF WHAT HE STOLE AND PATENTED IN HIS NAME

http://ajitvadakayil.blogspot.in/2016/10/eight-sided-pyramid-of-giza-egypt.html

1.618 IS CALLED THE VEDIC MEAN ( INHERENT IN SRI YANTRA )

Thief Leonardo da Vinci is the most overrated man on this planet—so says Capt Ajit Vadakayil.

Leonardo Da Vinci never actually built or tested most of his inventions --he just drew in a grander manner ( what he stole )

Leonardo lifted from Ismail al-Jazari-- everything 100% of Al Jazari's works are patented from what Calicut king sold to him for gold.

I wont waste my time over Al Jazari -- all you must know , is that his elephant clock is a water clock in the form of a Kerala elephant and Vishnu's Garuda in top. There were no elephants in Al Jazari baby’s country.

Ibn Batuta had describes this clock in the Calicut Kings bedroom. A reproduction of the elephant clock can be seen in the Ibn Battuta Mall, Dubai.

http://ajitvadakayil.blogspot.in/2011/08/ibn-battuta-at-calicut-capt-ajit.html

https://www.youtube.com/watch?v=ug5F-_KzKMI

Al-Jazari pre-dates Da Vinci by more than 200 years, and his STOLEN knowledge has programmable analog computers, camshaft, segmented gears, and more. His book is much more detailed than Leonardo da Vinci’s drawings-- all of his designs work

Leonardo Da Vinci just scrounged through Al Jazari's works .

Every things attributed to Greek Archimedes is stolen from Kodungallur university. This man studied here.    Kerala Calculus was verified by making models and immersing it in water. There is NO other way.

http://ajitvadakayil.blogspot.in/2011/01/isaac-newton-calculus-thief-capt-ajit.html

MY REVELATIONS NOW JUMP TO 22.75 %

EVERY THIEF WILL MEET HIS WATERLOO IN THIS WEBSITE

capt ajit vadakayil

..

ReplyDelete

As did Plato ( who studied in Kodungallur Univesity ) , Archimedes scorned practical mathematics. Both did NOT understand simple math

The Vedic Shulba Sutras meaning "codes of the rope," show that the earliest geometrical and mathematical investigations among the Indians arose from certain requirements of their religious rituals.  

When the poetic vision of the Vedic seers was externalized in symbols, rituals requiring altars and precise measurement became manifest, providing a means to the attainment of the unmanifest world of consciousness. 

"Shulba Sutras" is the name given to those portions or supplements of the Kalpasutras, which deal with the measurement and construction of the different altars or arenas for religious rites. The word shulba refers to the ropes used to make these measurements.

The Shulba Sutras are part of the larger corpus of texts called the Shrauta Sutras, appendices to the Vedas.

Math cannot take the mystery out of life without doing away with life itself, for it is life's mystery, its unpredictability — the fact that it is dynamic, not static — that makes it alive and worth living.

Although Vedic mathematicians are known primarily for their computational genius in arithmetic and algebra, the basis and inspiration for the whole of Indian mathematics is divine geometry.

The beginnings of algebra can be traced to the constructional geometry of the Vedic priests, which are preserved in the Shulba Sutras penned down in 5000 BC . 

Exact measurements, orientations, and different geometrical shapes for the altars and arenas used for the religious functions (yajnas), which occupy an important part of the Vedic religious culture, are described in the Shulba Sutras. Many of these calculations employ the geometrical formula known as the Pythagorean theorem.

             

Pythagoras theorm, equating the square of the hypotenuse of a right angle triangle with the sum of the squares of the other two sides, was utilized in the earliest Shulba Sutra

The exact wording of the theorem as presented in the Sulba Sutras is: "The diagonal chord of the rectangle makes both the squares that the horizontal and vertical sides make separately."

The proof of this fundamentally important theorem is well known from Euclid's time until the present for its excessively tedious and cumbersome nature; yet the Vedas present five different extremely simple proofs for this theorem.

 One historian, Needham, has stated, "Future research on the history of science and technology in Asia will in fact reveal that the achievements of these peoples contribute far more in all pre-Renaissance periods to the development of world science than has yet been realized."

The Shulba Sutras have preserved only that part of Vedic mathematics which was used for constructing the altars and for computing the calendar to regulate the performance of religious rituals. 

After the Shulba Sutra period, the main developments in Vedic mathematics arose from needs in the field of astronomy. The Jyotisha, science of the luminaries, utilizes all branches of mathematics.

The need to determine the right time for their religious rituals gave the first impetus for astronomical observations. 

