Friday, September 28, 2018

SANATANA DHARMA , HINDUISM EXHUMED AND RESURRECTED, PART 109 - CAPT AJIT VADAKAYIL



This post is continued from part 108, below-






One of my readers Sangeetha asked me about Draupadi and her five husbands.

Well I have written about it before, but I will write again in this SANATANA DHARMA SERIES.

This is because if I don’t reveal it nobody else can. Since Mahabharata was written by Vyasa, nobody has been able to explain the allegory of Draupadi and her 5 Pandava husbands.

HINDUS HAVE BEEN THE BUTT OF ALL SARCASM FROM MUSLIMS, CHRISTIANS AND ATHIESTS , BECAUSE QUEEN DRAUPADI WAS HAVING SEX WITH FIVE HUSBANDS.    

WE HAD FRENCH BIMBETTE  UGLY KALKI KOECHLIN RUBBING IT IN AT A CONCLAVE HELD BY INDIA TODAY OWNER ,  AROON PURIE.   
KALKI BABY CRIED  ” I COULD NOT HANDLE ONE HUSBAND, ( ALLUDING TO EXCESSIVE DEMNDS FOR SEX ),WONDER HOW DRAUPADI MANAGED WITH FIVE !”.. 

AS IF ON CUE THE WHOLE HALL PACKED WITH ANTI-HINDU DROHIS BROKE INTO JEERS AND CAT CALLS.

THESE PATHETIC BASTARDS DO NOT KNOW THAT SANATANA DHARMA EPICS ARE LOADED WITH COSMIC ALLEGORIES AT MACRO AND MICRO SCALE. 

EVERY HINDUS GOD EXCEPT VISHNU AVATARS RAMA, KRISHNA AND AYYAPPA ARE COSMIC ALLEGORIES.

IF RAVANA IS MENTIONED IN RAMAYANA AS HAVING TEN HEADS , IT IS JUST AN ALLEGORY FOR HAVING TEN HEADS WORTH OF KNOWLEDGE IN ONE SINGLE HEAD.

DRAUPADI IS AN ALLEGORY FOR KUNDALINI  SHAKTI..

Draupadi  is the most important female character in the Hindu epic Mahabharata.

The war happened due to her sarcastic taunt when King Duryodhana fell into a pool , tricked by illusions created by Maya Danava. She screamed  and laughed ANDHASYA PUTRA ANDAHAH ( son of blind parents is blind too )

Duryodhana felt that his chaste mother Gandhari who did the ultimate sacrifice of a BHARATIYA NAARI and blindfolded herself , did not deserve such an insult.

Duryodhana seetHing with anger stepped out of the pool and declared tersely QUEEN DRAUPADI, THIS INSULT TO MY PARENTS  WILL COST YOU DEAR.

In Mahabharata, Draupadi came out of a yagya.

She was NOT born like you and me. She came directly out of the yagya fire at the ripe age to be married right away.



King Drupada  performed a yajña called Putrakameshti yajna to obtain a means of blessing him. From the sacrificial fire, Draupadi emerged as a beautiful dark-skinned young woman..

When she emerged from the fire, a heavenly voice said that she would bring about the destruction of the Kuru line and all were stunned.

Draupadi ( Indrasena in her previous birth ) was a daughter of an ascetic Sage Moudgalya .   She did a hard tapasya to please Lord Shiva as she could not get a husband worthy of her . 

After many years of penance, Lord Shiva was pleased with her and appeared to grant a boon.

Draupadi  ( Indrasena )  asked for a husband with five qualities in her next life . The first that he should be a moral man. Second, he should be valiant. Third he should be good looking. Fourth, he should be knowledgeable and fifth that he should be kind and loving.

Lord Shiva thought for a while and then he said that all these five qualities could not exist in one person.

Therefore he blessed Draupadi with the boon that in her next birth, she would have five husbands who would possess all the five qualities, individually.

Hence, when she was born as Draupadi to king Drupad, she was pre-destined to get married to the five brothers.

THIS IS AN ALLEGORY THAT THERE IS NO BUNGEE JUMP FOR THE KUNDALINI UP THE UPPER CHAKRAS ..



AND THERE IS NO INSTANT BUNJEE JUMP FOR THE SOUL AFTER DEATH TO THE SEVENTH ASTRAL LAYER FOR MOKSHA.

THE SOUL CAN EVOLVE FROM THE FIRST ASTRAL LAYER TO THE SEVENTH ASTRAL LAYER ONLY IF IT INCREASES ITS  FREQUENCY. SOUL FREQUENCY IS TIED TO THE WEIGHT OF NEGATIVE KARMIC BAGGAGE.

THE KUNDALINI RISES CHAKRA TO CHAKRA ONLY IF THE SOUL FREQUENCY INCREASES . 

WITH EVERY RISE OF THE KUNDALINI ON THE SEVEN CHAKRA STEPS , THE BODY AURA INCREASES BY ONE COLORED LAYER, OF THE SEVEN RAINBOW COLOURS.

NOW LET US LOOK AT THE FINAL SCENE OF THE MAHABHARATA EPIC.

After the great Kuruskhetra war , that  nearly destroyed humankind and humanity alike, the battle field lay still ! The battle was over , and the vast field lay blood soaked and strewn with bodies of kings, princes and soldiers .

There was no mood for hip-hip huzzah among the surviving Pandava army. Most stood sullen and stunned by the gruesome scene .They were devastated at the destruction that a single war had caused.

Stunned and speechless, they scanned the battle field to check out for survivors among the lifeless.  Gandhari with her blind fold still in place was crying over her dead sons.  

She was rambling in extreme grief , her speech slurred. “Duryodhana , my son , open your eyes. speak to me my first born…A hundred did we bear, all fine and proud. Was it for such a foolish end? Her husband, the blind king Dritharashtra stood by, looking lost.

The Pandavas and Krishna hurried over to Gandhari and Dritharashtra, to offer their respects, apologies and condolences.  Sanjaya, the king’s escort, gently bent down to Gandhari, to inform the blindfolded woman of the arrival of the Pandavas and Krishna. Her grief turned to a burning rage .





She went up to Krishna and screamed .The Pandavas recoiled in fear.  Gandhari cried out to Krishna “You, who I worshipped as Vishnu and You, known as an avatar of the supreme godhead. Aren’t you ashamed of your doings? Could you not have averted this war with your divine will and power? Is this how you answer my prayers? Ask your mother, Devaki, the pain of losing a child. She had seven of her children being killed at birth and now I have seen a hundred sons of mine being butchered to death” .

Krishna laughed gently.

She now vented her steam “ Oh mocking god , If my years of Vishnu bhakthi have been true, and if I have been true to my husband with this blindfold, then, may you die in 36 years from today. May Dwaraka be floodeld , may every one of your Yadava kin perish by killing each other, just as you made the kins of Kuru kill one another. May the Yadavas perish “

Suddenly the gravity of her words dawned on her . She has indeed been true to her devotion to Vishnu and to her blindfold . Her curse would take effect .  Her anger vapourised and she fell at Krishna’s feet for foregiveness .

Krishna smiled and gently lifted her up. He whispered “ Oh mother , your curse will take effect, not only because of your true devotion towards me and your husband, but also due to the ever changing sands of time. In the mean time, let’s attend to the tending of the dead and sending them away on their journey to the heavens.” Lord Krishna walked past the stunned Pandavas.

After the war was over Krishna was himself contemplating the end of the snooty Yadav race. They were very powerful under the protection of lord Krishna so no external force could defeat them.  If the Yadavas were unharnessed , they will become a burden to the planet. 

Krishna realized the gravity of the situation and the importance of bringing the destruction of his own beloved race.  Gandhari’s curse came at the right time as if on divine cue.

Days flew by after the coronation of Yudhishtra as the king of Hasthinapur. Krishna went back to Dwaraka to rule over the prosperous kingdom.  Slowly but steadily the the curse of Gandhari bore fruit.

The pompous Yadavas shed their conduct, morals, scruples and humility.  One incident sealed their fate. Some great sages were on pilgrimage and they stopped by at Dwarka to meet Krishna and Balarama.

The Yadavas, which included Bhodakas, Vrishnis, Kekeyas and Andakas, were now at the peak of wanton uncouth behavior.  

A bunch of cocky Yadava boys decided to tease the sages. They dressed Samba, the handsome son of Krishna  as a woman and tied pillows on his stomach to make the woman look pregnant.

They approached the sages and asked them to predict whether the 'lady' would give birth to a boy or a girl.  The dismayed sages saw through this charade and were shocked at this lack of respect.  In anger, one of the sages cursed them saying that the disguised boy will give birth to a lump of iron which will destroy the entire Yadava race.



The Yadavas, again showed extreme disrespect and responded with sarcasm, instead of an apology.

There was a pall of fear and impending doom the next day when Krishna’s son Sambha developed labour pains and soon delivered an iron mace . They immediately rushed with the mace to Akroora and Ugrasena and in the presence of Krishna himself; they narrated the weird tide of events.

 Krishna knew the events which would transpire in future , and kept quiet.
Seeing Krishna silent , Akroora cried “Grind the mace to a fine powder and cast it into the ocean.” The Yadavas nodded and ran off in haste to comply.

Akroora looked with intent at Krishna, his eyes pregnant with questions.  Krishna simply smiled back. “Uncle, the Kala Chakra is now in motion .  Sambha has played his part perfectly.”

He left without another word, leaving both of them bewildered.

“What did he mean by that?” asked Ugrasena. “I can tell you that, father.”

Ugrasena turned around to the source of voice – Rukmini, the wife of Krishna . “Thirty six year ago, Krishna prayed to Shiva for a son like him—a god of destruction -does that mean anything?”

The time for chaste Gandari’s curse to take effect had arrived.

Outside the palace, the Yadavas had obeyed Akroora’s command and they ground the iron mace into fine powder—except for a stubborn triangular piece looking like an arrow head. It was too hard to grind . The Yadavas threw everything into the sea.

The fear disappeared and they went back to their wanton and rowdy behavior . They started to drink heavily and were intoxicated throughout the day.  Time rolled on. The triangular piece of the mace was swallowed by a fish. The fish was caught by a hunter, who upon finding the piece in the fish’s entrails immediately used it to craft a fine poisonous arrow.

The fine powder, on the other hand, washed back ashore and deposited itself by the beautiful coast of Dwaraka. A certain sharp serrated grass grew in lush abundance in the area where the powder was deposited. 

Everything was set and in place for the final showdown.

After 36 years of Mahabharat war, evil omens started to appear in the Dwaraka city. The Sudarshana chakra, Panchajanya shankh, the chariot of lord Krishna and the plough weapon of Balarama just disappeared from earth.   One day, the Yadavas gathered on the beach. The liquor that they drank made them lose their senses completely.

They started teasing one another, bringing up the gory pasts and gruesome mistakes of each other.  Satyaki and Krithavarma acted as the starting points of the doom of Dwaraka.  Satyaki had fought on Pandava’s side in the battle of Kurukshetra and Krithavarma, on the Kaurava side. They taunted one another, bringing back memories of the horrific war where the Pandavas cheated against the rules of war , aided and abetted by Krishna. 

Suddenly in a fit of rage, Satyaki, jumped on Krithaverma and cut his head off. The friends of Krithavarma pounced on Satyaki and a great mass brawl followed. 

Pradyumna, the son of Krishna, innocent though he was, found himself in the thick of the fight and was killed.  As they have come to the sea shore for a pleasure, they did not carry any weapons along with them.



They saw the long grown sharp serrated grass in abundance along the sea shore. They picked up the grass stems and beat and killed each other. The whole area was soaked in red blood. Those grass stems are nothing but blades made of the powder of the same lump of Iron born to Samba.

The curse of saints had borne fruit.

Each blade of grass became a mace, smashing into the Yadavas, killing them instantly. Except Krishna, all Yadavas were killed. Krishna’s charioteer Daruka and another one called Babhru only survived.

They both approached Sri Krishna and said: “O Krishna! All Yadavas were killed. Whereabouts of Balarama are not known. It is better to search for him.”

Balarama was in deep meditation under a tree.

Seeing this, Krishna told Daruka, ““O Daruka! you immediately go to Hastinapura and inform Dharmaja about the mass massacre of Yadavas and bring Arjuna here. He will look after everything.” said Krishna. Accordingly, Daruka rushed towards Hastinapura in a chariot.

Krishna went to the place where Balarama was sitting and said “O brother Balarama! I will sit in meditation along with you.”

But there was no reply from Balarama.

A long spiral smoke type serpent came out of the face of Balarama. Balarama had just left this mortal body.  His soul travelled into the sky .. Balarama attained moksha and joined Vishnu at Vaikuntam .

Krishna knew that the time for him to shed his earthly avatar had come.

Krishna knew the only way for someone to kill him was by wounding his foot.  He remembered the curse of Maharishi Durvasa, which left his foot vulnerable.  Krishna laid down under a tree and went into Yoga Samadhi.  

At that time a hunter Jara entered that forest. That hunter misunderstood the moving foot of Krishna as a lurking deer and shot a lethal arrow that pierced into Krishna’s feet.



As soon as the hunter reached Krishna, he realised his mistake and pleaded the lord for forgiveness. Lord Krishna consoles him and tells him how his death was inevitable and things are going as per divine plan .

Krishna says that in his previous birth as Lord Rama in the Tretayuga, Rama killed Vaali (Sugreeva's brother) from behind. So, Krishna has now reaped the price for the same through Jara who was king Vali in his previous birth.



Such was the Dharma that, even for the Ruler of the Universe, the laws of Karma remain the same. Hence, lord Krishna left the mortal world. 

The time from which lord Krishna died is considered to be the beginning of Kaliyuga.

Daruka, sent by Sri Krishna, met Pandavas and informed them about the tragic deaths.

On hearing this, Pandavas plunged into great grief. After taking suitable instructions from Dharmaja, Arjuna reached Dwarka.  Dwarka was destined to be flooded  within seven days of Krishna’s death; hence, Arjuna decided to take the survivors and the Vishnu idol to Indraprastha.  

Krishna's father left for heavenly abode while being in deep meditation.  Arjuna performed the last rites for Krishna and his kinsman.  All the ladies and children started moving towards Indraprastha along with Arjuna.

As the people walked away from the Dwaraka city, and they looked back for the last time, the city sank into the sea.  Arjuna held the idol of  Vishnu which is now at Guruvayur temple in Kerala.






On the way, some thieves of saw that only one man with a bow accompanied the ladies. They tried to rob them. Arjuna who was once a very great archer, found it very difficult to even lift his bow. When he tried to invoke his Divya astras, he forgot all those mental passwords to arm his arrows.. The thieves killed many people and kidnapped some beautiful women.

Some of the ladies including the wives of Krishna and Balarama self immolated.  

This was NOT Sati. 

Arjuna unable to even protect the women arrived at Hastinapur in a most dejected condition, not wishing to live anymore. The Pandavas visited sage VedaVyasa and narrated the Yadavas destruction, Krishna's death and Arjuna’s inability to save the Yadava women.

The sage consoled the Pandavas and told them that their purpose on the earth is served.

The Pandavas coroneted Parikshit and embarked on their final journey towards the Himalayas with Draupadi . A dog followed them .

Krishna participated in the Kurukshethra battle only after Arjuna and Duryodana themselves voluntarily came to seek his help in Dwaraka. Matters so transpired that he gave his mighty Narayani sena to Duryodana and became a charioteer to Arjuna.




NOW—

WHEN THE 5 PANDAVA BROTHERS AND DRAUPADI DECIDE TO CLIMB ALLEGORICAL MOUNT MERU AT THE END OF THE EPIC MAHABHARATA --IT IS AN ALLEGORY FOR DEATH AND SOULS PARKING AT ONE OF THE SEVEN ASTRAL LAYERS

YAMA ( DHARMA ) IN THE FORM OF A DOG JOINS THIS GROUP ..

YAMA USHERS IN --
DRAUPADI INTO THE SECOND ASTRAL LAYER
NAKULA INTO THE THIRD ASTRAL LAYER
SAHADEVA INTO THE FOURTH ASTRAL LAYER
BHIMA INTO THE FIFTH ASTRAL LAYER
ARJUNA INTO THE SIXTH ASTRAL LAYER


AND THEN YUDHISTRA LOOKS BACK AND SEES THE DOG.. HE KNOWS THAT NO DOG CAN GET PAST THE FIRST ASTRAL LAYER --AND HE IS PUZZLED..

THE SECOND TO SIXTH ASTRAL LAYERS ARE MEANT FOR CONSCIOUS HUMAN SOULS.. THE SEVENTH ASTRAL LAYER IS THE FIELD OF BRAHMAN INTO WHICH THE MOKSHA SOUL MERGES —VAIKUNTA.

AT THE SEVENTH ASTRAL LAYER ( EQUIVALENT OF HEAVEN- FIELD OF BRAHMAN  ) YUDDHISTRA SEES ALL HUNDRED KAURAVAS ALREADY THERE -- ALONG WITH THE STALWARTS LIKE BHISHMA/ DRONA /KARNA ETC

HE IS SHOCKED AND ANGRY

AT THAT TIME YAMA ( THE DOORKEEPER OF ASTRAL LAYERS 2 TO 6 ) DECLARES THAT HE IS YUDDHISTRAs FATHER WITH KUNTI .. AND THAT YUDDHISTRA STILL HAS SEEDS OF EGO WITHIN HIMS WHICH MAKES HIM UNFIT FOR MOKSHA ..

YAMAs EXPLANATION: WHOEVER KRISHNA KILLED --ALL GOT MOKSHA .. KRISHNA HAD THE UNWRITTEN TASK OF KILLING ALL 100 TEST TUBE KAURAVA BABIES-- HE DID IT AND HOW..

PANDAVAS WOULD HAVE HAD ALBINO BLOOD OF MOTHER KUNTI HAS SEX WITH PANDU ( AN ALBINO )--AND IN THAT CASE KRISHNA WOULD HAVE KILLED ALL 5 PANDAVAS TOO..

THE DOG REPRESENTED DHARMA ( YAMA ) — YUDHISHTRA WAS “SON OF DHARMA “..

IN SANATANA DHARMA HELL IS PLANET EARTH.

 HEAVEN IS THE SEVENTH ASTRAL LAYER ( BRAHMAN THE FIELD ) WHO SHEARED OFF A SMALL BIT OF HIS BODY AND SEND YOU AS A SOUL ( BALL OF ENERGY ) AT ITS LOWEST FREQUENCY TO GAIN LIFE EXPERIENCE..