With this desire in mind, the priests would spend night after night watching the advance of the moon through the circle of the 27 nakshatras (lunar mansions), and day after day the alternate progress of the sun towards the north and the south.

 THE BRITISH EVEN TODAY DO NOT KNOW THAT THE STONGE HENGE HAS 27 PORTALS –AND THAT THE DRUIDS WERE INDIAN SAGES

However, the priests were interested in mathematical rules only as far as they were of practical use. These truths were therefore expressed in the simplest and most practical manner. Elaborate proofs were not presented, nor were they desired.

 The Vedic mathematicians had developed the decimal system of tens, hundreds, thousands, etc. where the remainder from one column of numbers is carried over to the next. The advantage of this system of nine number signs and a zero is that it allows for calculations to be easily made. 

Further, it has been said that the introduction of zero, or sunya as we Indians called it, in an operational sense as a definite part of a number system, marks one of the most important developments in the entire history of mathematics

"Indian numerals," evolved from the brahmi numerals, assumed common usage, spreading to Arabia and from there around the world. When Arabic numerals (the name they had then become known by) came into common use throughout the Arabian empire, which extended from India to Spain, Europeans called them "Arabic notations," because they received them from the MIDDLEMEN  Arabians.   

However, the Arabians themselves called them "Indian figures" (Al-Arqan-Al-Hindu) and mathematics itself was called "the Indian art" (hindisat). 

They made NO claim that it was their brainwork ( never mind desh drohi Zakir Naik )

Arab Trigonometry is 100% from Kodungallur University

Carl Friedrich Gauss, the "prince of mathematics," was said to have lamented that Archimedes in the third century B.C.E. had failed to foresee the Indian system of numeration; how much more advanced science would have been.

German Jew Johann Carl Friedrich Gauss ( died 1855) was a German mathematician who contributed significantly to many fields, including number theory, algebra, statistics, analysis, differential geometry, geodesy, geophysics, mechanics, electrostatics, astronomy, matrix theory, and optics. Whatever is patented in his name is lifted from India

Jew Rothschild gave him the title  Princeps mathematicorum   OR  "the foremost of mathematicians") and "greatest mathematician since antiquity"—BALLS !

http://indiatoday.intoday.in/story/maths-nobel-fields-medal-manjul-bhargava-solved-gauss-200-year-old-number-theory-puzzle/1/376911.html

Indians  were the first to make systematic use of the letters of the alphabet to denote unknowns. They were also the first to classify and make a detailed study of equations—today known as  algebra."

The rishis (seers) were not men lacking in practical knowledge of the world, dwelling only in the realm of imagination. They were well developed in  knowledge, yet only insofar as they felt it was necessary within a world view in which consciousness was held as primary.

In ancient India, mathematics served as a bridge between understanding material reality and the spiritual conception. Vedic mathematicians strongly felt that every discipline must have a purpose, and believed that the ultimate goal of life was to achieve self-realization and love of God and thereby be released from the cycle of birth and death.

"In order to help the pupil to memorize the material studied and assimilated, they made it a general rule of practice to write even the most technical and abstruse textbooks in sutras or in verse (which is so much easier-even for the children-to memorize). 

And this is why we find not only theological, philosophical, medical, astronomical, and other such treatises, but even huge dictionaries in Sanskrit verse! So from this standpoint, they used verse, sutras and codes for lightening the burden and facilitating the work (by versifying scientific and even mathematical material in a readily assimilable form)!"

The code used is as follows:--

The Sanskrit consonants

ka, ta, pa, and ya all denote 1;

kha, tha, pha, and ra all represent 2;

ga, da, ba, and la all stand for 3;

Gha, dha, bha, and va all represent 4;

gna, na, ma, and sa all represent 5;

ca, ta, and sa all stand for 6;

cha, tha, and sa all denote 7;

ja, da, and ha all represent 8;

jha and dha stand for 9; and

ka means zero.

Vowels make no difference and it is left to the author to select a particular consonant or vowel at each step. This great latitude allows one to bring about additional meanings of his own choice. For example kapa, tapa, papa, and yapa all mean 11. By a particular choice of consonants and vowels one can compose a poetic hymn with double or triple meanings. Here is an actual sutra of spiritual content, as well as secular mathematical significance.

gopi bhagya madhuvrata

srngiso dadhi sandhiga

khala jivita khatava

gala hala rasandara

While this verse is a type of petition to Krishna, when learning it one can also learn the value of pi/10 (i.e. the ratio of the circumference of a circle to its diameter divided by 10) to 32 decimal places. It has a self-contained master-key for extending the evaluation to any number of decimal places.

The translation is as follows:

O Lord anointed with the yogurt of the milkmaids' worship (Krishna), O savior of the fallen, O master of Shiva, please protect me.

At the same time, by application of the consonant code given above, this verse directly yields the decimal equivalent of pi divided by 10: pi/10 = 0.31415926535897932384626433832792. Thus, while offering mantric praise to Godhead in devotion, by this method one can also add to memory significant  truths.

Mathematical Sutras--

Consider the following three sutras:

1. "All from 9 and the last from 10," and its corollary: "Whatever the extent of its deficiency, lessen it still further to that very extent; and also set up the square (of that deficiency)."

2. "By one more than the previous one," and its corollary: "Proportionately."

3. "Vertically and crosswise," and its corollary: "The first by the first and the last by the last."

The first rather cryptic formula is best understood by way of a simple example: let us multiply 6 by 8.

1. First, assign as the base for our calculations the power of 10 nearest to the numbers which are to be multiplied. For this example our base is 10.

2. Write the two numbers to be multiplied on a paper one above the other, and to the right of each write the remainder when each number is subtracted from the base 10. The remainders are then connected to the original numbers with minus signs, signifying that they are less than the base 10.

3. The answer to the multiplication is given in two parts. The first digit on the left is in multiples of 10 (i.e. the 4 of the answer 48). Although the answer can be arrived at by four different ways, only one is presented here. Subtract the sum of the two deficiencies (4 + 2 = 6) from the base (10) and obtain 10 - 6 = 4 for the left digit (which in multiples of the base 10 is 40).

4. Now multiply the two remainder numbers 4 and 2 to obtain the product 8. This is the right hand portion of the answer which when added to the left hand portion 4 (multiples of 10) produces 48.

Another method employs cross subtraction. In the current example the 2 is subtracted from 6 (or 4 from 8) to obtain the first digit of the answer and the digits 2 and 4 are multiplied together to give the second digit of the answer. This process has been noted by historians as responsible for the general acceptance of the X mark as the sign of multiplication. The algebraical explanation for the first process is

(x-a)(x-b)=x(x-a-b) + ab

where x is the base 10, a is the remainder 4 and b is the remainder 2 so that

6 = (x-a) = (10-4)

8 = (x-b) = (10-2)

The equivalent process of multiplying 6 by 8 is then

x(x-a-b) + ab or

10(10-4-2) + 2x4 = 40 + 8 = 48

These simple examples can be extended without limitation. Consider the following cases where 100 has been chosen as the base:

97 - 3 93 - 7 25 - 75

78 - 22 92 - 8 98 - 2

______ ______ ______

75/66 85/56 23/150 = 24/50

In the last example we carry the 100 of the 150 to the left and 23 (signifying 23 hundred) becomes 24 (hundred). Herein the sutra's words "all from 9 and the last from 10" are shown. The rule is that all the digits of the given original numbers are subtracted from 9, except for the last (the righthand-most one) which should be deducted from 10.

Consider the case when the multiplicand and the multiplier are just above a power of 10. In this case we must cross-add instead of cross subtract. The algebraic formula for the process is: (x+a)(x+b) = x(x+a+b) + ab. Further, if one number is above and the other below a power of 10, we have a combination of subtraction and addition: viz:

108 + 8 and 13 + 3

97 - 3 8 - 2

_______ ______

105/-24 = 104/(100-24) = 104/76 11/-6 = 10/(10-6) = 10/4

The Sub-Sutra: "Proportionately" Provides for those cases where we wish to use as our base multiples of the normal base of powers of ten. That is, whenever neither the multiplicand nor the multiplier is sufficiently near a convenient power of 10, which could serve as our base we simply use a multiple of a power of ten as our working base, perform our calculations with this working base and then multiply or divide the result proportionately.

To multiply 48 by 32, for example, we use as our base 50 = 100/2, so we have

Base 50 48 - 2

32 - 18

 ______

2/ 30/36 or (30/2) / 36 = 15/36

Note that only the left decimals corresponding to the powers of ten digits (here 100) are to be effected by the proportional division of 2. These examples show how much easier it is to subtract a few numbers, (especially for more complex calculations) rather than memorize long mathematical tables and perform cumbersome calculations the long way.