YOU ( YOUR SOUL EVOLVED ) FROM BACTERIA, TO BIRD, TO ANIMAL TO HUMAN WITH LOW FREQUENCY SOUL TO MOKSHA SOUL OF HIGHEST FREQUENCY , SAME AS BRAHMAN --AFTER WHICH YOUR SOUL MERGED BACK WITH MOTHER FIELD OF BRAHMAN TO SHARE LIFE EXPERIENCES WITH ITS MOTHER ..

WHEN THE FEED BACK STOPS IN THIS CLOSED LOOP -- PRALAYA ( DISSOLUTION ) HAPPENS ..

FIRST ASTRAL LATER IS MEANT FOR ALL SPECIES OF LIVES --EXCEPT HUMAN .. THE SOULS OF CRIMINALS/ HOMOSEXUALS WHO HAVE NO CONSCIENCE ARE IN THE LAYER..

SECOND TO SIXTH LAYERS ARE MEANT ONLY FOR CONSCIOUS HUMANS..

THE SECOND ASTRAL LAYER MEANT FOR SOULS WITH LOWEST FREQUENCY ( HIGH NEGATIVE KARMIC BAGGAGE ) AND THE SIXTH ASTRAL HAVING PARKING SPACE FOR SOULS OF HIGHER FREQUENCY ( LOW NEGATIVE KARMIC BAGGAGE ).

YAMA IS IN CHARGE OF LAYERS TWO TO SIX..

ALL SOULS IN FIRST TO SIXTH ASTRAL LAYERS --AWAIT RE-BIRTH.

SEVENTH ASTRAL LAYER IS THE FIELD OF BRAHMAN ( VAIKUNTA ).. HERE ONLY MOKSHA SOULS -- NIL EGO, NIL KARMIC BAGGAGE AND HIGHEST SOUL FREQUENCY ( SAME AS MOTHER FIELD BRAHMAN ) CAN ENTER --TO BE MERGED WITH BRAHMAN ( GOD )..

ONLY SOULS CAN ENTER ALL SEVEN ASTRAL LAYERS --NOT THE PHYSICAL BODY ..



SOMEBODY ASKED ME 


WHO IS THE MOST INTELLIGENT MAN TO BE BORN ON PLANET EARTH TILL TODAY?

THE ANSWER IS PANINI.

I WILL EXPLAIN IN SANATANA DHARMA PART 109 .. 

PANINI GETS THE VADAKAYIL PRIZE ( BELATED )..



AAA ) HERE IS THE LIST OF MAHA MERUS WHO FOOLED THE WORLD , WHOM I HAVE TRASHED INTO THE GARBAGE BIN OF THE PLANET.

GARBAGE BUCKET LIST:

1) BERTRAND RUSSEL
2) ROMILA THAPAR
3) IRFAN HABIB
4) NOAM CHOMSKY
5) RAMCHANDRA GUHA
6) SHELDON POLLOCK
7) SIGMUND FREUD
8) GEORG WILHELM HEGEL
9) AMARTYA SEN
10) WENDY DONIGER
11) FREIDRICH WILHELM NIETZSCHE
12) IMMANUEL KANT
13 ) BARUCH SPINOZA
14) ALBERT EINSTEIN
15) ISAAC NEWTON
16) GUGLEILMO MARCONI
17) CHARLES DARWIN
18) KARL MARX
19) MAX WEBER
20) THOMAS ALVA EDISON
21) FIBONACCI
22) BARKHA DUTT
23) ADMIRAL LN RAMDAS , WIFE LALITA AND DAUGHTER KAVITA.
24) EDWARD BERNAYS
25) JOHN DEWEY
26) GEORGE IVANOVICH GURDJEIFF
27) PETER D OUPENSKY
28) OPRAH WINFREY
29) RICHARD BANDLER AND JOHN GRINDER
30) CHRISTIANE AMANPOUR
31) STEPHEN HAWKING
32) SIDNEY HOOK 
33) ALFRED KINSEY
34) BARACK OBAMA
35) AYN RAND
36) WILHELM WUNDT

NOTE: MENTAL MIDGETS LIKE ROMILA THAPAR , IRFAN HABIB , RAMACHANDRA GUHA, SHELDON POLLOCK, WENDY DONIGER , BARKHA DUTT , RAMDAS FAMILY MUST BE THANKFUL THAT THEY ARE INCLUDED AMONG A LIST OF CEREBRAL GIANTS

#########################

BBB ) HERE ARE PEOPLE WHO MADE A DENT IN THE UNIVERSE— THEY GET THE "VADAKAYIL PRIZE". THIS IS NOT A VESTED “NOBEL PRIZE “

1) NIKOLA TESLA
2) DIMITRI MENDELEYEEV
3) IE IRODOV
4) ARYABHATTA
5) SRINIVASAN RAMANUJAN
6) CHANAKYA
7) ADI SHANKARACHARYA
8) APOLLONIUS ( AN INDIAN SAGE –WHO LEGACY WAS SHIFTED ON TO A COOKED UP JESUS IN 325 AD )
9) "JOHN DOE"
10) JULIAN ASSANGE
11) SWAMI CHINMAYANANDA
12) GARY STEPHEN WEBB 
13) GEORGE ORWELL.
13) CESAR MILLAN
14) HENRY FORD.
15) PANINI

CCC) DOWN THE SHIT HOLE----

1) SUHEL SETH
2) PRITISH NANDI
3) DILIP CHERIAN
4) PRANNOY JAMES ROY
5) AROON PURIE
6) VINEET JAIN
7) SHEKHAR GUPTA
8) SAGARIKA GHOSE AND HUSBAND RAJDEEP SARDESAI
9) SHOBHAA DE
10) SIDHARTH VARADARAJAN AND WIFE NANDINI SUNDAR
11) KAMALHAASAN
12) AUDREY TRUSCHKE
13) NOSTRODAMUS
14) MANI SHANKAR AIYAR
15) VERGHESE KURIEN
16) MS SWAMINATHAN
17 DEVDUTT PATTANAIK

capt ajit vadakayil
..

PANINI WAS NOT BORN 2500 YEARS AGO AS WRITTEN BY THE WHITE MAN..

PANINI WAS BORN 7500 YEARS AGO, WHEN VEDAS WERE ON ORAL ROUTE

VEDAS WENT ON ORAL ROUTE FOR 330 CENTURIES BEFORE BEING PENNED DOWN 70 CENTURIES AGO- IN GRANTHA LIPI.   

THE MALAYALAM SCRIPT IS A DIRECT DESCENDANT OF GRANTHA

7000 YEAR AGO DEVANAGARI AND BRAHMI SCRIPTS DID NOT EXIST.

MALAYALAM AND SANSKRIT WERE ORIGINALLY WRITTEN IN GRANTHA LIPI.. 

MY  GRANDFATHERs HOROSCOPE WAS WRITTEN IN GRANTHA LIPI IN LANGUAGE MANIPRAVALAM..

MY FATHER WROTE THE “NAMKARANA “  AND “VIDYARAMBAM “ LETTERS ON AKSHAT RICE ( UNBROKEN ) IN GRANTHA LIPI IN MANIPRAVALAM ..

MANIPRAVALAM IS A CORRUPTION OF MANIPAVAZHAM.

MANI MEANS RUBY AND PAVAZHAM MEANS CORAL.   EVEN TODAY IT MEANS THE SAME IN SANSKRIT AND MALAYALAM.

I CAN READ GRANTHA LIPI AS IT IS SIMILAR TO MALAYALAM EVEN TODAY .. 



TILL THE LAST CENTURY  ALL KERALA HOROSCOPES WERE WRITTEN IN GRANTHA LIPI IN MANIPRAVALAM.

MANIPRAVALAM IS A MIXTURE OF 80% SANSKRIT AND 20% ADI-MALAYALAM.
SANSKRIT IS THE OLDEST LANGUAGE ON THE PLANET WHILE MALAYALAM IS SECOND OLDEST . 

BOTH HAVE 54 LETTERS AS PER TRIPLE INTERSECTIONS OF SRI YANTRA.


BELOW: 54 LETTERS OF MODERN MALAYALAM


TIGALARI SCRIPT IS BORN OUT OF MALAYALAM . BEFORE THE WHITE INVADER CAME TO INDIA TULU AND KANNADA WERE WRITTEN IN TIGALARI

The disappearance of Tigalari script is ascribed to Rothschild’s  Basel Missionaries ( based in my hometown Calicut )  who set-up a press in Mangalore and introduced Kannada script to publish books in Tulu language in the 19th century,  to cut off all relations with Malayalam and Kerala .


The text books for Tulu are currently in Kannada script. Younger brothers of Kerala Namboodiris went to the north of Kerala and became Brahmins like their elder brothers to own land and marry officially.

SRINGERI MUTT DID PARYAYA IN TIGALARI.. ALSO TEMPLES AT MOOKAMBIKA ( DEVI ) AND UDIPI ( AYYAPA )

The eulogies (“stutis”) in Manipravalam are written in pure Sanskrit Modern Malayalam uses any Sanskrit vocabulary, and those grammar or inflections without visarga ending nouns and phrases

Native words and grammatical endings were written using Adi Malayalam, and Sanskrit words were written using Grantha script. rules of Sanskrit prosody should be followed in Manipravalam poetry. 

Dramatic performances given in Koothambalams, known by the names of Koothu and Koodiyattam, often used Sanskrit and Adi Malayalam.

The advent of the Manipravalam style, where letters of the Grantha script coexisted with the traditional Vatta Ezhuthu letters, made it easier for people in Kerala to accept a Grantha-based script ARYA EZHUTHU ( meaning SCRIPT OF ARYANS )  , and paved the way for the introduction of the new writing system. 

Eventually Vatta Ezhuthu was almost completely supplanted by ARYA EZHUTHU , that is, the modern Malayalam script. 

The current Malayalam script is based on the Vatteluttu script, which was extended with Grantha script letters .

Bishop Robert Caldwell (1814–1891) was an Christian Evangelist missionary and linguist, who came to India to poison Hinduism.. It was Robert Caldwell who firstly used the word “Dravidian” in 1856 . 

On the Madras Marina, a statue of Caldwell was erected . Scotsman Robert Caldwell (1814-1891) who along with his wife Elissa Mault did massive conversions by offering sops. 

The atheist Tamil Nadu govt even issued a stamp in this bastards name . 

Even today Tamils do not know that EVR Periyar was a Kannadiga.

It was Rothschild’s agent Robert Caldwell, who did propaganda that Malayalam is a tape worm in the stomach of Tamil. 

MANIPRAVALAM HAS NOTHING TO DO WITH TAMIL—TAMIL PRIDE PARTY HAS FUDGED WIKIPEDIA ALL OVER.—REMOVED MALAYALAM AND INSERTED TAMIL.

TAMIL PRIDE IS VERY EAGER TO EMBRACE MALAYALAM AND GODS OWN COUNTRY , CULTURED KERALA , WHILE MALAYALIS KEEP SHOVING AWAY  TAMIL AND TAMILNADU ( UNFERTILE GOD FORSAKEN LAND ) .

In Kathakali the clown (vidooshaka) is allowed to use Malayalam while the hero recites slokas in Sanskrit.

Read all 4 parts on Kathakali below--



ADI SHANKARACHARYA ( 2000 BC ) OUT OF RESPECT CALLED PANINI ( 5500 BC ) BHAGWAN… FOR A GENIUS LIKE ADI SHANKARACHARYA TO CALL A MORTAL PANINI AS BHAGWAN ( GOD ) MEANS SOMETHING.

Paṇini  created the Ashtadhyayi, a sutra-style treatise on Sanskrit grammar,. His 3,959 verses on linguistics, syntax and semantics in "eight chapters" is the foundational text of the Vyākaraṇa branch of the Vedanga

Patanjali 5000 BC made a bhasya ( commentary ) on  Panini’s  aphoristic text  called Mahabhasya

Panini's analysis of noun compounds still forms the basis of modern linguistic theories of compounding in Indian languages.

Panini was kicked forward in time by BASTARD white historians and Tamil Christian converts to make the world believe that Sanskrit is a recent language .   They said , sutra 2.1.70 of Panini, which mentions kumara-sramana means a BUDDHIST NUN –and hence he lived after Buddha was born

WHEN THE WHITE INVADER CAME TO INDIA BUDDHISM WAS DEAD .. THERE WAS NOT A SINGLE BUDDHIST IN INDIA…  JEW ROTHSCHILD REVIVED BUDDHISM IN INDIA  USING HIS STOOGES LIKE BR AMBEDKAR..


This planets oldest university – Kodungallur Univeristy owned by the Calicut king , has been deleted from history by Jew Rothschild.

Same has happed to Bhojsala Saraswati University at Dhar , which is now converted to a mosque. This ancient Saraswati temple at Dhar , now stands as a muslim Mosque made with broken temple stones, built in 1405  by Dilawar Khan.  

The huge temple cum university complex was destroyed by the Moghul invaders and a dargah of a Sufi saint, Kamaal Maulana installed. The Muslims do namaz there on Fridays.  So, Muslims can offer Namaz in Bhojshala 52 times in a year, but Hindus are allowed to perform puja only once in a year  . 

The shrine is empty, and the main deity of Goddess Saraswati is supposed to be in London museum.

Kerala nambodiri Vararuchi was Raja Bhoj's religious and Vedic knowledge minister in 2860 BC ... Vararuchi lived 200 years before Varahamihira ( Mihir Muni 2660 BC ).  

Vararuchi was a Mathematician from Kerala who taught at Bhoj Shala Saraswati University at Dhar. Raja Bhoj has been dated at 1034 AD by the British and pushed back by 4000 years. 

Vararuchi from whom Varahamihira drew inspiration -- the founder of Kerala system of Astrology, whose work Chandra Vakyas, and Kapatayadi system of counting is well documented.

There was a large wheel depicted on the wall on which were written many verses . These were all on  Vyaakarana  ( grammar ) . 

The entire  Vyaakarana  Shastra  had been written in verse and charted in the form of a  wheel . A mere glance at the giant wheel would make the Sanskrit Vyaakarana of Panini crystal clear . 

Since Vyaakarana has the status of an object of reverence and worship , the wheel of Vyaakarana was installed in a temple .  This ancient Saraswati temple at Dhar , now stands as a Muslim Mosque made with broken temple stones, built in 1405  by Dilawar Khan.  





What is the value of Pi ?


गोपीभाग्य मधुव्रातः श्रुंगशोदधि संधिगः

खलजीवितखाताव गलहाला रसंधरः

Gopibhagya madhuvrata srngisodadhisandhiga|
Khalajivitakhatava galahalarasandhara||

Kaṭapayādi system dictates that:
* As the first digit is 3, the first consonant must be one of ga, ḍa, ba, la
* As the second digit is 1, the second consonant must be one of ka, ṭa, pa, ya
* For the third digit to be 4, the third consonant must be one of gha, ḍha, bha, va…

So to fit 3.141592653589793…, the list of consonants in the verse must satisfy the regex
{g,ḍ,b,l}{k,ṭ,p,y}{gh,ḍh,bh,v}{k,ṭ,p,y}{ṅ,ṇ,m,ś}{jh,dh}{kh,ṭh,ph,r}{c,t,ṣ}{ṅ,ṇ,m,ś}{g,ḍ,b,l}{ṅ,ṇ,m,ś}{j,d,h}{jh,dh}{ch,th,s}{jh,dh}{g,ḍ,b,l}…


ga - 3 pii - 1 bhaa - 4 gya - 1 ma - 5 dhu - 9 ra - 2 ta -6 shru - 5 ga - 3 sho - 5 da - 8 dhi - 9 sa - 7 dha - 9 ga - 3 kha - 2 la - 3 jii - 8 vi - 4 ta - 6 kha - 2 ta - 6 va - 4 ga - 3 la - 3 ra - 2 sa - 7 dha - 9 ra – 2


pi = 3.1415926535897932384626433832792


Here is the verse from Panini's Ashta-Dhyayi:

"At the end of His Cosmic Dance,
Shiva, the Lord of Dance,
with a view to bless the sages Sanaka and so on,
played on His Damaru fourteen times,
from which emerged the following fourteen Sutras,
popularly known as Shiva Sutras or Maheshvara Sutras"

The fourteen sounds of the Maheshwara Sutra, also known as the 'akshara-samamnaya', or the 'recitation of phonemes', is also the most ancient known Sanskrit alphabet sequence. It is at the same time a powerful Mantra and the vibrations of its sound are known to have healing powers.



The fourteen sutras contain all the letters of the Sanskrit varnamala- the svaras (vowels) and all the vyanjanas (consonants). The sounds of the alphabet originated from Lord Shiva's 'damaru'.





The symbol you see above is the greatest and most profound symbol on this planet.

This is held by Lord Shiva in one of his arms.



SARASWATI TEMPLE BHOJSHALA INSCRIPTIONS ( NOW CONVERTED TO A MOSQUE )
 They may be arranged as under:

Intials
Full name
Panini’s name
English name
1.    Va
vartamāna
la
Present
2.    sa
sambhāvanā
lin
Potential
3.    vi
vidhi
Imperative
4.    hya
hyastanī
lan
Imperfect
5.    a
adyatanī
lun
Aorist
6.    pa
parokā
li
Perfect
7.    śva
śvastanī
lu
First Future
8.    ā
āśīh
āśīrlin
Benedictive
9.    bha
bhaviyantī
li
Second Future
10.  kri
Kriyātipatti or kriyākrama
lin
Conditional



Shiva Sutras  or Māheshvara Sutras (Devanāgarī: माहेश्वर सूत्राणि) are fourteen verses that organize the phonemes of Sanskrit language as referred to in the Aṣṭādhyāyī of  Panini.

IAST
Devanāgarī
1. a i u
2. k
3. e o
4. ai au c
5. ha ya va ra
6. la
7. ña ma a a na m
8. jha bha ñ
9. gha ha dha
10. ja ba ga a da ś
11. kha pha cha ha tha ca a ta v
12. ka pa y
13. śa a sa r
14. ha l
. ण् |
. क् |
. ङ् |
. च् |
. ट् |
. ण् |
. म् |
. ञ् |
. ष् |
१०. श् |
११. व् |
१२. य् |
१३. र् |
१४. ल् |




Shiva’s damaru beat the Sri Yantra which contains the TOE ( theory of everything ) into existence.   