Squaring Numbers

The algebraic equivalent of the sutra for squaring a number is: (a+-b)2 = a2 +- 2ab + b2 . To square 103 we could write it as (100 + 3 )2 = 10,000 + 600 + 9 = 10,609. This calculation can easily be done mentally. Similarly, to divide 38,982 by 73 we can write the numerator as 38x3 + 9x2 +8x + 2, where x is equal to 10, and the denominator is 7x + 3. It doesn't take much to figure out that the numerator can also be written as 35x3 +36x2 + 37x + 12. Therefore,

38,982/73 = (35x3 + 36x2 +37x + 12)/(7x + 3) = 5x2 + 3x +4 = 534

This is just the algebraic equivalent of the actual method used. The algebraic principle involved in the third sutra, "vertically and crosswise," can be expressed, in one of it's applications, as the multiplication of the two numbers represented by (ax + b) and (cx + d), with the answer acx2 + x(ad + bc) + bd. Differential calculus also is utilized in these sutras for breaking down a quadratic equation on sight into two simple equations of the first degree. 

Many additional sutras are given which provide simple mental one or two line methods for division, squaring of numbers, determining square and cube roots, compound additions and subtractions, integrations, differentiations, and integration by partial fractions, factorisation of quadratic equations, solution of simultaneous equations, and many more.   For demonstrational purposes, above are only the simplest of examples.

WHITE MEN POOH POOHED--HEATHEN PAGAN INDIAN WITH THEIR MOUNT MERU ON A TURTLE WARPPED UP IN A SNAKE  !  CHEEE CHEEEEEEE !!

http://ajitvadakayil.blogspot.in/2011/11/fractal-mind-of-srinivasa-ramanujan.html

SOMEBODY JUST SHOT SHIT ON ME

HE DEMANDS TO KNOW

WHY AM I WRITING ALL THIS IMPORTANT STUFF IN PART 73 ?

WHY NOT BEFORE ?

AIIIYYYOOOOOOOOOOOOOOOOOO !

The shortest and most sacred of Vedic meters is the Gayatri metre.

It consists of three octosyllabic feet (pada, 3x8) with 24 syllables.

The following is an example of a Rigvedic hymn in Gayatri meter:

The hymn:

इन्द्रमिद्गाथिनो बृहदिन्द्रमर्केभिरर्किणः इन्द्रं वाणीरनूषत ॥१॥

Transliteration in 3x8 format:

indram id gāthino bṛhad

indram arkebhir arkiṇaḥ

indraṃ vāṇīr anūṣata

Musical beats:

_ ‿ _ _ / ‿ _ ‿ ‿ // _ ‿ _ _ / ‿ _ ‿ ‿ // _ _ _ _ / ‿ _ ‿ ‿

DUM da DUM DUM / da DUM da da // DUM da DUM DUM / da DUM da da // DUM DUM DUM DUM / da DUM da da

Translation:

The chanters have loudly chanted to Indra,

the singers have sung their songs to Indra,

the musicians have resounded to Indra. 

— Rigveda 1.7.1- 5000 BC 

 

The major Vedic meters
Meter	Structure	Mapped Sequence	Usage
Gayatri	24 syllables; 3 verses of 8 syllables	6x4	Rigveda 7.1.1-30, 8.2.14
Ushnih	28 syllables; 2 verses of 8; 1 of 12 syllables	7x4	Rigveda 1.8.23-26
Anushtubh	32 syllables; 4 verses of 8 syllables	8x4	Rigveda 8.69.7-16, 10.136.7
Brihati	36 syllables; 2 verses of 8; 1 verse of 12; 1 verse of 8 syllables	9x4	Rigveda 5.1.36, 3.9.1-8
Pankti	40 syllables; 5 verses of 8 syllables	10x4	Rigveda 1.191.10-12
Tristubh	44 syllables; 4 verses of 11 syllables	11x4	Rigveda 4.50.4, 7.3.1-12
Jagati	48 syllables; 4 verses of 12 syllables	12x4	Rigveda 1.51.13, 9.110.4-12

There are several other minor metres found in the Vedas, such as:-

·         Virāj: 4 padas of 10 syllables

·         Kakubh

For a given metre, (A) the number of guru syllables, (B) the number of laghu syllables, (C) the total number of syllables, and (D) the total number of mātras, giving expressions for each of these in terms of any two of the other three. (The basic relations being that C=A+B and D=2A+B.)

THE POWER OF VEDAS ( SAMHITA )  IS IN THE SOUND.  THE MEANING IS ONLY TO INSTILL A SENSE OF GRATITUDE.

The structure of meters in Sanskrit prosody include those based on fixed number of syllables per verse, and those based on fixed number of morae per verse

A MATRA ( mora  ) is a unit in phonology that determines syllable weight, which in some languages determines stress or timing.

For example, the short vowel "a" ( AAH) is assigned a value of one mātrā, the long vowel "ā" is assigned a value of two mātrās, and the compound vowel (diphthong) "ai" (which has either two simple short vowels, "a"+"i", or one long and one short vowel, "ā"+"i") is assigned a value of two mātrās.