Below: Sri Yantra in 3D

Below : Sri Yantra crop circle in USA 


On Aug 10th 1990, the Crop circle of the PERFECT Sri Yantra 13.3 miles long lines ( 10 inches wide and 3 inches deep ) , was etched on a wet Mickey basin lake bed, at Alvord desert, overnight and was photographed by a Oregon US airforce pilot.   

It’s location in the desert of eastern Oregon is now a “sacred place” for UFO watchers worldwide who still make the journey to the Mikey Basin to be near the site where Sri Yantra was first discovered.

Two hillybillys came up and told the press that they made it overnight with ropes and boards . These two MORONS were given a piece of A4 sheet paper, and told to draw a Sri Yantra on it— and take as long as many months as they want.   



There were no footprints or tyre marks in the soft mud-- unlike the quintessential corn crop circle which cannot record footprints.

See it is NOT easy to get the 54 triple intersections right – at a DOT , instead of a cocked hat.



51 deg 49 min 38.25 sec are the angle measurements for both the great Egyptian  pyramids and Sri Yantra pyramid.



Italian Fibonacci of 1200 AD is given the credit of the Golden ratio, while the Indian Sri Yantra based on Golden ratio of 1.618 was drawn in antiquiity --see video below.
.






Below: Perfect art of Shabda Brahman. ( OM- 7.83 hertz )


How many of you have ever bothered to examine a beehive.  Can you believe that the perfect hexagon is created by OM ( 7.83 hertz harmonic )  — just a SHABDA BRAHMAN vibration emitted by the bees.Shabda Brahman ( sound ) is a great morphogenetic organizing force without which no matter can be formed.

Dmitri Ivanovich Mendeleev , the great Russian chemist and inventor formulated the Periodic Law, and the periodic table of elements.  

He was denied a Nobel prize for telling that his table is based on the divine Sanskrit alphabets. Mendeleev, studied Sanskrit at a university in St Petersburg, used Sanskrit prefixes eka, dvi, and tri to name those yet-to-be-discovered elements.  

Mendeleev had expressed his appreciation and debt to the great Sanskrit grammarian Panini of ancient India, who had created sophisticated theories of language based on their discovery of the two-dimensional patterns in basic sounds.

He had to be punished for praising a coolie race fit to be ruled by the white man, and evil pagan religion.

Like Nikola Tesla Mendeleev also saw the Sri Yantra in his dreams.

"I saw in a dream a table where all elements fell into place as required. Awakening, I immediately wrote it down on a piece of paper." —Mendeleev



Like the musical scale of Sanskrit, the elements in the periodic table are also arranged, very logically, in rows and columns based on how each letter is pronounced.   

This knowledge was the reason why I was able to shoot NASA with their own sh#t, when they gave mindless bull to this planet. 

They found Arsenic in DNA.

WHOOOOOHAH  !

This was the breaking news – nay— SCOOP OF THE CENTURY .

 Arsenic and phosphorus are also chemically analagous — arsenic is directly below phosphorus on Mendeleeyev’s periodic table, and the elements have the same number of electrons in their outer shells, which makes them behave similarly.

So swapping arsenic for phosphorus is no big deal, even it NASA's great discovery is true.

You can just punch DNA NASA in google search , and my 8 year old post above will come on page one , item one,  among 24 million posts.  This is the meaning of blog posts with creative original content.

Mendeleev gleaned that Panini did the phonological patterning of Sanskrit alphabet sounds as a function of their articulatory properties.  So he just  arranged the chemical properties of elements are a function of their atomic weights.  

This is impossible unless Sanskrit is a divine language.  

This is why Sanskrit mantras can reprogram human DNA.  You may scoff, but even homosexuality can be cured.

Punch into Google search-

POWER OF MANTRAS ON HUMAN CONSCIOUSNESS VADAKAYIL

Mendeleev noted how Panini broke the phonetic parallelism of sounds when the simplicity of the system required it, e.g. putting the velar to the right of the labial in the nasal row. So he gave priority to isomorphism over atomic weights when they conflicted, e.g. putting beryllium in the magnesium family because it patterns with it even though, by atomic weight, it seemed to belong with nitrogen and phosphorus.   In both cases, the periodicities they discovered would later be explained by a theory of the internal structure of the elements.

Wanna read the POISON INJECTED by the white historian into Shiva's damaru?


QUOTE :  The hourglass-shaped drum known in Sanskrit as "damaru" is an instrument used in ritual shamanic performances in India .  

Fashioned out of a human cranium, the drum is comprised of two skulls: a boy of sixteen and a girl of twelve .  

Monkey skins are stretched tightly over the skulls.

One side is smeared with sperm, and the other side is decorated with a lotus blossom coated with a twelve year old girl's menstrual blood.  ( hey, you forgot about shit and piss ! TEE HEEE !! )

The hide is then pierced with sixteen holes and attached to the drum with human hair.  The whirling balls are made of the bones of a waterbird's foot ( Oh boy ! ) and wrapped in wax and cloth.

The damaru drum is an ancient and spiritually potent symbolic medium for ritual music and magic used to communicate the intangible abstract other world through the senses.

In India, the damaru is so highly regarded as a spiritual instrument that everything to do with it is ritualized. It must even be correctly placed with the male skull to the musician's right and the female to his left in accordance with the traditional Shiva Shakti  order -  UNQUOTE 


Every Indian must know that vegetarian religion Hinduism  NEVER EVER allowed animal sacrifice , leave alone human sacrifice.  

All these are poison injected into Hinduism by the immoral white Christian invader to make us self loathing. 

The British used their stooge \Sankaracharyas planted into their FAKE mutts to full advantage.

The BLOOD offering of sacrifice is coconut electrolytic plasma which spills out when a coconut is smashed , causing the quantum butterfly effect and solition wave.. In Yagya GHEE is the sacrifice ..

A white bitch named LYNNE MC TAGGART wrote two books..and she raked in millions ..

THE INTENTION EXPERIMENT

and

THE FIELD

Both books content was totally lifted from Sanatana Dharma. 

Yet she never uttered the word India or Hindu or Hindusim even once in both her books. The FIELD is nothing but BRAHMAN..

WHEN I ACCOSTED HER, SHE JUST ESCAPED INTO A PAY TO READ CHANNEL ..




BELOW: THIS BITCH LYNNE MC TAGGART QUOTED RED INDIANS, ABORIGINES, TRIBES AND SHAMANS ALL OVER THE PLANET ( AS PART OF HER DEADLY RESEARCH )  HALF WITS ,  WHO DID NO LEAVE A SINGLE WRITTEN SENTENCE FOR POSTERITY-- WHILE SANATANA DHARMA LEFT BILLIONS OF SENTENCES..



WE HAVE DEEPAK CHOPRA DOING WAH WAH , BUAAH BUAAAHHHH



The damaru drum has a hour glass construction.   

When a damaru is vibrated, it produces dissimilar sounds which are fused together by resonance to create one sound.  

Modern science calls this BINAURAL beats— just lifted immorally from ancient vedic knowledge penned down 7000 years ago.


The sound thus produced symbolizes Nada, the cosmic sound of AUM of 7.83 hertz  which can be heard during deep meditation.   According to Hindu scriptures, Nada is the source of creation.

The human range is on average from 20 to 20,000 Hz.

If 300 Hz is played in one ear and 306 hz is played in the other ear via stereo headphones the binaural frequency will be 6 hertz 

7.83 Hz This is Schumann’s resonance frequency or earth’s heart beat or frequency of Hindu king mantra OM frequency - a sound which cannot be heard by the ears( unless it is a harmonic ) but can be heard by the heart.

Frequencies of the brain are below 40 hertz.   Binaural beats in the theta (4 to 8 Hz) range have been associated with meditation and shamanic states of consciousness. Theta increases creativity, enhances learning, reduces stress, and awakens intuition.

This third tone, of 6 Hz, the binaural beat, is below the range of human hearing, the only way the brain can acknowledge this tone is if both hemispheres of the brain are connected.  The act of listening to this wavering stimulates the two halves of the brain to connect.  This effect on the brain is called hemispheric synchronization. 

Both the hemispheres of the brain connect and begin working together in order to recognize this difference between the two sounds.  Magnetic resonance imaging results of the brain in this state of synchronized hemispheres show a huge increase in the activation of areas in both sides of the brain.



Above: In Kerala temples the damaru drum is large and is beaten with fingers -- called TIMILA -one of the 5 instruments of panchavadhyam.  


It takes a lifetime to master TIMILA 


Below:  The perfect art of SHABDA BRAHMAN ( OM 7.83 hertz)  


Dimitry Mendeleyev noted that Indian Sanskrit grammarian Panini who could think about this progression in alphabets of  a language 7000 years ago .  Hydrogen, the simplest atom, has 1 proton in the nucleus and 1 electron in orbit. 

Helium has 2.    3 protons in the nucleus and 3 electrons in orbit is no longer a gas,  it is like magic . Lithium, a silver-white light weight metal of atomic number 3 .  It goes on and on to Seaborgium, with 106 protons in the nucleus and electron configuration 2-8-18-32-32-12-2. 


Therefore, the difference between all matter is electromagnetic energy created by the different number of these charged particles, not in the basic make up of these particles as individuals.  The reason Nitrogen and Oxygen are such different gases cannot be that Nitrogen has 7 protons and 7 electrons and that Oxygen has 8 of each. 


Hence it is the different amount of electromagnetic energy that that one proton and one electron make that changes the substance. The difference is not in the makeup of the particles, but in the space between the particles in orbit (electrons) and the nucleus (with protons). That space is the substance of everything. That space is electromagnetic energy.  

That space is “reality.” That space is the atom.  Electromagnetism is the substance of everything.  In essence, that “intelligent morphogenetic space” ( brahmAn )is the substance of all structure.  

Quantum Physics which suddenly appeared in the 20th century is the result of ancient Vedic Sanskrit texts being translated by the Christian invaders . These texts are 7000 years old.


In the ancient wisdom of the Sanatana Dharma, the medium of creation is conscious sound vibration.  

"By His utterance came the universe." (Brihadaranyaka Upanishad 1.2.4) 5000 BC.


Below: Could Rothschild's agents like BR Ambedkar or EVR Periyar ever understand the Vedas or the Upanishads  ?


When a damaru is vibrated, it produces dissimilar sounds which are fused together by resonance to create one single sound  .  When the Damaru is twisted in one revolution, it often makes the sounds of three successive tones.  

Panini formulated the rules of Sanskrit morphology, syntax and semantics in fourteen verses, from the  sounds of Lord Shiva's Damaru, called Maheshwara Sutrani.  These Sutras are also known as Aṣṭadhyayi, meaning eight chapters, the foundational text of the grammatical branch of the Vedanga.  The knowledge of Shabda BrahmAn - Nada BrahmAn is thus the most important branch of the Indian school of spirituality. . 


It is from this ancient Vedic wisdom that modern science developed sound engineering. Sound frequencies are now being used in modern hospitals  to stimulate new cellular growth,  resolve tumors, dissolve calcium deposits, stimulate new neurological development, deliver nourishment, detoxify, resolve paralysis, remove plaque and tooth decay, act as a carrier frequency to deliver higher forms of knowledge and information, even scan and harvest information.  

Sonocytology is the study of cell sounds.  Dead cells with low electrical charge emitted a low rumbling like radio static.  Distinguishing between the sound signatures of healthy and diseased cells WILL be a part of the medicine of the future.  

MANTRAS HAVE DIVINE MATH EMBEDDED. SOUND IS PARAMOUNT.

SOME DESTRUCTIVE ATHARVA VEDA MANTRA WERE NEVER WRITTEN DOWN IN 5000 BC.  

WHEN SOME UNAUTHORISED PERSONS EAVESDROPPED ( WHILE KERALA NAMBOODIRIS PRACTISED)  AND GOT CAUGHT THEIR FRONT TEETH WERE BROKEN SO THAT THEY CAN NEVER REPRODUCE THE EXACT SOUND.
 ..


Sound operates through the law of Resonance. Resonance eliminates the limitations of the "sender and receiver dynamic."  Resonance is where two become one, where minds join.

Resonance is, in itself, a state of awareness and experiential knowing far beyond concept and mental, cognitive thinking. On the vibration field-form-body-time level, resonance is the experiential state of Oneness.

Modern scientists have studied the efficacy of the sonic wave forms of ancient Sanskrit mantras  in healing. 

The ultrasonometer  is used for triggering different chemical reactions via the effect of ultrasound.  The stirrer used in this device can be made to stir ( ultrasound) so fast that in no time it can make the steady water – contained around it – churn violently like that during boiling at maximum pace.  

As far as the sonic effects are concerned, the subtle power of a mantra, if focused, can be more ‘explosive’ than the nuclear power. 

Sound vibrations are intimately connected to our “prana” or “life energy.  While Physics has gone beyond the atom to the sub-atomic NANO world, biology foolishly has stopped at the molecular world where the protein chemistry of life’s activities is rooted.  

If modern medicine has to progress they must consider that we are electrically charged and sound bathed cellular creatures.  The 7000 year old Vishnu Purana, states that “The Spirit Is Clothed With Sound”.

A cosmic creative vibration ( sphota ) arises between Shiva and Shakti called Nada.  This Nada then gets consolidated into Shabda Brahman (differentiated sound energy), the universal cosmic resonance, symbolized by OM.  From this arises cosmic intelligence that is responsible for the creation.   

Originally, science thought that atoms were made up of smaller particles of matter (electrons, neutrons, and protons. Now  modern physicists discovered that  these subatomic particles were actually immaterial energy vortices (resembling nano-scaled tornados). Atoms are made out of energy and not physical matter.  Matter comes from energy, as is written in our Vedas.

To prevent jet lag we have Bose noise-canceling headphones which kills the monotonous back ground ground noise of the jet engines and the hissing air inside the aircraft, and  the usual noise clutter.  It electronically cancel out sound waves.  They do this by picking up a sound, processing it, and then creating a new sound that effectively cancels the original sound by destructive interference.

Biologists can control  biological functions and molecules using harmonic vibratory frequencies, including light and sound vibrations.  Stupid medical science focuses its attention on the physical body and material world and have completely ignored the role quantum mechanics, using chemicals with toxic side effects instead.. 

Sound has an invincible power.  Nothing is an exception to its laws of natural harmony. Sound therapy is an arrangement of sounds, in a specific order and design, to invoke different vibrational states that influence our very DNA.  Our DNA can be reprogrammed by mantras.

Mantras have to be in a divine language compulsorily. As of today only SANSKRIT qualifies. . Sanskrit is a divine language. 

A language for mantras must be/have—
1)      More than 5000 years old
2)      Accurate expression
3)      Clear speech and perfect pronunciation
4)      No changes since it was first made
5)      Must have a meaning built into every word and hence must have immense vocabulary.
6)      Must have precise golden ratio sound harmonics ( Fibonacci/ Sri Yantra )
7)      Mathematical and geometrical precision
8)      Phonetic—direct link between sound and signs
9)      Script must be based on the spoken form
10)  Cannot have spellings like English
11)  Cannot have silent alphabets
12)  Words must unfold from seed forms
13)  Natural continuity is word making
14)  Natural continuity in sentence making
15)  Sound must have vibration
16)  Sounds must have resonance— (this is just the tip of the iceberg )
17)  Alphabets must form in cymatics when uttered
18)  Must not have proper nouns
19)  Must be polite with no bad words in the  un- abridged dictionary
20)  Mantras in this language must be approved by a gifted seer and the effect felt on his chakras



---Mantras are Scalar energy based sounds which resonate in the Zero Point Field Aakashik hyperspace.
---Mantras resonate your pineal gland . Pineal glands of Vedic seers were the size of a lemon. Ours in this 21st century is the size of dried raisin .
---Mantras reprogramme your DNA. The human DNA can produce longitudinal scalar waves
---Mantra is a carrier wave with potent information within it.
---Mantras vibrations on DNA , chakras and pineal gland purifies and raises human consciousness
---Mantras have immediate soothing effect makes the brain produce and release magic healing chemicals. Errant and disturbing thought are killed! ( what happened on Big Boss 4 )
---Mantras must begin and end with OM or AUM – the bible uses a lifted version Amen. OM resonates with the earths heartbeat of 7.83 hertz.  NASA kept 7.83 hertz generators on their Apollo space crafts.
---Mantras cleanse the environment and can reduce crime in a city—if chanted by sufficient numbers , the right way, and right number of times.  Some call this transcendental.  It is about quantum consciousness.
---Mantras increase Prana or life force, sharpens intellect and boosts metabolism.
---Mantras can reduce the surface tension of water. Sages kept Saraswati and Ganges water in copper lotas with them
---Mantras centres your mind ( effect on subconscious ) and slows down your breathing .  
---Mantras increase your Auras as seen by Kirlean photography—due to the effect on symphathetic and para sympathetic nervous systems.
---Mantra chanting must be done with intent, to make it more powerful. This is about consciousness again.

 People under estimate sound of music so much.  Longitudinal sound wave is everything!!  Waves , particles are all sound of music. Your powerful king sense of hearing can distinguish more than 300000 tones and 1300 pitches. Next time you hear a sound of a person , even on the phone , visualize who it could be.

Panini’s Astadhyayi, presented the processes of phonology, morphology and syntax, and laid down the basis for centuries of commentaries and expositions by Sanskrit grammarians who followed.

Panini's approach was amazingly formal; his production rules for deriving complex structures and sentences represent resemble those of modern computer languages.  Many of the developments in Indian Mathematics, especially the place value notation system have originated from Paninian analysis.

Panini's grammar consists of four parts:-
Śivasūtra: phonology (notations for phonemes specified in 14 lines)
Aṣṭadhyāyī: morphology (construction rules for complexes)
Dhātupāṭha: list of roots (classes of verbal roots)
Gaṇapāṭha: lists classes of primitive nominal stems


In the Shiva Sutras, Panini discusses something like the concepts of the phoneme, the morpheme and the root.  The Shiva Sutras describe a phonemic notational system in the opening part of the Astadhyayi.   The notational system introduces different clusters of phonemes that serve special roles in the morphology of Sanskrit, and are referred to throughout the text. 

The Vedas when chanted the right way releases the wisdom they contain as real sacred energy that can “create the spiritual states of mind and of life which the words describe” , and influence the course of human destiny and even the order of the Universe.

These 14 verses are known as "Maheshwara Sutras" or "Maheshwara Sutrani" (in Sanskrit). These verses are just a collection of sounds and if you say them aloud, in one breath, they really sound like damaru drum beats.

And because they emerged from a Divine source, with divine math embedded , they were so perfect...so complete that Panini was able to create, compile codify the rules of Sanskrit grammar in such a way and till today they have remained unchanged.

Panini’s grammar covers many features of the language like swara (vowels), vyanjana (consonants) , sandhis (combination of words) , samaas (description diff to put it in a bracket) , Prathyaya, (prefixes/suffixes), etc.

Sound has a mystic side.  The audible sound (vaikari)  is heard by all, but the mystical vibrations of mantras , even though appearing to the ear as ordinary sounding syllabifications, are not really ’heard.’ The latter sound , technically known as para-vak,  is considered the domain of the advanced 12 strand DNA maharishis.

Quantum Physics tells us today that every state of matter has its own associated vibration.

4000 years ago, Adi Shankaracharya commented on the Brahma Sutras.  “The sound created by the explosion of the primordial atom gave rise to the causal, subtle and gross forms of the universe.”

Shabda-Brahman is a vibratory reality, which exists underlying the reality which we can perceive. According to Vedic theory, this pure vibrational current, flows eternally – a kind of river of sublime truths – that can be accessed by anyone who has the ability to penetrate within it.

In case of each Tantric mantra, the practitioner needs to know its rishi (seer), devata (deific power), channdas (rhythm), svara (accentuation), prayogya (application), beej (seed power), shakti (a fraction of itself that expresses its power), kavacha (armour), kilaka (recitation of which prevents the mantra’s power from moving away from the practitioner) and nyasa (the process by which various sounds in the mantra are identified with the energy in particular limbs).

No cosmic sound can be heard by man’s naked ears.  Scientists have found that the sound emanating from planets is pitched twenty octaves below man’s hearing, while the song of the atom is sung a complementary twenty octaves above it, leaving us “musically midway” between the trebles and basses of the micro and macro-cosmic worlds.  The function of a mantra is to create vibrations in the inner consciousness, that will prepare for realization.

Being indifferent towards all objects, he who has controlled his passions should continuously concentrate upon the sound which dissolves the mind.…the sound proceeding from Pranava (OM) which is BrahmAn itself-   Nadabindu Upanishad 5000 BC

The spiritual efficacy of OM is based not on the gross sound, but on the subtle sound, which is heard, not by the ears but by the heart, which is uttered not by the mouth but by the mind.  OM is the quintessence, the seed-syllable (bija mantra) of the universe, the universal force of the all-embracing consciousness.

That indestructible transcendent vibrating sound is Shabda-Brahman.”-- Shiksha Upanishad 5000 BC

Letters in Sanskrit are called akshara, the eternal; they are sound symbols of the eternal reality. The function of a mantra in Sanskrit is to create vibrations in the inner consciousness. The Vedanta-sutras add that ultimate liberation comes from sound (anavrittih shabdat).  

There are 11 ways of reciting the Vedas-  Samhita, Pada, Krama, Jata, Maalaa, Sikha, Rekha, Dhwaja, Danda, Rathaa and Ghana.

nama-rupatmanosh shabda-
bhavayor avalambanat
yo yogah sadhyate so'yam
mantra-yogah prakirttitah

"The yoga which is practiced through the support of a proper mood (bhava) and sound (shabda), and through the support of the Self composed of name and form (nama-rupa) is called mantra-yoga."- Mantra-yoga-samhita (3.4)

Mantra-yoga is one of the most important paths within traditional yoga, and concerns the different expressions of sound, from the most subtle to the coarsest. It is with good reason that the Vayaviya Samhita of the Shiva-purana, in describing the five classes of yoga, places mantra yoga first.
"Through sound we cease to return to a body, or we liberate ourselves." -- Vedanta-sutra  (4.4.23)
Conscious repetition of mantras liberates the energy that lies within them.

Two oscillators pulsating in the same field in almost identical rhythm will tend to "lock in," with the result that eventually their vibrations will become precisely synchronous. This phenomenon is referred to as "mutual phase-locking" or "entrainment."

Entrainment is universal in nature. In fact, it is so ubiquitous that we hardly notice it, "as with the air we breathe," The tendency of the universe to share rhythms, that is, to vibrate in harmony.

Dve brahmani veditavye sabda bramha param ca yat
Sabda bramhani nisnatah param bramhadhi gacchati

“There are two Bramhans to be realized, Shabda and Param Bramhan: one who has realized and well versed in Shabda Bramhan will realize Param BramhAn.”   :-Amrta Bindu Upanisad- 5000 BC
Mantra is part of a universal language rooted in sound, image, number and symbol, reflecting a "cosmic thinking" beyond the preconceptions and biases of human thought.

Mantra functions according to the inner mathematics of cosmic law.  It serves to link our individual intelligence with the greater intelligence that pervades all space, extending our awareness into the Infinite and Eternal.  To chant a mantra at a deeper yogic level is to think with the entire universe and to access the wisdom and experience of all beings.

Mantra in the yogic sense relates to the prime energies, ideas, principles or archetypes of the cosmic intelligence that directs the forces of nature and the movements of our own minds and hearts.

There are mantric sounds that can awaken the higher potentials of the brain and change the flow of energy in the nervous system.  Each one of us has a unique sound pattern that sustains all that we do and allows our energies to move and grow or stagnate and decline.

Unless we learn to harmonize our inner sound vibrations, our lives will likely remain in disharmony and suffering.  Mantra is the most important tool for attuning our bodies and minds to their proper resonance, which is not with the outer world, but with the divine presence that constitutes our own deepest Self.

Mantra maintains the strength and integrity of our mental field, so that the mind no longer wanders off or loses its composure.  Mantra sustains the proper circulation of energies in the sphere of the mind, so that we are no longer vulnerable to external conditioning which, after all, is based largely on reactive patterns of words and names.

Just as Yoga asanas place the body in a calm and relaxed state, so mantras puts the mind into a steady and relaxed state for meditation.

Mantra practice gradually calms and integrates the mind.  The mind becomes silent, concentrated and reflective, allowing our awareness to vibrate with the mantra.  This naturally leads to deeper meditation, in which the mantra may fall away.

MANTRAS WORK ONLY IN SANSKRIT, AS DIVINE MATH IS EMBEDDED

Formless meditation is hard to achieve directly but becomes easily accessible once one builds the power of mantra in the mind. When we repeat a mantra, or do various forms of chanting, a more refined vibration develops and begins to assume the background pattern of our mind, down to a subconscious level.

If we continually return to the mantra each time our mind becomes agitated, then the mantra's power to calm the mind will increase.  With the mantra, we have a tool for redirecting the energy of the mind within so that we can reclaim our inner composure.

The effect of the mantra is not produced at the level of reason. The knowledge acquired by the repetition of the mantra extends far beyond the level of reason. In India we say that it is in the depths of consciousness. A big chunk of the Vedas are mantras.

Sanskrit is called the language of nature because it maintains a correlation between sound and form called namarupa.  This means that the sound of the word matches the thing it is describing. The alphabets could be seen by the seers in their minds when it was uttered.

Sanskrit’s resonant frequencies match the energy centres (chakras) in the subtle body and the sounds stimulate, activate, energize and open them.  This increases the flow of life force (prana) in your mind and body resulting in improved health, strength and heightened awareness.  This shows that Sanskrit is a divine language .

The cochlea in the inner ear and it has a spiral shape and has three and half coils .  Kundalini like cochlea is coiled and rests at the base of the backbone.  Kundalini has three and half coils too. If cochlea contains nerves that connects sound vibrations with the nervous system that generates consciousness-- Kundalini  is the  subtlest of vibrations that generate consciousness in human self.  

Brain scans of have been taken of participants were compared while in a resting state and during the chanting of VEDIC MANTRAs. The study revealed that there was a marked increase in brain activity in areas of the brain that control memory.  One particularly significant finding was that the increase in brain activity occurs in the first part of the brain to experience a functional decrease in Alzheimer’s patients.

The state of health, according to Yoga Psychology, is the balanced flow of energy (Prana) through all the energy circuits of the mind and body.  When this flow gets interrupted, by interfering with or breaking some laws of Nature, the body begins to revolt. 

This revolt is seen and experienced in the form of different symptoms, discomfort and dis-ease.   Ancient Indians knew how to reestablish the lost harmony and rhythm of the body and mind by utilizing Shabda BrahmAn.

Mantra healing is an automatic process of deep inner healing set in motion through the right combinations of sounds that resonate within and fill the space around us.

The ancient Indian scalar interferometry missiles and vimanas has mantra passwords.   The white man ridiculed. Today, I use words to telephone anybody using my Samsung mobile.

Scalar waves are very different from electromagnetic waves. They can travel over immense distances with no loss of energy at super-luminal speed ( faster than light! ). Mantras because it balances the left and right brain hemispheres—and hence the posture must be erect.  Sound is an excellent stimulant to the parasympathetic nervous system, and can release tension and stress, aids the digestive system as well as sleep disorders.

All atoms in the entire universe are capable of mind reading and communicating with other atoms. Our consciousness is a cosmic DVD player.

A living being is a  EMF field embedded within the EMF field of the earth.  Each cell's DNA as a vibrating transmitter/receiver of information.  Everything moves, and therefore vibrates, creating resonance and relationship with every other thing in the universe. 

Scalar wave generated by the human DNA and internal Mobius coils , is just another name for a longitudinal wave.   Scalar waves are capable of passing through the earth from one side to another with no loss of field strength as Nikola Tesla (introduced to it by Vivekananda ) showed in one of his experiments.

Vibration is sound. Everything that is in existence, has a sound, a frequency, a musical, rhythmic quality. The relationship between the planets is called "The music of the spheres."  We can consider nature, and any system within nature, to be one great symphony so vast we cannot even conceive, and yet we are playing our part, as each cell in our body, each molecule, each atom, each proton and neutron has its own rhythm, its own note,  its own frequency.

Resonance is not limited to the sounds we hear or those we create with our voices. Resonance involves our whole body, our minds and our emotions. Entrainment is the use of a stronger pulse to create a change in another. The main physical systems entrainment affects are heartbeat, breathing, and brainwaves. Entrainment is the use of a stronger pulse to create a change in another.

In every atom of our organic being we find a vibration, a blueprint of radiance, a vibrancy of telepathy that connects us at all levels to the greater universe, aswithin so without. Every cell in our body is a sound resonator. Every cell lives in a rhythmic pattern. Each organ has its own cycle and its own pulse. 

Each and every system has a cycle, rhythm, pattern and pulse that exist in resonant harmony and sympathy to the cycles of the Earth and the heavens, helping us to remember and to reconnect to the greater cosmic blueprint.

Our bodies reflect our inner state of being by the sounds we utter. If we are in pain, we groan. If we are joyful, we hum or sing. If we are sad, we cry. In meditation, we are still. Just as sound as born out of silence, sound creates the road back to silence, inner harmony and health.

The human body is 70% water and sound travels four times faster in water than in air. Thus, we are a perfect resonator for sound; within us and around us the sounds of the universe impact us both positively and negatively.

When we lose our connection to the rhythms and cycles of nature and the interconnection to all things in the universe, this alienation or disharmony manifests as imbalance and disease of the body and subtle bodies.

The sounds of the Sanskrit alphabet itself are balancing to the body.  In fact, each letter of the alphabet has a specific sound and equivalent vibration, which corresponds to a particular part of the body.  This is known as the Mantra Purusha.

Mantra purusha sounds also correspond to 108 kalari marma points , and thus may be chanted while stimulating marma points, increasing the healing effect.  Mantras may be chanted while performing asanas, directing energy to specific areas of the body.

Sound healing is the practice of applying vibrational frequencies within the audible range to the human energy field, to bring the energetic bodies, chakras, organ systems, cells, and all parts into harmony, supporting optimal health and vitality.

In the old Newtonian physics version of life, cells are made out of pieces of matter (molecules) and could only be influenced by other pieces of matter ( molecules such as hormones or drugs). The newer insights on molecules offered by quantum physics reveals that molecules are units of vibrating energy that can be influenced by both matter and invisible energy waves (harmonic resonance).  Constructive interference ( good vibes) and destructive interference ( bad vibes) can control the movements of protein molecules.

Sound and music are intrinsic to human life. We can never be  whole without them. Our entire body resonates to our own voice, as were mainly electrolyte plasma water in a leather bag.  Our body and energy systems resonate to every sound around us.  Music is the expression of the human spirit.

A sound wave with a frequency of 20 hertz would have a period of 0.05 second (i.e., 20 wavelengths / second × 0.05 second / wavelength = 1),  while a sound wave of 20 kilohertz would have a period of 0.00005 second  ( 20,000 wavelengths / second × 0.00005 second / wavelength = 1).

Between 20 hertz and 20 kilohertz lies the frequency range of hearing for humans.  The physical property of frequency is perceived physiologically as pitch, so that the higher the frequency, the higher the perceived pitch. The amplitude of a sound wave determines its intensity, which in turn is perceived by the ear as loudness.

Quantum Physics which suddenly appeared in the 20th century is the result of ancient Vedic Sanskrit texts being translated and patented by the white Christian invaders .

QUANTUM PHYSICS ( AND THE PERIODIC TABLE OF ELEMENTS ) PROVED THAT PANINI WAS NOT A MAD MAN


Each of the fourteen verses ( Shiva Sutras )  consists of a group of basic Sanskrit phonemes (i.e. either open syllables consisting either of initial vowels or consonants followed by the basic vowel "a") followed by a single 'dummy letter', or anubandha, conventionally rendered by capital letters in Roman transliteration and named 'IT'

This allows Pāṇini to refer to groups of phonemes with pratyāhāras, which consist of a phoneme-letter and an anubandha (and often the vowel a to aid pronunciation) and signify all of the intervening phonemes.

Pratyāhāras are thus single syllables, but they can be declined .  Hence the pratyāhāra aL refers to all phonemes (because it consists of the first phoneme of the first verse (a) and the last anubandha of the last verse (L); aC refers to vowels (i.e., all of the phonemes before the anubandha C: i.e. a i u ṛ ḷ e o ai au); haL to consonants, and so on.


Throughout the Ashtadhyayi, Panini adds extra letters to a term to show its properties. These letters only have a meaning in technical literature, and they never appear in "natural" Sanskrit. For that reason, such a letter is called anubandha, literally "bound after." t. 

The combination of letter and anubandha, called a pratyāhāra, indicates everything from the letter to the anubandha.  Anubandha letters are all quite rare in real Sanskrit. This was a deliberate choice by Panini. By using rarer letters, he could reduce the chance that a pratyāhāra could be mistaken for a real word.




PANINIs GENIUS HAS STILL TO BE UNRAVELED ,  AS LOT OF ORIGINAL LITERATURE IN GRANTHA LIPI WAS STOLEN BY THE WHITE INVADER.. 

SINCE HE COULD NOT UNDERSTAND IT, HE CALLED US SAVAGES.






BELOW: THE TEACHER BELOW HAS MORE THAN 30 SUCH YOUTUBE VIDEOS , EACH OF ONE HOUR..ON THIS SUBJECT









Since Panini wrote the adaptable Sanskrit grammar 7500 years ago, there has been NO changes, it is that perfect-- the work of a genius!!

SANSKRIT-- which is the oldest language in the world , with the most immense vocabulary, clear speech, perfect pronunciation, accurate expression and politeness— the only language which has no synonyms.

There is no communication every year , like for English " the following new words have been added to the Oxford English dictonary in the year 2009". Sanskrit has no meanings by connotations and hence cannot age. It has perfect morphology that leaves no room for error.

Sanskrit has a construct like geometry in cymatics and can be digitalised.

IT IS POSSIBLE TO MAKE CONSCIOUS COMPUTERS IF THIS LANGUAGE IS ADAPTED TO COMPUTERS.
 It can be adapted to Backus-Naur Form grammar that is used to describe modern programming languages today. NASA had declared that sanskrit is the only unambiguous spoken language on the planet. Its alphabets are impeccably arranged.
There are no proper nouns in Sanskrit. Every single Sanskrit word has a meaning built into the word itself.

By adopting digital Sanskrit as a computer language, with water as memory and organic DNA strads  it is possible to create conscious computers which can laugh at a genuine joke, or tell the moral of a story like “ haste is waste”.

It is the only unambiguous computer language suitable for N-GRAM NLP and AskMSR.   My son had written a critique  while at Cornell for his ME, for which he secured full marks.

The principles of sound harmonics working precisely and consistently through the entire language, from the basic four sounds through thousands of words and their variations. The way words unfold from their seed forms is amazing. The mathematical precision throughout the language and give it its extraordinary power .

There is a direct link between the sound and signs,it is phonetic. The writing of Sanskrit language is based on the sound of the spoken form. Sanskrit has no spelling, nor there are any silent letters . There is logic in its sound system, and a natural continuity in its word-making as well as sentence-making. Sanskrit sentence structure is flexible--to hell with syntax. The order of words in a sentence does not matter. The Vedic srutis could be uttered backwards with no change in meaning

Sanskrit has three genders (masculine, feminine, and neuter), three numbers (singular, dual, and plural), and eight cases (nominative, accusative, instrumental, dative, ablative, genitive, locative, and vocative), although only in the singular of the most common declension does a noun show different forms for each case. Adjectives are inflected to agree with nouns. Verbs are inflected for tense, mode, voice, number, and person.

There is a vibration or resonance in the sounds of Sanskrit and hence is the choice language for mantras.( CYMATICS )

Sanskrit grammar has extensive  grammatical tenses.  There are ten tenses: one form for the present tense, three forms for the past tense and two forms for the future tense.

There is also imperative mood, potential mood, benedictive mood (called asheerling, which is used for indicating a blessing), and conditional.  Each tense has three separate words for each of the three grammatical persons (first person, second person and third person), and it further distinguishes if it’s referring to one, two, or more than two people (called eakvachan, dvivachan and bahuvachan).

There are three categories of the verbs called atmanepadi, parasmaipadi and ubhaipadi. These forms indicate whether the outcome of the action is related to the doer or the other person or both. In this way there are ninety forms of one single verb.

Sanskrit words are formed of a root word called dhatu.  For instance: kri root word means ‘to do,’ gam root word means ‘to go.’ So, there are ninety forms of each of these verbs like, karoti, kurutah, kurvanti, and gachchati, gachchatah, gachchanti etc.  There are ready-made single words for all kinds of uses and situations.