Monomoraic syllables have one mora, bimoraic syllables have two, and trimoraic syllables have three

Sanskrit prosody and metrics  take into account moraic weight, as it were, rather than straight syllables, divided into "laghu" ( "light") and "dīrgha" / "guru"  /  "heavy") feet based on how many morae can be isolated in each word

The Gayatri meter was structured with 3 verses of 8 syllables (6x4), the Usnih with 2 verses of 8 and 1 of 12 syllables (7x4), the Anustubh with 4 verses of 8 syllables (8x4), Brihati with 2 verses of 8 followed by 1 each of 12 and 8 syllables (9x4), the Pankti with 5 verses of 8 syllables (10x4), the Tristubh with 4 verses of 11 syllables (11x4), and the Jagati meter with 4 verses of 12 syllables each (12x4).

 In Vedic culture, the Chandas were revered for their perfection and resonance, with Gayatri meter treated as the most refined and sacred, and one that continues to be part of modern Hindu culture as part of Yoga and hymns of meditation at sunrise

The most exhaustive compilations of Sanskrit prosody contain over 600 meters.

The hymns of Rigveda include the names of meters which, for the discipline of Chandas (Sanskrit prosody)

The Brahmanas layer (second part of Vedas ) of Vedic literature, contain a complete expression of the Chandas

Panini's treatise on Sanskrit grammar distinguishes Chandas as verses that compose the Vedas, and Bhasya to be the speech language used for learned discourse and scholastic discussion of the Vedas

The Vedic Sanskrit texts employ fifteen meters, of which seven are common, and the most frequent are three (8-, 11- and 12-syllable lines).

The post-Vedic texts, such as the epics as well as other classical literature of Hinduism, deploy both linear and non-linear meters, many of which are based on syllables and others based on diligently crafted verses based on repeating numbers of morae (matra per foot)..

About 150 treatises on Sanskrit prosody from classical era are known, in which some 850 meters were defined and studied by the ancient and medieval Hindu scholars

A syllable (Akshara), in Sanskrit prosody, is a vowel with one or more consonants, or a vowel without any. The short syllable is one with short (hrasva) vowels, which are a (अ), i (इ), u (उ), ṛ (ऋ) and ḷ (ऌ). The long syllable is defined as one with long (dirgha) vowels, which are ā (आ), ī (ई), ū (ऊ), ṝ (ॠ), e (ए), ai (ऐ), o (ओ) and au (औ).

A stanza (pāda) is defined in Sanskrit prosody as a group of four verses, also called as four quarters. Indian prosody studies developed two types of stanzas. Vritta stanza are those that are crafted with precise number syllables, while Jati stanza are those that are designed based on syllabic instants (morae, matra).

The Vritta stanza are further recognized in three forms, with Samavritta where the four quarters are similar in its embedded mathematical pattern, Ardhasamavritta where alternate verses keep similar syllabic structure, and Vishamavritta where all four quarters are different.

A regular Vritta is defined as that where the total number of syllables in each verse is less than or equal to 26 syllables, while irregulars contain more.  When syllabic instants (matra) is the foundation of the Sanskrit prosody, a short syllable is counted as one instant, and a long syllable is counted as two instants.

The metres found in classical Sanskrit poetry are sometimes alternatively classified into three kinds.--

Syllabic verse ( aksharavritta): meters depend on the number of syllables in a verse, with relative freedom in the distribution of light and heavy syllables. This style is derived from older Vedic forms, and found in the great epics, the Mahabharata and the Ramayana…

Syllabo-quantitative verse (varṇavṛtta or varnavritta): meters depend on syllable count, but the light-heavy patterns are fixed.

Quantitative verse (mātrāvṛtta): meters depend on duration, where each verse-line has a fixed number of morae, usually grouped in sets of four.

In most of Sanskrit poetry the primary determinant of a meter is the number of syllables in a unit of verse, called the pāda ("foot" or "quarter"). Meters of the same length are distinguished by the pattern of laghu ("light") and guru ("heavy") syllables in the pāda.

The rules distinguishing laghu and guru syllables are the same as those for non-metric prose, and these are specified in Vedic Shiksha texts that study the principles and structure of sound, such as the Pratisakhyas. Some of the significant rules are:--

A syllable is laghu only if its vowel is hrasva ("short") and followed by at most one consonant before another vowel is encountered.

A syllable with an anusvara ('ṃ') or a visarga ('ḥ') is always guru.

All other syllables are guru, either because the vowel is dīrgha ("long"), or because the hrasva vowel is followed by a consonant cluster.