There are words for all the three genders and each word has twenty-one forms of its own which covers every situation. Then there is a very elaborate and precise system of composing, phrasing, making a sentence, joining two words and coining any number of words according to the need.

Sanskrit grammar has the capacity for creating any number of new words for a new situation or concept or thing.

The morphology of word formation is unique and of its own kind where a word is formed from a tiny seed root (called dhatu) in a precise grammatical order which has been the same since the very beginning.

Any number of desired words could be created through its root words and the prefix and suffix system as detailed in the Ashtadhyayi of Panini.  Furthermore, 90 forms of each verb and 21 forms of each noun or pronoun could be formed that could be used in any situation.

Its vowels are the actual ‘voice pattern’ of the sound and consonants are only the ‘form’ of the ‘voice pattern’ of the sound. So a consonant  alone cannot be pronounced as it is only a ‘form’ of the ‘voice pattern’ until it is attached to a vowel. hus, a vowel, which itself is a ‘voice pattern,’ can be pronounced alone (like,) or it can be modulated by adding a consonant to it (like,).

The Malayalam is the most Sanskritised of all language on this planet. Malayalam alphabet consists of 54 letters, 18 of which are vowels. It is a syllabic alphabet in which all consonants have an inherent vowel.

Panini formulated the rules of Sanskrit morphology, syntax and semantics in fourteen verses, from the  sounds of Lord Shiva's Damaru, called Maheshwara Sutrani.  These Sutras are also known as Aṣṭadhyayi, meaning eight chapters, the foundational text of the grammatical branch of the Vedanga. 

Astadhyayi, presented the processes of phonology, morphology and syntax, and laid down the basis for centuries of commentaries and expositions by Sanskrit grammarians who followed.

Panini's approach was amazingly formal; his production rules for deriving complex structures and sentences represent resemble those of modern computer languages.  Many of the developments in Indian Mathematics, especially the place value notation system may have originated from Paninian analysis.

Panini's grammar consists of four parts:-
Śivasūtra: phonology (notations for phonemes specified in 14 lines)
Aṣṭadhyāyī: morphology (construction rules for complexes)
Dhātupāṭha: list of roots (classes of verbal roots)
Gaṇapāṭha: lists classes of primitive nominal stems

In the Shiva Sutras, Panini discusses something like the concepts of the phoneme, the morpheme and the root.  The Shiva Sutras describe a phonemic notational system in the opening part of the Astadhyayi.   The notational system introduces different clusters of phonemes that serve special roles in the morphology of Sanskrit, and are referred to throughout the text.

Panini captured the sounds of the damaru and translated them into syllables.  From these sounds emerged the 14 syllables which provided Panini with the basis for formulating the rules of Sanskrit grammar.

These 14 verses are known as "Maheshwara Sutras" or "Maheshwara Sutrani" (in Sanskrit). These verses are just a collection of sounds and if you say them aloud, in one breath, they really sound like drum beats. 

And because they emerged from a Divine source, they were so perfect...so complete that Panini was able to create, compile codify the rules of Sanskrit grammar in such a way and till today they have remained unchanged.

Can you believe that the immoral west  ( who stole and patented our ancient knowledge and then injected poison into the originals  or destroyed it  ) talks of India in the same breath and same sentence along with Mayan, Incas , Aztecs, Hopi, Red Indians, Egyptians,  Sumerians,  Mesopotamians BLAH BLAH – who have left zilch books behind for posterity ?

Panini’s grammar covers many features of the language like swara (vowels), vyanjana (consonants) , sandhis (combination of words) , samaas (description diff to put it in a bracket) , Prathyaya, (prefixes/suffixes), etc.

DIMITRI MENDELEYEEV LEFT EMPTY SPACES IN HIS PERIODIC TABLE OF ELEMENTS , SO THAT IT CAN BE FILLED UP AFTER HIS DEATH

HE WROTE HE IS SURE --   AS THE PERIODIC TABLE OF ELEMENTS IS BASED ON SHABDA BRAHMAN OF VEDANTA , THE SRI YANTRA, PANINIs 54 ALPHABETS OF SANSKRIT.

FOR TELLING THIS THE WHITE MAN DELETED HIM FROM HISTORY , LIKE NIKOLA TESLA , WHO SPOKE ABOUT AKASHA OF VEDANTA .

The Ashtadhyayi of Panini consists of  3990 sutras or aphorisms. The effect of the mantra is not produced at the level of reason. The knowledge acquired by the repetition of the mantra extends far beyond the level of reason. In India we say that it is in the depths of consciousness. A big chunk of the Vedas are mantras.

Sanskrit is called the language of nature because it maintains a correlation between sound and form called namarupa.  This means that the sound of the word matches the thing it is describing. The alphabets could be seen by the seers in their minds when it was uttered.

Sanskrit’s resonant frequencies match the energy centres (chakras) in the subtle body and the sounds stimulate, activate, energize and open them.  This increases the flow of life force (prana) in your mind and body resulting in improved health, strength and heightened awareness.  This shows that Sanskrit is a divine language .

On a more subtle level, the Sanskrit phonemes relate to the energy currents which lie deep within the interior of the human body. Each of the 72,000 currents has a distinct sound, although they are too diffuse and vague to be enunciated distinctly.

 In mantra shastra, the point where two energy currents intersect is called a sandhi, the point where three energy currents cross is called marma shthana, and the point where more than three energy currents converge is called a chakra.


At the center of each chakra a distinct sound predominates, and other distinct sounds are centered around it. That is why, in kundalini yoga, each chakra is represented as having a particular letter at its center, as well as a letter on each petal


Panini tapas on Shiva produced 14 sound sequences from the Damaru that formed the foundations for all beats of dance, all notes of music and all phonemes of speech; that these sounds appeared in Panini’s great fractal mind and inspired him to set them down as the Siva Sutras at the head of his great work, the Ashtadhyayi, the foundational text of the world’s first scientific grammar and all the grammars that later followed

BELOW---   THIS SANSKRIT GRAMMAR IS NOT BULLSHIT WREN AND MARTIN STUFF ( LIFTED FROM SANSKRIT GRAMMAR ).. AND THEN THESE THIEVING WHITE BASTARDS CALLED US SAVAGES.

DO YOU THINK WENDY DONIGER, SHELDON POLLOCK  AUDREY TRUSHKE AND THEIR ILK WHO CLAIM TO BE WHITE SKINNED SANSKRIT EXPERTS ( WITH MONIER WILLAIMS DICTIONARY UNDER THEIR BELTS ) CAN EXPLAIN EVEN 0.0001 % OF THE BELOW?

ALL BELOW WAS CREATED 7500 YEARS AGO, WHEN THE WHITE MAN DID NOT EVEN KNOW GRUNT GRUNT FOR LANGUAGE.

Panini represents the foundations of all knowledge of world today of the
emergence of meaningless sound into meaningful word and the higher
structures of language : the entirety indeed, of modern linguistics.

Panini was the first grammarian known to human history to take stock of all
the pre-existing knowledge set out in the Vedas and the allied Vedic
corpus, and a host of his grammarian predecessors, and compile them
into a full fledged, scientific discipline.

Taking stock of the language content of the Vedic corpus, while it was still on oral route 7500 years ago, Panini presented the subject of Vyakarana or grammar as a treatise covering both the theory and structure of language in its full spectrum ranging from sound, speech and meaning to language.

Panini's extensive analysis of the processes of phonology, morphology and
syntax, in the Aṣṭadhyāyī adhyāyī, laid down the basis for commentaries and
expositions by Sanskrit grammarians who followed in later centuries.

The Ashtadhyayi  is the central part of Pāṇini's grammar, and by far the most complex. It is the earliest complete grammar of Classical Sanskrit, and in fact is of a brevity and completeness unmatched in any ancient grammar of any language.

Every other language lifted from Panini’s grammar.

The Ashtadhyayi consists of 3,959 sutras (sūtrāṇi) or rules, distributed among eight chapters, which are each subdivided into four sections or padas (pādāḥ). From example words in the text, and from a few rules depending on the context of the discourse, additional information as to the geographical, cultural and historical context of Pāṇini can be discerned.

It takes material from the lexical lists (Dhatupatha, Ganapatha) as input and describes algorithms to be applied to them for the generation of well-formed words. It is highly systematised and technical. Inherent in its approach are the concepts of the phoneme, the morpheme and the root. 

Panini’s rules have a reputation for mathematical perfection —  they describe Sanskrit morphology fully, without any redundancy. A consequence of his grammar's focus on brevity is its highly unintuitive structure, reminiscent of modern notations such as the "Backus–Naur Form". His sophisticated logical rules and technique have been widely influential in ancient and modern linguistics.

Modern linguistics acknowledges the following eight PDF files  as the most complete generative grammar of any language yet written, and continues to adopt technical ideas from it. 

It is not meant to be read but HEARD !










The descriptive grammar of Sanskrit, which Panini brought to its perfection, is THE greatest monuments of human intelligence and an indispensable model for the description of languages.

Pāṇini's 7500 year old grammar and the 7000 year old Vedas are the only texts that were passed from one generation to another without being amended.  In the Ashtadhyayi language is observed in a manner that has no parallel .  It defines the linguistic expression of thought.

Pāṇini made use of a technical metalanguage consisting of a syntax, morphology and lexicon. This metalanguage is organised according to a series of meta-rules, some of which are explicitly stated while others can be deduced. The two fundamental principles on which the metalanguage is based are non-redundancy, or the principle of economy, and the necessity of all the rules in the Ashtadhyayi.

The Ashtadhyayi is fundamental to the structure of their thinking. It is not a didactic grammar, as it presupposes a knowledge of Sanskrit. Gradually, mainly after the X century CE, manuals were produced that reorganised the Ashtadhyayi for didactic purposes. These generally had simpler structures and were less ambitious than their Ashtadhyayi source.

Pāṇini's approach was amazingly formal; his production rules for deriving omplex structures and sentences are indeed reflected in the development of modern disciplines of linguistics and the structures of modern computer languages.

Panini's grammar consists of four parts:
• Śivasūtra: phonology (notations for phonemes specified in 14 lines)
• Aṣṭadhyāyī: morphology (construction rules for complexes)
• Dhātupāṭha: list of roots (classes of verbal roots)
• Gaṇapāṭha: lists classes of primitive nominal stems

Ashtadhyayi deal with the structure of words and sentences and their construction.
Dhatupata deals with list of root words (words that give rise to other words).
Ganapatha deals with groups of nominal words (nouns or noun phrases).

Panini’s objective was primarily to establish a strong and permanent foundation for the understanding and preservation of the Vedic corpus of Knowledge,  clearly providing a framework of principles from which any language, Natural or Artificial, could be derived. Here then, was a unique example of a work of the oldest grammarian of the world that was held in in the greatest awe and admiration by EVERY  linguist of all times  ! 

Everything is PERRFECTT . There is no need for changes or later editions.

Panini presents the Sanskrit language in terms of a total of ….. Sutras, or rules regulating every aspect of the language’s structure and usage, regarded by the greatest geniuses of the world today , as a masterpiece of brevity yet astonishing in the elegance and comprehensiveness of structure 

At its base, the language rests on 42 letters or varnas, comprised of nine 9 vowels (5 simple and 4 diphthongs) and 33 consonants (25 stops or sparsas, arranged in 5 groups (ka-cha-ta-tha-pa) + 3 semi-vowels (ya-rala-va) + 4 sibilants (ss-sh-sa-ha). There are, in addition, 2 nasal sounds (anusvara and anusasika) and a hard h (visarga). The minimum unit of utterance is the phoneme or syllable (akshara). 

The vowels may be articulated short (hrasva) long (dhirga) or prolated (pluta) and may be nasalized (anunasika) or not (ananunasika) and may vary in pitch in three ways (udatta–acute, anudatta-grave or mixed (svarita-circumflex) The consonants likewise present features depending on where and how they are articulated in the mouth.


These are the changes in shape and sound that arise from derivation or inflection, the changes that ccur from the declension of nouns (such as number, gender, case etc) and conjugation of verbs (such as tense, mood etc), and when they combine to form the next level of units of sound and phoneme sequences which constitute the Sabda or Word, which then aggregate into the Pada and finally the Vakya or the Sentence. 

Words are divided into four classes : nama, (nouns and adjectives) akhyata, (verbs) upasarga, (prefixes, like pra- or pari- used with verbs, verbal derivatives and nouns showing verbal activity) and nipata (indeclinables like na, iva, ca, etc which have no gender and number and  used as adverbs, conjunctions etc and dispense with case endings). 

Nouns and verbs are enumerated in the Ganapatha and Dhatupatha parts of the Ashtadhyayai while the Upasarga and Nipata are listed in the main Sutrapatha itself. Formation of the Pada from the Sabda, called padasiddhi,forms the central part of morphological / grammatical construction through a conjunction of two parts of that transform the Sabda into the pada, the prakriti (base) and the pratyaya (affix). 

The rules that regulate the changes at these conjunctions, the rules of Sandhi, form the heart of Panini’s grammar.



  1. SOMEONE ASKED ME

    IS GOD FAIR ?

    IF GOD IS FAIR WHY ARE SOME BORN IN POVERTY, AS CRIPPLES, AS MENTAL RETARDS , TO LEPER PARENTS ETC..

    WHY IS THE RACE ON EARTH AT DIFFERENT STARTING LINES ?

    SANATANA DHARMA IS THE ONLY RELIGION WHICH EXPALINS THIS..

    ALL RELIGIONS EXCEPT SANATANA DHARMA HAVE HEAVEN AND HELL ( SINGLE LIFETIME ) SYSTEM..

    IN SANATANA DHARMA THERE IS NO HEAVEN OR HELL.. SUBJECTIVELY PLANET EARTH IS HELL AND THE SEVENTH ASTRAL LAYER ( FIELD OF BRAHMAN- VAIKUNTA ) IS HEAVEN FOR MOKSHA SOULS ..

    EVERY HINDU STRIVES FOR MOKSHA SO THAT HE CAN ESCAPE THE ENDLESS CYCLE OF RE-BIRTHS ON PLANET EARTH..

    MOKSHA IS KARMA BAGGAGE BASED.

    LORD KRISHNA TELL ARJUNA IN BHAGAWAD GITA .. ABOUT SOUL AND KARMICBAGGAGE OF PAST LIVES..

    पुरुष: प्रकृतिस्थो हि भुङक्ते प्रकृतिजान्गुणान् |
    कारणं गुणसङ्गोऽस्य सदसद्योनिजन्मसु || 22|| ( CHAPTER 13 )

    puruṣhaḥ prakṛiti-stho hi bhuṅkte prakṛiti-jān guṇān
    kāraṇaṁ guṇa-saṅgo ’sya sad-asad-yoni-janmasu

    When the puruṣh (individual soul) seated in prakṛiti (the material energy) desires to enjoy the three guṇas, attachment to them becomes the cause of its birth in superior and inferior wombs.

    YOU ARE NOT WHAT YOU SEE IN THE MIRROR. YOU ARE A BALL OF ENERGY , THE SOUL WITHIN YOUR BODY.. YOUR OWN ACTIONS OF PAST LIVES HAS CREATED A NEGATIVE KARMIC BAGGAGE .. LOW FREQUENCY SOULS ARE BORN IN INFERIOR WOMBS.

    Karma treats everyone equally. You won’t get special treatment.

    Karma is an unbreakable law of the cosmos. You deserve everything that happens to you, good or bad. You created your happiness and your misery. Your intentional actions create your future. What you are experiencing right now is what karma wants you to experience.

    Karma plants a seed. Over time it will grow. At just the right moment, the exact moment, you will receive your karma. Karma makes you experience what you have done to others. Remember the purpose of karma is not revenge. The universe is not vengeful. The purpose of karma is to help you become a better person.

    The most important part of your life will be the UNSEEN random acts of kindness you performed.

    The thing with karma is that it doesn’t always happen immediately. Sometimes we have to wait for years. Sometimes our karma arrives without us even knowing it, or knowing what form it has taken. Sometimes you reap the fruits of Karma in the next birth.

    Karma is self-balancing divine justice; it is 100% fair and absolutely infallible. It doesn't matter if a criminal seems to "get away with it", because there is no getting away with it – karma will eventually catch up with him.

    Who knows --one of Rothschild's ancestors will be a poor ugly cripple today suffering in Somalia.

    Karma doctrine makes Sanatana Dharma a great religion. .Karma gives hope. .Karma forces us to behave well. Karma is often slow to respond and, because of its intimate relationship with destiny, often waits until a future incarnation.. Every choice we make affects our future and therefore our destiny. Right now we are experiencing the destiny (and the karma) that arose from choices we made in the past.

    Laws of Karma give HOPE

    The aim of every religion is to give hope.. But the single messiah / single holy book religions put you under servility. The mullahs and popes want to save you--because they have a hot line with god

    IN SANATANA DHARMA THERE IS NO MIDDLE MAN..

    WE HAVE PADMA VIBHUSHAN FAKE GURUS WHO LIVE IN OPULENCE BY MILKING HINDUISM , AND EVEN PATENTING FAKE YOGA.. THEY LOVE THE LIMELIGHT.. THIS IS VERY BAD KARMA..

    Capt ajit vadakayil
    ..

DO YOU THINK KANCHA ILAIH SQUEAK --  NAY--SHEPHARD , WILL EVER UNDERSTAND THIS ?

HE KEEPS SQUEAKING ON TV-- NAHIN CHALEGA , BRAHMANICAL SUPERIORITY NAHIN CHALEGA !

LET THE UGLY FELLOW SQUEAK !




  1. I AGREE WITH PAKISTAN -- AT THE UNGC THEY DECLARED RSS AS A TERRORIST ORGANISATION YESTERDAY..

    RSS HAS DONE NOTHING-- ZILCH-- FOR HINDUS AND THE WATAN SINCE INDEPENDENCE..

    RSS WATCHED KASHMIRI PANDIT RACE GENOCIDE FROM THE SIDE LINES..

    RSS WATCHED JUDICARY PLAY GOD WITH SABARIMALA..

    IF THE THRISSUR CATHOLIC BISHOP HAS NOT SAVED THRISSUR POORAM THIS MILLENNIUMS OLD FESTIVAL WOULD HAVE BEEN BANNED ..

    http://ajitvadakayil.blogspot.com/2013/04/thrissur-pooram-festival-mother-of-all.html

    ROTHSCHILDs APCO BRANDED MODI AND MOSSAD / CIA CONTROLLED BJP WATCHED FROM THE SHADOWS AS BHARATMATA WAS KICKED INTO THE KOSHER MANDI ( ADULTERY LAW )..
    INDIA IS NO LONGER A NOBLE AND MORAL NATION.. BHARATMATA HELD THIS GOLDEN MANTLE FOR MILLENNIUMS --SINCE TIME BEGAN..

    RSS IS NOW CONTROLLED BY WHITE JEWS AND CRYPTO JEW INDIAN HOMOSEXUALS WHOSE ONLY AIM IS TO FIGHT WITH MUSLIMS AND CREATE DISCORD.

    EVERY RSS CHIEF SINCE THIS ORG WAS FORMED NEVER MARRIED OR HAS CHILDREN.. WE KNOW WHY..

    NOW RSS IN KERALA WANTS THE VRAT OF SABARIMALA TO BE REDUCED FROM 42 DAYS TO 14 DAYS, TO ACCOMMODATE MENSES WINDOW OF WOMEN...

    http://ajitvadakayil.blogspot.com/2018/07/menstruating-women-and-sabarimala.html

    TO ELIMINATE LONG STANDING TRAUMAS AND DEEP ROOTED VICES 21 DAYS ARE REQUIRED FOR HUMAN CELL REPROGRAMMING.

    SABARIMALA VRAT AFFORDS DOUBLE THE TIME.. 


    SABARIMALA IS THIS PLANETs NO 1 PILGRIMAGE ATTRACTING DOUBLE THE PILGRIMS THAN MAHA KUMBH MELA.. JEALOUS ANTI-HINDU FORCES WANT SABARIMALA PILGRIMAGE TO BE SHUT DOWN..

    THEY TRIED TO KILL PAMPA RIVER WITH ARANMULA AIRPORT...

    http://ajitvadakayil.blogspot.com/2013/11/aranmula-airport-kerala-mindless-rape.html

    VISHNUs 9TH AVATAR AYYAPPA WAS DELETED AND BUDDHA INSERTED IN HIS PLACE..

    KANCHI MUTT, UDIPI MUTT, TIRUPATI WERE ALL AYYAPPA TEMPLES BEFORE THE WHITE INVADER CAME TO INDIA..

    http://ajitvadakayil.blogspot.com/2013/01/sabarimala-makaravilakku-three-light.html

    WE ASK THE JUDICIARY TO BAN ANTI-WATAN , ANTI-HINDU RSS ..

    WE DONT NEED THIS EVIL ORGANISATION..

    MY FATHER WAS IN RSS..

    http://ajitvadakayil.blogspot.com/2012/08/rss-rashtriya-swayamsevak-sangh-brief.html

    RAHUL GANDHI WAS RIGHT, RSS IS WORSE THAN LET..

    capt ajit vadakayil
    ..

    PUT ABOVE COMMENT IN WEBSITES OF

    CJI
    ATTORNEY GENERAL
    ALL SUPREME COURT JUDGES
    CMs OF ALL STATES
    GOVERNORS OF ALL STATES
    PRESIDENT OF INDIA
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    ALL BJP SPOKESMEN
    RAHUL EASHWAR
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    ALL HINDU STALWARTS
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    SPREAD ON SOCIAL MEDIA

    THIS COMMENT IS CRITICAL.. ALL READERS TO CONTRIBUTE..

    capt ajit vadakayil
    ..


The Vedanga ( "limbs of the Veda") are six auxiliary disciplines in Vedic culture that developed in ancient times, and has been connected with the study of the Vedas.

The six Vedangas are :-
Shiksha (Phonetics), Kalpa (Ritual Canon), Vyakaran (Grammar), Nirukta (explanation), Chhanda (Vedic meter) and Jyotisha (Astrology).

Vedangas developed as ancillary studies for the Vedas, but its insights into meters, structure of sound and language, grammar, linguistic analysis and other subjects influenced post-Vedic studies, arts, culture and various schools of Hindu philosophy

The Vedangas are the six auxiliary disciplines for the understanding  and tradition of the Vedas. 

Traditionally, Vyakarana and Nirukta are shared across all four Vedas, while each Veda has its own Siksha, Chandas, Kalpa and Jyotisha. 

Later, they developed into independent disciplines, each with its own corpus of Sutras. 

These ancient disciplines became the foundations of virtually all the disciplines that obtain today, of Phonology, Phonetics, Etymology, Philology, Semantics, Syntax, Grammar, Aesthetics, or the History, Psychology and Philosophy of language, or any aspect indeed of Linguistics..

Shiksha and Chandas are aids for pronouncing and reciting Vedic mantras correctly, Vyakarana and Nirukta are for understanding their meaning, and Jyotisha and Kalpa provide appropriate times and methods for performing the Vedic rites and rituals. 

The Vedangas played an important role in maintaining the purity and integrity of the Vedic tradition. 

For centuries they taught and continue to teach Vedic students how to recite the Vedic hymns, understand their purity of intonation , meaning and perform the various rituals and ceremonies strictly according the established procedures. 

The Vedangas greatly help us in proper understanding and application of the Vedas.

Vedangas literally mean the limbs of the Vedas. Just like the limbs of the body, they perform various supportive and augmenting functions in the study, preservation and protection of the Vedas and the Vedic traditions.

The Vedangas are the last treatises of the Vedic literature. Paniniya Shiksha (41-42) narrates two verses on the importance of the Vedangas which describe Veda as a Purusha having six limbs as six Vedangas : --

Chhandas are his two feet, Kalpa are his two arms, Jyotisha are his eyes, Nirukta is his ears, Shiksha is his nose and Vyakarana is his mouth.  

They symbolically represent the organs of the Veda Purusha. Thus the Vedas are imagined to possess six limbs in the form of the six Vedangas as mentioned in the following Sanskrit verse :

"शिक्षा कल्पो व्याकरणं निरुक्तं छन्दसां चयः
ज्योतिषामयनञ्चैव वेदाङ्गानि षडेव तु"

“ Siksha Kalpo Vyakaranam Niruktam Chandasam Chayah
Jyotishamayanam Chaiva Vedangani Shadevatu.”

To understand Vedas, 6 disciplines have to be studied development of the students with a better understanding of the Vedas and Vedic practices.

The content of the Jyotisha and the Kalpa Vedangas carry a great range and depth of knowledge of Astronomy and Mathematics and have been the ultimate source of the knowledge of these subjects that for long had been falsely attributed by kosher white historians to other ancient cultures like those of Egypt, Greece, Sumeria and Mesopotamia.

Taking the words of the Vedas as the first sacrosanct starting point, each of the link sequences in this long chain from thought to speech, were then analysed in depth and expressed in terms of principles and rules which went on to form the disciplines of the Vedangas. 

The ancient scholars who later built on the word foundations of the Vedas, saw too, that its words to had to submit to the compulsions imposed by of the physical speech mechanisms on modulations, stresses and articulation and also and the time limits of the exhalation phase of respiration, when alone these could occur. 

This led them clearly to the rules of recitation, especially the euphonies of smooth transitions between words that determined the rules of Sandhi referred to in the Shiksha and the Nirukta and the metric measures of the Chandas.

Vedangas follow the full progression of language, self-expression, going through phonetics to words to sentences.

The six Vedangas (organs of the Vedas) are glorified as an essential subset of the 14 vidyasthanas – the abode of true knowledge and wisdom. They help to understand Veda mantras completely and in depth. 

In case there is a difference between the two, Vedas will always prevail over the Vedangas.  

Vedangas help us  read, write, chant and understand Veda mantras or Vedic hymns (slokas). Proper understanding of the vedic texts is possible only when all these organs are strictly followed. 

A student wanting to understand and realize the inner meaning of the Vedas is required to first master these six Vedangas before attempting to study the actual Vedas.

NONE OF THE WHITE SANSKRIT EXPERT INDOPHILES LIKE WENDY DONIGER, SHELDON POLLOCK , AUDREY TRUSCHKE AND THEIR ILK KNOW SHIT ABOUT ALL THIS

Ceremonial religion is a matter of correct pronunciation, correct grammar and correct accents the subjects which form the core of the Vedangas and hence they are considered sacred. 

Vedic srutis went of oral route for 330 centuries without losing a syllable or a tone. The magic of the divine math embedded sruti lies in the purity of sound.

The ancient Rishis presented the Vedas in words representing a total vision of all existence. The scholars who followed later, and who realized their true meaning and value, felt it necessary to establish mechanisms for their preservation, transmission and understandingthrough time, for the benefit of posterity. It was their effort that resulted in the six Vedangas.

Four of the Vedangas were addressed to the structure and function of the word content of the Vedas : Shiksha or Phonetics for their correct  articulation; Nirukta or Etymology, on how the words originated; Vyakarana or Grammar, on how words should be used in sentences to convey meaning; and Chandas how sentences should be rendered as music or poetry through metrical structures

The other two Vedangas went beyond the realm of the word, to address the realm of activities and objects : Kalpa or Ritual, on how and with what objects and actions,  rituals should be conducted; and Jyotisha or Astronomy on how time and place for the conduct of the sacrifices should be determined. 

The first four Vedangas present a remarkable treatment of the entire spectrum of the discipline Linguistics, that are recognized today as directly relevant to the formulations of modern linguistics. 

The last two have a remarkable conceptual anticipation of many aspects of Astronomy and Mathematics of the present day.

Even a cursory reflection on the idea of existence will tell anyone at once that it is whatever is set in a framework of Space and Time. Existence also has two. basic dimensions : the external physical, and the internal mental. The deeper reflections of the ancient Seers reflected probed far beyond and deep into these two dimensions, both within the internal world of the individual and the external reaches of the cosmos.

Looking at the heavens they saw massive units of distance and time at work, which seemed to be vastly scaled down to reach down into the internal consciousness of the individual. 

The energies and configurations of the planets and stars seemed to have their counterparts in the energies and the cells that supported life in the individual and share in what could best be described by a continuum of a single vast consciousness that was presented as existence. 

Time too, seemed to share the same quality of presenting vast units of aeons scaled down to the time rhythms of the years, seasons and days and nights, which invested the planets and stars with the same regularity as the heart-beat and breath of the individual, giving them the same sense of belonging to a single continuum of systemic existence.

 From these concepts the Seers drew the inspiration of the highest values relevant to a spiritual life and the knowledge of the most practical values to a physical life : the first, finding expression in the Vedas and the second, leading to the Vedangas.




Manduka Upanisad ( 5000 bc ) mentions six Vedangas as follows:--

The six Vedangas are –
1. Shiksha or phonetics or pronunciation – language teaching, rules on accents (there are 60 Shikshas, the most important originating from Panini and Manduki)
2. Kalpa or ritual –Ceremonies, rules of Ceremonial.
3. Vyakarana or grammar.
4. Nirukta or etymology – explanations of words, written by Yaskacharya.
5. Chhandas or meter –Chants, Verses.
6. Jyotisha or astronomy.

Now we shall briefly study about the Vedangas.




1. SHIKSHA:   --

Shiksha which is Vedic phonetics is the most important of the six Angas (organs) of the Veda Purusha.

The first Vedanga ‘Shiksha’ is the prime and primary base of all the six Vedangas, which comprises rules regarding letters, accents, quantity, organs, enumeration, delivery and euphonic combinations.

Shiksha played an important role in Vedic India at a time when there was no written script and the knowledge of the Vedas had to be transmitted from one person to another orally for 330 centuries .

By establishing the ground rules of proper pronunciation, it minimized the changes of distortion that would usually accompany verbal communication.  

A lot of importance was attached in ancient India to correct pronunciation of the Vedic hymns because of the belief that the Vedas were inviolable and divine in origin with divine math embedded . Maharishis with fractal minds could SEE the srutis as geometry. 

This auxiliary discipline has focussed on the letters of the Sanskrit alphabet, accent, quantity, stress, melody and rules of euphonic combination of words during a Vedic recitation .

Shiksha developed into a separate branch of study to preserve the integrity and purity of the divine words and save the dharma from human fallibility. 

Every veda has its own peculiar pronunciation of certain letters and each one of them has its specific modes and speed of recitation. The most important among the books relating to siksha is the famous Paniniya Shiksha..

The development of Shiksha as a Vedanga and as a Science demonstrates the profundity and vast scope of research that was undertaken in respect of pronunciation in ancient India. 

It is because of this Vedanga that the system of Vedic recitation has remained intact right from the ancient times to the present day.

It intends to train the students in the art and science of articulation of words and syllables so that they can chant the Vedic hymns perfectly, producing the desired sound vibrations and maintain the ritual purity and efficacy of the ceremonies they perform.

Shiksha really means instruction, then in particular “instruction in reciting” i.e., in correct  pronunciation, accentuation, phonetics, phonology etc. of the samhita texts.

Later, it was a name given to works containing rules regarding the proper pronunciation of Vedic texts.  Thus, the Shiksha-sutras are treatises on phonetics.  

Phonetics is most important in the case of the Vedic language, because we see that change in sound leads to change in results and effect.

The vibrations generated by sounds are considered to possess immense power in Hindu mysticism (“Akshara Brahma”) – sound is the supreme spirit.

The teachings of the Shiksha are contained in the ancient texts known as Pratisakhyas, each attached to a particular Samhita, providing instructions for the recitation of the hymns contained in it.

 We have another reference Shiksha called the Manduki-Shiksha or phonetics in  minimum. Shiksha is mentioned in Taittiriyaaranyaka where the rules on Shiksha had formally their place in this chapter of the Taittiriyaaranyaka.

Though Shiksha, the development of the dhvani-shastra, began. The word ‘Shiksha’ first appeared in Taittiriya-Upanishad, in which varëa, svara, matra, bala, sama, santana has been incorporated and the research work on it had been going on since very ancient era.

In ancient time this Shiksha concept was developed to a great extent. All the tradition of Veda always depend upon the perfect pronunciation. The main aim of Shiksha is always pronounce the purified Vedic mantras (rituals).

Not only the wrong utterance of mantras are very harmful but also it is incapable for express the real meaning.

So in Shiksha, varna svara matra bala sama Santana are the important theme.

The Shiksha is the science of pronunciation of letters, accents etc. The word Shiksha is at first derived from Taittiriya Upanisad.   Shiksha Vedanga is related to phonetic education.

In the physiology, Shiksha is represented by the structures which compute and express the internal aspects of the physiology, such as its biochemical constituents, temperature, pressure etc. (the expression of the automic nervous system). These expressions are channeled via the automic ganglia. These are 36  on each side of the spinal cord .

It is the first branch of Vedic learning which played an important role in maintaining the purity and integrity of the Vedic tradition. It occupies an important place in the academic study of the Vedas. 

Its study includes among its students a sense of discipline and respect for tradition and helps them to conduct themselves in society as upholds of the Vedic dharma and traditional  family value. 

This is an integral and essential part of ancient Vedic education system, aimed to promote all-round development of the students with a better understanding of the Vedas

A clear understanding was set out on how basic sounds were physically generated and then shaped by time intervals and stresses and euphonic considerations into the basic components of speech.

We see here the first formulations of sound into the gutturals, cerebrals, palatals, dentals and labials; the rising, falling and modulating stresses, analogous to the modern diacritic variations of the accent, grave and circumflex; and the euphonic changes at word junctions.

The Scripture uses the words Mantra, Yantra and Tantra to symbolize Thought, Object and Act meaning at both levels requires two levels of vision, sight on one, insight on the other.


2. KALPA:


The second Vedanga is Kalpa  -- it is called  arms of the veda.. Purusha.   

Kalpa deals with practical ceremonial, sacrificial and ritual aspect of the Vedas. 

Technically it is the applied science of the Vedas.  The field focused on standardizing procedures for Vedic rituals, rites of passage rituals associated with major life events such as birth, wedding and death in family, as well as discussing the personal conduct and proper duties of an individual in different stages of his life. 

The rituals related ancient texts are of two kinds: (1) the Śrautasūtras, which are based on the śruti, and (2) the Smārtasūtras, or rules based on the smriti or tradition. 

Kalpa  field focused on standardizing procedures for Vedic rituals, rites of passage rituals associated with major life events such as birth, wedding and death in family, as well as discussing the personal conduct and proper duties of an individual in different stages of his life..

There are four types of the Kalpasutras:--
(1) Shrauta-sutras, dealing with Shrauta rituals
(2) Grihya-sutras, dealing with the domestic ceremonies
(3) Dharma-sutras, dealing with the religious and social laws
(4) Shulba-sutras, dealing with the rules of measurement of the fire-altars etc.


 3. VYAKARANA  :


The third Vedanga is Vyakarana or grammar, which is necessary for the understanding of the Veda.  

It is called the mouth of the veda Purusha.  

Vyakarana deals with Sanskrit grammar or the analysis and decomposition of words, word formation, root words and comples sentence structures, providing useful insights into the usage of words and sentences leading to the mastery of the language. 

This auxiliary discipline has focussed on the rules of grammar and linguistic analysis to establish the exact form of words and sentences to properly express ideas  Formation of the word is the main subject of grammar. 

It discusses root (Prakriti) and suffix (Pratyaya) of a word to study its meaning. Panini‟s Vyakarana is in the form of sutras or aphorisms. Aphorisms are distinct from axioms. Indian sutras are theorem condensed in few words .

Aphorisms generally originate from experience and custom, whereas axioms are self-evident truths and therefore require no additional proof. 

The term sutra may refer to a single aphorism, a collection of aphorisms.. Each sutra is any short rule, like a theorem distilled into few words or syllables, around which teachings of ritual, philosophy, grammar, or any field of knowledge can be woven.. 

Every school of Hindu philosophy, Vedic guides for rites of passage, various fields of arts, law, and social ethics developed respective sutras, which helped teach and transmit ideas from one generation to the next.. 

A sutra is a condensed rule which succinctly states the message, while a Shloka is a verse that conveys the complete message and is structured to certain rules of musical meter. Sutras  were designed so that they can be easily communicated from a teacher to student, memorized by the recipient for discussion or self-study or as reference.. 

Ancient Indians learnt sutras of grammar, philosophy or theology by the same mechanical method which fixes in our (modern era) minds the alphabet and the multiplication table. 

A larger collection of ancient sutra literature in Hinduism corresponds to the six Vedangas, or six limbs of the Vedas.These are six subjects that were called in the Vedas as necessary for complete mastery of the Vedas. The six subjects with their own sutras were "pronunciation (Shiksha), meter (Chandas), grammar (Vyakarana), explanation of words (Nirukta), time keeping through astronomy (Jyotisha), and ceremonial rituals (Kalpa).