The hrasva vowels are the short monophthongs: 'a', 'i', 'u', 'ṛ' and 'ḷ'

All other vowels are dirgha: 'ā', 'ī', 'ū', 'ṝ', 'e', 'ai', 'o' and 'au'. (Note that, morphologically, the last four vowels are actually the diphthongs 'ai', 'āi', 'au' and 'āu', as the rules of sandhi in Sanskrit make clear.)

Gangadasa Pandita states that the last syllable in each pāda may be considered guru, but a guru at the end of a pāda is never counted as laghu.

For measurement by mātrā (morae), laghu syllables count as one unit, and guru syllables as two units.

Gaṇa (Sanskrit, "group") is the technical term for the pattern of light and heavy syllables in a sequence of three. It is used in treatises on Sanskrit prosody to describe meters

Pingala's method described any meter as a sequence of gaṇas, or triplets of syllables (trisyllabic feet), plus the excess, if any, as single units. There being eight possible patterns of light and heavy syllables in a sequence of three, Pingala associated a letter, allowing the meter to be described compactly as an acronym

Pingala's order of the gaṇas, viz. m-y-r-s-t-j-bh-n, corresponds to a standard enumeration in binary, when the three syllables in each gaṇa are read right-to-left with H=0 and L=1.

The sacred Gayatri meter of the Hindus consists of three of iambic dimeter lines, and this embedded meter alone is at the heart of about 25% of the entire Rigveda

The Vedic Sanskrit prosody included both linear and non-linear systems. The field of Chandas was organized around seven major meters,  called the "seven birds" or "seven mouths of Brihaspati", and each had its own rhythm, movements and aesthetics. The system mapped a non-linear structure (aperiodicity) into a four verse polymorphic linear sequence.

गायत्रेण प्रति मिमीते अर्कमर्केण साम त्रैष्टुभेन वाकम् ।

वाकेन वाकं द्विपदा चतुष्पदाक्षरेण मिमते सप्त वाणीः ॥२४॥

With the Gayatri, he measures a song; with the song – a chant, with the Tristubh – a recited stanza,

With the stanza of two feet and four feet – a hymn; with the syllable they measure the seven voices. ॥24॥

— Rigveda 1.164.24, 5000 BC

The seven major ancient Sanskrit meters are the three 8-syllable Gayatri, the four 8-syllable Anustubh, the four 11-syllable Tristubh, the four 12-syllable Jagati, and the mixed padas meters named Ushnih, Brihati and Pankti.

Beyond these seven meters, ancient  Sanskrit scholars developed numerous other syllable-based meters (Akshara-chandas). Examples include Atijagati (13x4, in 16 varieties), Sakkari (14x4, in 20 varieties), Atisakkari (15x4, in 18 varieties), Ashti (16x4, in 12 varieties), Atyashti (17x4, in 17 varieties), Dhriti (18x4, in 17 varieties), Atidhriti (19x4, in 13 varieties), Kriti (20x4, in 4 varieties) and so on

Gana-chandas or Gana-vritta, that is meters based on mātrās (morae, instants). The metric foot in these are designed from laghu (short) morae or their equivalents. 

Sixteen classes of these instants-based meters are enumerated in Sanskrit prosody, each class has sixteen sub-species. Examples include Arya, Udgiti, Upagiti, Giti and Aryagiti.

This style of composition is less common than syllable-based metric texts, but found in important texts of Hindu philosophy, drama, lyrical works and Prakrit poetry.

The entire Samkhyakarika text of the Samkhya school of Hindu philosophy is composed in Arya meter

 Sanskrit hymns, used meters as tools of literary architecture, wherein they coded a hymn's end by frequently using a verse of a meter different than that used in the hymn's body. However, they never used Gayatri meter to end a hymn or composition, possibly because it enjoyed a special level of reverence in Hindu texts.

In general, all meters were sacred and the Vedic chants and hymns attribute the perfection and beauty of the meters to divine origins, referring them as mythological characters or equivalent to gods.

Large and significant changes in meter, wherein the meter of succeeding sections return to earlier sections, is an indication of POISON INJECTION

The Anushtubh Vedic meter has been the most popular in classical and post-classical Sanskrit works It is also octosyllabic, next harmonic to Gayatri meter that is sacred to the Hindus, and it appears either in free verse or fixed syllabic form (shloka).

It has a rhythm, offers flexibility and creative space, but has embedded rules such as its sixth syllable is always long, the fifth syllable is always short; often, the seventh syllable in even numbered lines of a stanza is short (iambic) as well.

The Anushtubh is present in Vedic texts, but its presence is minor, and Trishtubh and Gayatri meters dominate in the Rigveda for example. A dominating presence of the Anushtubh meter in a text is a marker that the text is likely post-Vedic.

The Mahabharata, for example, features many verse meters in its chapters, but an overwhelming proportion of the stanzas, 95% are shlokas of the anustubh type, and most of the rest are tristubhs.

The Hindu epics and the post-Vedic classical Sanskrit poetry is typically structured as quatrains of four pādas (verses), with the metrical structure of each pāda completely specified. In some cases, pairs of pādas may be scanned together as the hemistichs of a couplet.

It is then normal for the pādas comprising a pair to have different structures, to complement each other aesthetically. Otherwise the four pādas of a stanza have the same structure.

The Chandas have been revered in Hindu texts for their perfection and resonance, with Gayatri meter treated as the most refined and sacred, and one that continues to be part of modern Hindu culture as part of Yoga and hymns of SURYANAMASKAR

The Vedic texts ( sruti ) were orally transmitted, for 330 centuries without the use of script, ( before being penned down 70 centuries ago )   in an unbroken line of transmission from teacher to student that was formalized early on.

THIS IS THE GREATEST FEAT EVER BY MAN .

This ensured an impeccable textual transmission superior to the classical texts of other cultures; it is, in fact, something like a tape-recording.... Not just the actual words, but even the long-lost musical (tonal) accent has been preserved up to the present.

BELOW : KANCHA ILAIH NAY SHEPHARD CRIED --  WE DALITS ALSO WANT TO CHANT!

CAN HE DO THIS FOR A LIFETIME-  LIKE STUDYING FOR EXAMS FOREVER ?

Capt. Ajit VadakayilApril 14, 2017 at 1:35 PM

THE MORALE OF OUR ARMED FORCES IN NOW AT ITS LOWEST EBB

THANKS TO DESH DROHIS FROM WITHIN

WE KNOW THE POLITICIANS 

WE KNOW THE BENAMI MEDIA BARONS

WE KNOW THE COLLEGIUM JUDGES

WE KNOW THE MEMBERS OF NCM

WE KNOW THE MEMBERS OF NHRC

WE KNOW THE FOREIGN FUNDED NGOs 

WHO SIDE WITH KASHMIRI STONE PELTERS, SEPARATISTS , JNU COMMIE PROFESSORS, NAXALS 

WE HAVE SHEEP LEADING OUR ARMY OF LIONS

COURT MARTIAL THE TOP ARMY COMMANDERS IN KASHMIR WHO HAVE CRUSHED THE MORALE OF OUR ARMY

PUT THESE TRAITOR COMMANDERS IN UNIFORM ON DESK DUTIES MEANT FOR OLD WOMEN 

PM MODI IS THE WEAKEST PRIME MINISTER SINCE INDEPENDENCE-- HIS WHOLE THRUST IS TO GET FAVOURABLE REPORTS FROM JEW ROTHSCHILDs MEDIA --IN HIS QUEST FOR NOBEL PRIZE

NARENDRA DAMODARDAS MODI--IF YOU CANT PROTECT BHARATMATA--FUCK OFF YOU GUJJU NO 2

NO TEARS WILL BE SHED FOR YOU 

WE THE PEOPLE WATCH !

capt ajit adakayil
..

1. 
   Shouri SumanApril 15, 2017 at 10:58 AM

   Whatever anyone says the basic fact is that everyone has a right to self defense including that Jawan. He should be completely legally allowed to use his weapon in self protection at any time. This is not restraint it's ridiculous. And look at Syria. In case of some places there is no peaceful solution possible. So we should use maximum force in Kashmir and displace the population there. Now is a good time as world in distracted by other crisis.
2. 
   Capt. Ajit VadakayilApril 15, 2017 at 12:02 PM

   IMAGINE ON A SHIP , THE CREW IS ALLOWED TO KICK AND SLAP THE CAPTAIN
   
   THE SYSTEM BREAKS DOWN
   
   THIS IS WHY WE NEED A 100% CHANGE IN MILITARY LEADERSHIP IN KASHMIR
   
   THE OLD LEADERSHIP HAS FAILED --THEY MUST BE PUNISHED 
   
   A TOP COMMANDER WHO CAUSES THE MORALE OF HIS ARMY TO BE CRUSHED IS CRIMINALLY GUILTY

   
   

   WARS ARE WON BY MORALE OF THE FIGHTING UNIT

   A FLOCK OF SHEEP WITH A LION IN CHARGE CAN WIN BATTLES
   
   

   A PRIDE OF LIONS LED BY A SHEEP WILL NEVER WIN A WAR

   
   AND ARUN JAITLEY IS UNFIT TO BE A DEFENCE MINISTER-- HE IS THERE ON THAT SEAT ONLY BECAUSE MODI THINKS HE CAN FOOL INDIANS WITH A 2 IN 1 ( FINANCE/ DEFENCE MINISTER ) --- 
   
   QUIETLY BUY ARMS FROM ISRAEL AND JEWISH FRONTS ( LIKE DASSAULT/ FRENCH RAFALE ) IN WESTERN NATIONS ..
   