The fourteen sutras are referred to here, as Maheswara sutras.

 They were originated from Nataraja‟s damuru sound. They are considered the foundation of grammar. Vararuchi has written an elaborate commentary or Vartika. Sage Patanjali wrote commentary or Bhashya on it. 

Shiva sutras deal with phonetics or the accent and intonation of distinctive units of sound that form part of the word and letter sounds.




4-  NIRUKTA :-


Nirukta Vedanga is called the ears of the veda Purusha.

Without Nirukta the precise meanings of the Vedic stanzas cannot be understood.

None of the white scholars who attempted to translate Vedic srutis knew Nirukta, and that is why Vedic verse English translations of most profound wisdom , looks as if it is MAD monkey chatter.

The shallow minded white man has ignored the direct Sanskrit etymology and sought for some farfetched etymology from the stupid Greeks.

A sentence is a collection of words, a word is a collection of phonemes, according to Nirukta scholars. The meaning of Vedic passages has to be understood through context, purpose stated, subject matter being discussed, what is stated, how, where and when.

Nirukta systematically proposed theories on how words form, and then determine their meaning in order to understand the Vedas.

Nirukta , means "uttered, pronounced, explained, expressed, defined, loud".It also refers to the etymological interpretation of a word, also the name of such works. The related Sanskrit noun niruktiḥ means "poetical derivation" or "explanation of a word."

Nirukta means etymology and it explains the reason why a particular word has been used i.e., the meaning of usage. Nirukta is the science of etymologies. It explains the word-roots and derivation of meaning of words in different context. It  deals with the etymological interpretations or explanations of obscure words especially those found in the Vedas.  .

Nirukta is an explanation of words, particularly those that are archaic and have ancient uses with unclear meaning. This auxiliary discipline has focussed on linguistic analysis to help establish the proper meaning of the words, given the context they are used in

Nirukta is the study concerned with correct interpretation of Sanskrit words in the Vedas. It was one of the six vedangas or compulsory ritual subjects in syllabus of Sanskrit scholarship in ancient India. 

The Nirukta explains how certain words get to have their meanings, especially in the context of interpreting the Vedic texts. It includes a system of rules for forming words from roots and affixes, and a glossary of irregular words, and formed the basis for later lexicons and dictionaries.

Technically it deals with the difficult and obscure words of a dictionary, whose analysis and interpretation is vital to the study and understanding of the Vedas which are replete with mysterious symbolism not usually understood by all. 

The most authoritative exponent of  this branch of study is Yaska, a Sanskrit grammarian and master of Sanskrit etymology, who lived several centuries before Panini ( 5500 BC ) . 

He is remembered for his monumental work called Nirukta, which is an excellent commentary of the obscure words found in the Nighantu (dictionary) of his time. Tradition ascribes the Nighantu also to Yaska. 

The Nighantus are five lists of words, which are again divided into three sections. The first section consists of three lists, in which Vedic words are collected under certain main ideas. The second section contains a list of ambiguous and particularly difficult words of the Veda, while the third section gives a classification of the deities according to the three regions, earth, sky and heaven. 

Yaska explained these lists in the twelve books followed. The most interesting portion of the Nirukta is the discussion which covers the whole of the first book and a part of the second, as well as the seventh book, which was as an admirable introduction to the study of the Veda. 

Nirukta deals with the interpretation and analysis of difficult words and provides insight into the hidden content of the Vedas. Since many Sanskrit words can be split into  more than one way and the 

Vedas contain many obscure and unknown words, an in-depth study of Nirukta will help students discover the latent or hidden meaning of the Vedas and understand their linguistic and philosophic significance. 

Yāska defines four main categories of words:--

nāma – nouns or substantives
ākhyāta – verbs
upasarga – pre-verbs or prefixes
nipāta – particles, invariant words (perhaps prepositions)

Nirukta is very important for several reasons. Firstly, it represents the type of the earliest classical style and in this respect stands by itself. Secondly, it is the oldest known attempt in the field of Vedic etymology.

Nirukta relies upon ancient lexicons, nighantu, as well as detailed hymn indices, anukramani. Five nighantus existed at the time of sage Yaska, whose treatise is regarded a standard work on Vedic etymology.

Nirukta is the systematic creation of a glossary and it discusses how to understand archaic, uncommon words. The study of Nirukta has been closely related to the ancillary Vedic science of Vyakarana, but they have a different focus.

Vyakarana deals with linguistic analysis to establish the exact form of words to properly express ideas, while Nirukta focuses on linguistic analysis to help establish the proper meaning of the words, given the context they are used in.  The prerequisite to the study of Nirukta is the study of Vyakarana.

Yaska, the sage, approached this problem through a semantic analysis of words, by breaking them down into their components, and then combined them in the context they were used to propose what the archaic words could have meant

A central premise of Yaska was that man creates more new words to conceptualize and describe action, that is nouns often have verbal roots. However, added Yaska, not all words have verbal roots. He asserted that both the meaning and the etymology of words are always context dependent. 

Words are created around object-agent, according to Yaska, to express external or internal reality perceived by man, and are one of six modifications of Kriya (action) and Bhava (dynamic being), namely being born, existing, changing, increasing, decreasing and perishing.


Nirukta  is devoted to the explanation of the words of the Vedas and their lexical categories and semantics. It would be interesting to trace the course of development of this discipline over time and across cultures. This would make it abundantly clear and what is now universally accepted, that the  Nirukta represents  the oldest and most systematic study of etymology in the history of mankind. 

The word "etymology" derives from the Greek words “etumon”, meaning “true sense”, “logia”, meaning “‘study of’”, and from “logos”, meaning "speech". Etymology became a study of the history of words and how their form and meaning have changed over time. 

For languages with a long written history, Etymologists made use of texts in these languages, and texts about the languages, to gather knowledge about how words were used at earlier stages, and when they entered usage in the languages in question. 

The development of Etymology thus became inevitably linked with the  development of Philology, a study of languages over time and across cultures. Etymologists also applied the methods of comparative linguistics to reconstruct information about languages that are too old for any direct information to be available about them. 

By analyzing related languages with a technique known as the comparative method, linguists made inferences about their shared parent language and its vocabulary. In this way, word roots were found which could be traced all the way back to the origin of, for instance, the Indo-European language family.


TOMORROW IS MY BIRTHDAY ( 2ND OCT )..

HERE IS MY EIGHTH DEEKSHA FOR MY READERS ..

HERE IS AN ATHARVA VEDA SRUTI REDUCED TO NUMBERS ( ISOTOPE MAGIC )..

85465778526

WRITE THIS NUMBER ON YOUR BODY ( ANYWHERE ) AND RECITE IT ORALLY AT LEAST THRICE A DAY..

IT WILL BOOST YOUR IMMUNITY SYSTEM WHICH IS UNDER ATTACK BY POLLUTION AND PROCESSED FOOD...

IT WILL WORK IN REVERSE FOR MY DETRACTORS AND PEOPLE WHO BEAR MALICE TOWARDS ME IN A MOST SEVERE MANNER.. BE WARNED ..

capt ajit vadakayil
..




5- CHANDAS :-



Sanskrit prosody or Chandas is one of the six Vedangas, or limbs of Vedic studies. It is the study of poetic metres and verse in Sanskrit. This field of study was central to the composition of the Vedas

Vedic meter refers to the poetic meter in the Vedic literature. The study of Vedic meters, along with post-Vedic meters, is part of Chandas, one of the six Vedanga disciplines

The science of metres. Chhanda deals with the analysis of the types of meter used in the construction of various Vedic hymns.

The Chandas, as developed by the Vedic schools, included both linear and non-linear systems. The system was organized around seven major metres each had its own rhythm, movements and aesthetics wherein a non-linear structure (aperiodicity) was mapped into a four verse polymorphic linear sequence.

 Sanskrit metres include those based on a fixed number of syllables per verse, and those based on fixed number of morae per verse.. A mora  is a unit in phonology that determines syllable weight, which in some languages determines stress or timing.

The mora was first expressed in India as the mātrā. For example, the short vowel "a" (pronounced like a schwa) is assigned a value of one mātrā, the long vowel "ā" is assigned a value of two mātrās, and the compound vowel (diphthong) "ai" (which has either two simple short vowels, "a"+"i", or one long and one short vowel, "ā"+"i") is assigned a value of two mātrās…

Sanskrit prosody and metrics have a deep history of taking into account moraic weight, as it were, rather than straight syllables, divided into "laghu" (लघु, "light") and "dīrgha" / "guru" (दीर्घ / गुरु, "heavy") feet based on how many morae can be isolated in each word.











 The chhandas of a mantra  determines its usage, such as its purpose and context. But is acts more as an error-correcting mechanism.  

Vedas went orally for 330 centuries before being penned down 70 centuries ago.. 

Since the Veda is an oral tradition, any aberration in the chhandas because of error in text or the swara ( poison injection by the white invader ) , can be easily identified and corrected.
Overview

The major Vedic meters
Meter
Structure
Mapped
Sequence
Usage
Gayatri
24 syllables;
3 verses of 8 syllables
6x4
Rigveda 7.1.1-30, 8.2.14
Ushnih
28 syllables;
2 verses of 8;
1 of 12 syllables
7x4
Rigveda 1.8.23-26
Anushtubh
32 syllables;
4 verses of 8 syllables
8x4
Rigveda 8.69.7-16, 10.136.7
Brihati
36 syllables;
2 verses of 8;
1 verse of 12;
1 verse of 8 syllables
9x4
Rigveda 5.1.36, 3.9.1-8
Pankti
40 syllables;
5 verses of 8 syllables
10x4
Rigveda 1.191.10-12
Tristubh
44 syllables;
4 verses of 11 syllables
11x4
Rigveda 4.50.4, 7.3.1-12
Jagati
48 syllables;
4 verses of 12 syllables
12x4
Rigveda 1.51.13, 9.110.4-12


Ancient Indians devised ways to preserve the Vedas with mathematical precision as the sruties were on oral route.  Plain memorization could never be enough, for distortions inevitably slip in.   The wise sages realized that a rigorous description of the form of the poems would help preserve their shape over time. 

This description evolved into the formal study of meter. Both meter and the study of meter are called chandas.




In Sanskrit, the word “ Pada” is used as the metrical unit. The measurement is made depending on the number of syllables used.

Pāda is the Sanskrit term for "foot" with derived meanings "step, stride; footprint, trace; vestige, mark". The term has a wide range of applications, including any one of four parts (as it were one foot of a quadruped), or any sub-division more generally, e.g. a chapter of a book (originally a section of a book divided in four parts).

As a measure of length, a pada amounts to 12 or 15 fingers' breadth, or 1/2 or 1/3 or 3/7 of a Prakrama.

In Sanskrit grammar, a pada is any inflected word (noun or verb).

 Syllables are classified into two categories, Guru and Laghu. A string of Guru – Laghu sequence of a particular length is called a meter.

Rig and Sama Vedas are fully in the form of verses, whereas, Yajur Veda has prose and poetry. A Sloka or Vedamantra is generally a quarted with four quarters or Paada. 


The shortest and most sacred of Vedic meters is the Gayatri metre.  It consists of three octosyllabic feet (pada, 3x8) with 24 syllables. The following is an example of a Rigvedic hymn in Gayatri meter:

The hymn:
इन्द्रमिद्गाथिनो बृहदिन्द्रमर्केभिरर्किणः इन्द्रं वाणीरनूषत ॥१॥

Transliteration in 3x8 format:
indram id gāthino bṛhad
indram arkebhir arkiṇaḥ
indraṃ vāṇīr anūṣata

Musical beats:
_ ᴗ _ _ / ᴗ _ ᴗ ᴗ // _ ᴗ _ _ / ᴗ _ ᴗ ᴗ // _ _ _ _ / ᴗ _ ᴗ ᴗ

DUM da DUM DUM / da DUM da da // DUM da DUM DUM / da DUM da da // DUM DUM DUM DUM / da DUM da da

Translation:
The chanters have loudly chanted to Indra,
the singers have sung their songs to Indra,
the musicians have resounded to Indra. 
— Rigveda 1.7.1, 5000 BC

Depending on the emphasis (da or DUM), the Vedic poets developed many varieties of each meter, including the Gayatri.   Of these, 11 varieties of Gayatri meter were particularly used in the Rigveda. 

Each eight syllable line of the Rigveda, is almost exactly equivalent to the Greek iambic dimeter ( LIFTED by white skinned thieves).. 

Iambic: Unstressed syllable followed by a stressed Syllable. 

Dimeter: Two Metrical Feet per line

BELOW: THIEF ROBERT FROST.   ENGLISH IS A STUPID LANGUAGE WITH SPELLINGS..


The sacred Gayatri meter consists of three of such iambic dimeter lines, and this embedded meter alone is at the heart of about 25% of the entire Rigveda.  The only meter more commonly used in Rigveda, than Gayatri, is the Tristubh meter consisting of 4x11 structure (44 syllables). 

The structure of Gayatri and other Vedic meters is more experimental and flexible than post-Vedic meters.

Triṣṭubh  is the name of fi (four padas of eleven syllables each), or any hymn composed in this meter. It is the most prevalent meter of the Rigveda, accounting for roughly 40% of its verses. 

The Bhagavad Gita, while mostly composed in shloka (developed from the Vedic Anustubh) is interspersed with Tristubhs, for example in the passage beginning at chapter 11, verse 15, when Arjuna begins speaking in Tristubhs.

Depending on the style (first syllable optionally short or long), the syllables of each couplet are thus:

first, long, short, long, long, short, short, long, short, long, long




Veda is not the creation of any human being. It is divine and only visualized by the ancient seers, and that is why it is called Apaurusheya..

Upanishad says that the Vedas are just like expiration (Nihshvaasa) of that great ‘Brahman’. They are ‘breathed out’ by the Brahman. So the Veda is eternal just as Brahman.

SOMEBODY ASKED ME –

HOW DO YOU SAY THAT VEDAS WENT ON ORAL ROUTE FOR 330 CENTURIES BEFORE IT WAS PENNED DOWN IN SANSKRIT GRANTHA LIPI 70 CENURIES AGO? 

WHEN THE BIBLE SAYS THAT BIG BANG OCCURRED IN 4004 BC  AT 0900 AM ON 23TH OCT ..

PRAY

PRITHEE


KATHAKALI OF KERALA IS MILLENNIUMS OLD, THE OLDEST DANCE AND SONG FROM ON THIS PLANET..

IT WAS BASICALLY A REPRESENTATION OF THE STORY OF DANAVA  KING HIRANYAKASHIPU AND PRINCESS HOLIKA ( AUNT OF PRAHALAD ) OF KERALA.  

IN KATHAKALI RECITALS YOU ALWAYS SEE THE FEMALE CHARACTER WEARING HOLIKAs MAGIC CAPE ( FIRE PROOF CLOAK ) .




SINCE WE WERE AT THE RECEIVING END OF VISHNU AVATARS VAMANA AND NARASIMHA ,  WE DONT CELEBRATE DIWALI AND HOLI IN KERALA., THE LAND OF DANAVAS.





Any meter beyond 26 syllables to a Paada, is called dandakam


श्रीगरुडदण्दकम्

श्रीमते निगमान्तमहादेशिकाय नमः
श्रीमान् वेङ्कटनाथार्यः कवितार्किककेसरी
वेदान्तचार्यवर्यो मे सन्निधत्ताम् सदाहृदि

नमः पन्नगनद्धाय वैकुण्ठवशवर्तिने
श्रुतिसिन्धु सुधोत्पादमन्दराय गरुत्मते १॥

गरुडमखिलवेदनीडाधिरूढम् द्विषत्पीडनोत्कण्ठिताकुण्ठवैकुण्ठपीठीकृत
स्कन्धमीडे स्वनीडागतिप्रीतरुद्रासुकीर्तिस्तनाभोगगाढोपगूढ स्फुरत्कण्टकव्रात
वेधव्यथावेपमान द्विजिह्वाधिपाकल्पविष्फार्यमाण स्फटावाटिका
रत्नरोचिश्छटा राजिनीराजितं कान्तिकल्लोलिनीराजितम् २॥

जयगरुड सुपर्ण दर्वीकराहार देवाधिपाहारहारिन्
दिवौकस्पतिक्षिप्तदम्भोळिधाराकिणाकल्प कल्पान्तवातूल कल्पोदयानल्प
वीरायितोद्यच्चमत्कार दैत्यारि जैत्रध्वजारोहनिर्धारितोत्कर्ष
सङ्कर्षणात्मन् गरुत्मन् मरुत्पञ्च काधीश सत्यादिमूर्ते कश्चित्
समस्ते नमस्ते पुनस्ते नमः ३॥

नम इदमजहत्सपर्याय पर्यायनिर्यातपक्षानिलास्फालनोद्वेलपाथोधि
वीचीचपेटाहतागाधपाताळभाङ्कारसंक्रुद्धनागेन्द्रपीडासृणीभावभास्वन्नखश्रेणये
चण्डतुण्डाय नृत्यद्भुजङ्गभ्रुवे वज्रिणे दंष्ट्रय तुभ्यमध्यात्मविद्या
विधेया विधेया भवद्दास्यमापादयेथा दयेथाश्च मे ४॥

मनुरनुगत पक्षिवक्त्र स्फुरत्तारकस्तावकश्चित्रभानुप्रियाशेखरस्त्रायतां
नस्त्रिवर्गापवर्गप्रसूतिः परव्योमधामन्
वलद्वेषिदर्पज्वलद्वालखिल्यप्रतिज्ञावतीर्ण स्थिरां तत्त्वबुद्धिं परां
भक्तिधेनुं जगन्मूलकन्दे मुकुन्दे म्हानन्ददोग्ध्रीं दधीथा
मुधाकामहीनामहीनामहीनान्तक ५॥

षट्त्रिंशद्गणचरणो नरपरिपाटीनवीनगुम्भगणः
विष्णुरथदण्डकोऽयं विघटयतु विपक्षवाहिनीव्यूहम् ६॥

विचित्रसिद्धिदः सोऽयं वेङ्कटेशविपश्चिता
गरुडध्वजतोषाय गीतो गरुडदण्डकः ७॥

कवितार्किकसिंहाय कल्यणगुणशालिने
श्रीमते वेङ्कटेशाय वेदान्तगुरवे नमः

श्रीमते निगमान्तमहादेशिकाय नमः

In Sanskrit verses, each of the 4 Paadas of a sloka can have 26 letters. If the letters of each Paadas increase to 27,30,33,36 (other multiples of 3 beyond 27), then this slokam is recognized as a  Dhandakam. The 3 lettered units are known as a Gana. 