   WE KNOW HOW MUCH PERCENTAGE KICKBACKS ISRAEL GIVES --AND WHO ALL IN INDIA MADE MONEY IN THE PAST ..
   
   https://en.wikipedia.org/wiki/Barak_Missile_scandal
   
   I KNOW THE PERCENTAGE ISRAEL GIVES ( KICKBACKS ) TO ALL NATIONS WHO BUY THEIR ARMS 
   
   http://www.hindustantimes.com/india-news/india-israel-seal-2-billion-missile-deals-what-it-means-for-new-delhi/story-xgm5OC7iYHNtuX1YDCV10J.html
   
   capt ajit vadakayil
   ..
3. 
   

Just remembered what happened 51 years ago. The song below is a VISHU KANI song ( meant to be played 14th April before dawn )

When I was 5 years old I had a neighbor girl Mallika also 5 years old

The song praises Krishna

I converted the lyrics to say MALLIKENDA  THALA MOTTA TALA AIYPOYEE ( while seeing Vishu Kani , Mallika became bald )

Mallika would cry loudly instantly , big tears flowing out of her eyes

"കണി കാണും നേരം കമലാനേത്രൻറെ നിറമേറും മഞ്ഞത്തുകിൽ ചാർത്തി കനകക്കിങ്ങിണി വളകൾ മോതിരം അണിഞ്ഞു കാണേണം ഭഗവാനേ  മലർമതിൻ  കാന്തൻ വസുദേവാത്മജൻ പുലർകാലേ പാടി കുഴലൂതി  ചിലുചിലെ എന്നു കിലുങ്ങും കാഞ്ചന ചിലമ്പിട്ടോടിവാ കണി കാണ്മാൻ ശിശുക്കളായുള്ള സഖിമാരും താനും പശുക്കളെ മേച്ചു നടക്കുമ്പോൾ വിശക്കുമ്പോൾ വെണ്ണ കവര്ന്നു ഉണ്ണും  കൃഷ്ണൻ  അടുത്തു വാ ഉണ്ണി കണി കാണ്മാൻ  വാല സ്ത്രീകള്ടെ തുകിലും വാരിക്കൊണ്ട് - അരയാലിൻ കൊമ്പത്തിരുന്നോരോ ശീലക്കേടുകൾ പറഞ്ഞും ഭാവിച്ചും നീലക്കാർവർണ്ണാ കണി കാണാൻ  ഇതിലെ ഗോവിന്ദൻ അരികെ വന്നോരോ  പുതുമായായുള്ള വചനങ്ങൾ മധുരമാം വണ്ണം പറഞ്ഞും പാൽ മന്ദസ്മിതവും തൂകി വാ കണി കാണാൻ  കണി കാണും നേരം കമലനേത്രൻറെ  നിറമേറും മഞ്ഞത്തുകിൽ ചാർത്തി കനകക്കിങ്ങിണി വളകൾ മോതിരം അണിഞ്ഞു കാണേണം ഭഗവാനേ"

“Kani kanum neram kamala nethrante

Niramerum manja thukil charthi

Kanaka kingini valakal mothiram

Aninju kaanenam bhagavaane

Malarmathin kanthan vasudevathmajan

Pularkale paadi kuzhaloothi

Chiluchile ennu kilungum kanchana

Chilampittodiva kani kanaan

Shishukkalayulla saghimarum thanum

Pashukkale meychu nadakkumbol

Vishakkumbol venna kavarnnunnum krishnan

Aduthu vaa unni kani kanaan

Vaala shreekade thukilum varikond-

Arayalin kombathirunnoro

Sheelakkedukal paranjum bhavichum

Neela karvarna kani kanaan

Ithile govindan arike vannoro

Puthumayaayulla vachanangal

Madhuramaam vannam paranjum pal

Mandasmithavum thooki vaa kani kanaan

Kani kanum neram kamala nethrante

Niramerum manja thukil charthi

Kanaka kingini valakal mothiram

Aninju kaanenam bhagavaane”

THIS POST IS NOW CONTINUED TO PART 74, BELOW-

http://ajitvadakayil.blogspot.in/2017/04/sanatana-dharma-hinduism-exhumed-and_1.html

CAPT AJIT VADAKAYIL
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