Thus a 27 lettered Paada will have 9 Ganas.There is generally no restriction on the length of the Paada in a Dhandakam

IN MAHABHARATA , THE FLAG ON KRISHNAs CHARIOT HAS GARUDA , THE VAHANA OF VISHNU--NOT MONKEY HANUMAN.   LIES WOT WORK


http://ajitvadakayil.blogspot.com/2015/09/garuda-vimana-of-vishnu-and-garuda.html




Chanda helps us to ensure the form of the Mantra (by meter count).    No alteration to this can be attempted since it would disturb the spiritual significance of the mantra itself.   In Sanskrit, the metrical unit is known as pada (foot).

The knowledge of the Chanda proved useful in the composition of the smriti literature. It also played an important role in the emergence of classical Indian music and Sanskrit poetry besides providing a frame work of reference for compositions languages.

Chandas has focussed on the poetic meters, including those based on fixed number of syllables per verse, and those based on fixed number of morae per verse.


Vedic mantras have accents (Swara) which preserve its original form of word- construction.

There are three Prakriti Pathas for memorizing Mantras most commonly known as:

Samhita-Patha –   in which Mantra remains in its true form.
Pada-Patha-   in which each word of a Mantra is separately spoken.
Krama-Patha-  in which two words of a Mantra are spoken jointly as  Ka-kha, kha-ga.

There were eight ways i.e., VIKRITIS  of memorizing Vedas. 

LAWYER TURNED ACTIVIST INDU MALHOTRA , WHO GOT CATAPULTED TO SUPREME COURT JUDGE ( WITH DEEP STATE HELP )  ASSOCIATED VIKRITI TO HOMOSEXUALS WHO PUT PRICKS INSIDE ASSHOLES. 

 BAFFLING WITH BULL IS HOW LAWYERS WIN CASES, AS MOST JUDGES ARE STUPID.

These are-----

Jatapatha
Malapatha
Shikhapatha
Rekhapatha
Dhvajapatha
Dandapatha
Rathapatha
Ghanapatha


Among them Ghana  Patha  is most difficult and the longest.


jaṭā-pāṭha (literally "mesh recitation") in which every two adjacent words in the text were first recited in their original order, then repeated in the reverse order, and finally repeated again in the original order.

The recitation thus proceeded as:--

word1word2, word2word1, word1word2; word2word3, word3word2, word2word3;

dhvaja-pāṭha (literally "flag recitation") a sequence of N words were recited (and memorized) by pairing the first two and last two words and then proceeding as:

word1word2, word(N-1)wordN; word2word3, word(N-3)word(N-2); ...; word(N-1)wordN, word1word2;




The most complex form of recitation, ghana-pāṭha (literally "dense recitation"), according to took the form:

word1word2, word2word1, word1word2word3, word3word2word1, word1word2word3; word2word3, word3word2, word2word3word4, word4word3word2, word2word3word4; ...




ACCORDING TO KANCHA ILAIH SQUEAK --NAY--SHEPHARD , BRAHMINS WERE TAKING LIPE --NAY-- LIFE  TOO EAJJY - NAY --EASY !


Chandas means meter which also helps in avoiding loss of content by enforcing number of syllables. 

I HAVE WRITTEN IN GREATER DETAIL IN PART 74  OF THIS SANATANA DHARMA SERIES.



SANSKRIT SRUTIS CAN BE RECITED BACKWARDS WITHOUT LOSS OF MEANING..  ORAL VEDAS WERE VERIFIED BY BACKWARD CHANTING




6. JYOTHISHA :-

The last Vedanga Jyotisha is called eye the organ of sight, of the Veda purusha.

Every Indian Hindu has his horoscope made. No marriages are conducted without an astrologer matching horoscopes. Both my sons have horoscopes or they miss out pretty brides from traditional Hindu families.

We are NOT independent from this cosmos. We are part of it. This is the reason we must live in harmony with the laws of the universe by exercising our free will.

Astrology connects our world and our physical organisms with the vast cosmos uniting the microcosm and the macrocosm. Astrology is the interaction of micro particles and energy that invisibly fills our universe. Exploding stars are the only way that carbon enters the universe, and our bodies are composed of carbon

Time and space are features in the material world , not the invisible world. There the present past and future are all occurring right now. This means when you contact the higher realms you can tap into past lives or the future.

The casting of a Panchāngam involves elaborate mathematical work involving high level of spherical geometry and sound understanding of astronomical phenomena, such as sidereal movements of heavenly bodies. However, in practice the tabulation is done on the basis of short-cut formulations as propounded by ancient Vedic sages

A typical Panchangam ( celestial almanac ) states tabulations of positions of Sun, Moon, and other planets for every day of the year on a fixed place (longitude, latitude) and time of day (in 24-hour format IST). There is NO speculation, it is pure math.

"They were very advanced Hindu astronomers for millinium BC.   Vedas contain an account of the dimension of Earth, Sun, Moon, Planets, and Galaxies." Emmelin Plunret in 'Calendars and Constellations '

"The Hindu systems of astronomy are by far the oldest and that from which the Egyptians, Greek, Romans and - even the Jews derived from the Hindus their knowledge.-  Jean Sylvain Bailly (French astronomer)


Accuracy of attributes depending upon the Moon's motions were considered most crucial for the reliability of a panchāngam, because the Moon is the fastest among all heavenly entities shown in traditional panchāngas.. 

Panchānga is a Sanskrit ?Malayalam  word, literally meaning "having five limbs". If these five limbs, for example, the five attributes depending upon Moon, are accurate, an almanac is held to be reliable, because other elements are not so difficult to compute due to their slow rates of change.

The Hindu calendar has five (pancha) limbs (anga), concerning five elements of time division-- "five attributes" of the day ..These are: vara, tithi, nakshatra, yog and karana



Tithi - Ending Moment (EM) of elongation of the Moon, the lunar day, the angular relationship between Sun and Moon ( Apparent Moon minus Apparent Sun).   Tithis are the dates of Lunar Calendar.. The method of calculating tithis is based on “Surya Siddhanta” written by Maya Danava.. Tithi is calculated with help of position of Sun and Moon in transit.

Tithi = (Moon Longitude - Sun Longitude) / 12 . If the calculated result is greater than 15, we have to substract 15 from the result. . A lunar month consists of 30 tithis, whose start time and duration vary. The moment of new Moon, or that point of time when the longitudes of Sun and Moon are equal is called ‘amavasya’. The tithi is the time taken by the Moon in increasing its distance from the Sun by 12 degrees.

The complete revolution of the Moon 29.5 days) occupies 30 tithis for 360 degrees. Since the motions of the Sun and Moon are always varying in speed the length of a tithi constantly alters. From the point of view of a calendar, a tithi begins on one day and ends on the following day. However, the length of the tithi alters quite often since the apparent motions are not linear.

One Tithi ends at the moment of time when the angular distance between the Sun and Moon becomes an integral multiple of 12°. In other words, a tithi ends at the same constant of time for all places on Earth and a tithi is not sensitive to the longitude (or latitude) of the region.

The moment of Sunrise of course varies with longitude and therefore local time of Moon’s entry into any tithi will differ at different places. Lunation is the time taken by the Moon to complete one revolution around the Earth. The 360 deg angular path of the Moon in the sky is divided into 10,000 parts and 1 art, the finest possible resolution amounts 2.16 arc min .

The time between two conjunctions is a synodic lunar month. The smallest unit of measure of a tithi is 1/10,000th part of an apparent sidereal revolution of the Moon. When the angular difference between the Sun and Moon is less than +2.16 (measured eastward angle), the Sun and Moon are said to be in conjunction. This moment of time is said to be the amavasya moment or new Moon.

To travel 21,600′ of arc, (360 deg) Moon takes 29.53 (solar) days or 42,480 minutes. So, to travel 2.16 of arc it takes 4.25 minutes. The Moon remains in this position for approximately 4.25 minutes. This interval defines the accuracy of all astronomical observations in ancient Indian calendar.

Since Amavasya (new Moon) lasts for the movement of the Moon from -2.16 to + 2.16 Around the Sun, it last for 8.50 minutes only

A lunation, i.e. rotation by 360° is divided into 30 tithis. 1/30th of a lunation represents the time duration of a tithi or the angular movement of 12°. Since the lunation is divided into 10,000 parts about 333 (10,000/30) parts go to one tithi, 667 to 2 tithis and so on. While movement of the Moon is measured with respect to the Sun, the movement of the Sun itself (with respect to the background stars) is, in reality, a measure of the movement of the Earth with respect to the Sun.

The Moon travels much faster than the Earth in the sky. Hence the absolute angular distance of Moon and Sun or their distance from one another increases continuously for the first half of the month and decreases during the second half of the month till another conjunction occurs.



Nakshatra - EM of astarism of the day, that is, the stellar mansion in which Moon is located for an observer at the center of the Earth. One Nakshatra equals 13 degrees:20 minutes. There are 27 Nakshatra in 360 degrees. Nakshtra = Moon Longitude / 13 deg. 20 min.. 

The time, which the Moon requires to travel over the 27th part of the ecliptic, is called ‘nakshatra’. During the traversal of Moon around the Earth it was noticed that the Moon is close to some of the fixed heavenly bodies (stars). Twenty-seven stars that all on the path of the Moon identified.

In 29.5 days, that is, Moon’s one synodic revolution, Moon travels through 27 stars that were said to form the 27 Nakshatras.

Hence, on an average Moon travels one nakshatra everyday. The star, which is closest to the Moon on its path, is called Moon’s Nakshatra.

In order to map this movement in the sky, different paths of the movement of the Moon are divided as per the nearest star or constellation. The names of the 27 regions, called the 27 Nakshatras

These are used to define a month. The name of a lunar month is given by the location of the Moon on the Full Moon day. Each region is about 13 deg 20 minutes in the sky.

Yog - EM of the angular relationship between Sun and Moon( Apparent Moon plus Apparent Sun). One Yog equals 13 degrees:20 minutes. There are 27 Yogs in 360 degrees. Yog = (Moon Longitude + Sun Longitude) / 13 deg. 20 min. It is the period of time during which the distance between the Sun and Moon is increased by 13° 20′. This is about 1 day.


Karana -    Karana = (Tithi) / 2.. The karana is half the tithi or during which the difference of the longitudes of Sun and Moon is increased by 6°.


Var weekday the seven weekdays. It is the name of the day like Monday, Tuesday etc.

A lunar calendar is based on the moon's rotation around the Earth.

The document used as Panchangam has evolved over the 400 centuries in Kerala.







  • http://ajitvadakayil.blogspot.com/2018/09/sanatana-dharma-hinduism-exhumed-and_28.html

    THIS COMMENT WILL BE ADDED TO MY POST ON SANATANA DHARMA PART 109, ABOVE--- AS THERE ARE TWO DIAGRAMS ATTACHED FOR EASIER UNDERSTANDING

    HINDU CALENDAR WAS ROOTED IN JYOTISA. THE IS NO SAVAGE SUPERSTITION.

    THE JYOTISA OR SCIENCE OF LIGHT IS NO 6 IN ANCILLARY VEDIC SCIENCES, LIKE I SAID .

    JYOTISA ARE THE EYES OF VEDA-PURUSA (VEDIC SCRIPTURES ENVISIONED AS A HUMAN BEING).

    MANDUKA UPANISAD ( 5000 BC ) MENTIONS SIX VEDANGAS AS FOLLOWS:--

    http://ajitvadakayil.blogspot.com/2018/09/sanatana-dharma-hinduism-exhumed-and_28.html

    THE IMPORTANCE OF JYOTISA CAME FROM THE NEED TO UNDERSTAND AND PREDICT VARIOUS ASTRONOMICAL OR CELESTIAL EVENTS. AND IN LATER TIME, IT DEVELOPED TO INCLUDE SEVERAL BRANCHES OF MATHEMATICS, BY WAY OF SANSKRIT SUTRAS..

    THERE IS A CORRELATION BETWEEN THE OUTER MATERIAL WORLD OF OBJECTS AND THE INNER WORLD OF CONSCIOUSNESS.

    THIS IS EXPRESSED BY THE SAYING “YATHĀ PINDE TATHĀ BRAHMĀNDE”, OR THERE IS A RELATIONSHIP BETWEEN MICROCOSM AND MACRACOSM

    THE STARTING POINT FOR CALENDARS IS THE DEFINITION OF THE BASIC UNIT OF TIME MEASUREMENT. THIS UNIT IS CALLED A SECOND AND IS DEFINED AS 9, 192, 631, 770 PERIODS OF VIBRATION OF CESIUM-133 ATOMIC HYPERFINE TRANSITION. THE LARGER UNITS OF CALENDRICAL TIMES ARE DAYS, MONTHS, YEARS , CENTURIES AND MILLINIUMS .

    NINE TYPES OF KĀLAMĀNA ( कालमान ) ARE USED IN TRADITIONAL HINDU CALENDAR .

    LAST (14TH) CHAPTER OF SURYA SIDDHĀNTA , THE ONLY EXTANT ĀRSHA TEXT OF VEDIC ASTRONOMY OUT OF 18 ORIGINAL DIVYA SIDDHĀNTAS, IS DEVOTED ENTIRELY TO THIS TOPIC.

    ITS FIRST VERSE ENUMERATES THESE NINE TYPES OF MĀNAS (MEASURES) OF KĀLA, HENCE THAT CHAPTER IS TITLED MĀNĀDHYĀYA.

    BRĀHMA , PRĀJĀPATYA , DIVYA , SAURA , SĀVANA, PITRYA , CHĀNDRA, NĀKSHATRA AND GAURAVA OR BĀRHASPATYA.

    TIME KEEPING WAS IMPORTANT TO VEDIC RITUALS, AND JYOTISHA WAS THE VEDIC ERA FIELD OF TRACKING AND PREDICTING THE MOVEMENTS OF ASTRONOMICAL BODIES IN ORDER TO KEEP TIME, IN ORDER TO FIX THE DAY AND TIME OF THESE RITUALS.

    THE ANCIENT INDIAN CULTURE DEVELOPED A SOPHISTICATED TIME KEEPING METHODOLOGY AND CALENDARS FOR VEDIC RITUALS. TIMEKEEPING AS WELL AS THE NATURE OF SOLAR AND MOON MOVEMENTS ARE MENTIONED IN VEDIC TEXTS.
    FOR EXAMPLE, KAUSHITAKI BRAHMANA CHAPTER 19.3 MENTIONS THE SHIFT IN THE RELATIVE LOCATION OF THE SUN TOWARDS NORTH FOR 6 MONTHS, AND SOUTH FOR 6 MONTHS ( TROPIC OF CANCER TO TROPIC OF CAPRICORN ) .

    THE TROPIC OF CANCER WAS NAMED BECAUSE AT THE TIME OF ITS NAMING, THE SUN WAS POSITIONED IN THE CANCER ( KARKATAKA ) CONSTELLATION DURING THE JUNE SOLSTICE. LIKEWISE, THE TROPIC OF CAPRICORN WAS NAMED BECAUSE THE SUN WAS IN THE CONSTELLATION CAPRICORN ( MAKARA ) DURING THE DECEMBER SOLSTICE. THE THIEVING GREEKOS WERE STUDYING IN KODUNGALLUR UNIVERSITY AT THAT TIME..

    SANATHANA DHARMA (HINDU) SCHOLARS KEPT PRECISE TIME BY OBSERVING AND CALCULATING THE CYCLES OF (SURYA) I.E. THE SUN, MOON AND THE PLANETS. THESE CALCULATIONS ABOUT THE SUN APPEAR IN VARIOUS ASTRONOMICAL TEXTS IN SANSKRIT, SUCH AS THE ARYABHATIYA BY ARYABHATTA 2700 BC..

    THE HINDU MANUSCRIPTS OF INDIAN CALENDARS USED THE LUNAR CYCLE FOR SETTING MONTHS AND DAYS, BUT THE SOLAR CYCLE TO SET THE COMPLETE YEAR. THIS SYSTEM WAS LIFTED BY BABYLONIAN ANCIENT CALENDARS, CREATING THE SAME CHALLENGE OF ACCOUNTING FOR MISMATCH BETWEEN THE NEARLY 354 LUNAR DAYS IN TWELVE MONTHS, VERSUS NEARLY 365 SOLAR DAYS IN A YEAR.

    THEY TRACKED THE SOLAR YEAR BY OBSERVING THE ENTRANCE AND DEPARTURE OF SURYA (SUN, AT SUNRISE AND SUNSET) IN THE CONSTELLATION FORMED BY STARS IN THE SKY, WHICH THEY DIVIDED INTO 12 INTERVALS OF 30 DEGREES EACH.

    LIKE HINDUS CREATED A NUMBER OF SYSTEMS OF WHICH INTERCALARY MONTHS BECAME MOST USED, THAT IS ADDING ANOTHER MONTH EVERY 32.5 MONTHS ON AVERAGE.

    TYPES OF INDIAN CALENDARS
    --VIKRAM SAMVAT (HINDU LUNAR CALENDAR)
    ---SAKA SAMVAT (HINDU SOLAR CALENDAR)
    --HIJRI CALENDAR ( LIFTED ISLAMIC LUNAR CALENDAR)
    --GREGORIAN CALENDAR (SCIENTIFIC SOLAR CALENDAR)- LIFTED BY WEST AND FOLLOWED UNIVERSALLY

    CONTINUED TO 2--

  • CONTINUED FROM 1-

    THE INDIAN CALENDAR IS INGENIOUSLY BASED ON BOTH THE SUN AND THE MOON; IT USES A SOLAR YEAR, BUT DIVIDES IT INTO 12 LUNAR MONTHS.

    A LUNAR MONTH – OR MORE ACCURATELY, A SYNODIC MONTH – IS THE TIME REQUIRED FOR THE MOON TO ORBIT ONCE AROUND THE EARTH AND PASS THROUGH ITS COMPLETE CYCLE OF PHASES. FURTHERMORE, THESE MONTHS ARE FORMULATED IN ACCORDANCE WITH THE SUCCESSIVE ENTRANCES OF THE SUN INTO THE 12 RASHIS – SIGNS OF THE ZODIAC, I.E. THE 12 CONSTELLATIONS MARKING THE PATH OF THE SUN.

    THE INDIAN SYSTEM IS SO PRECISE AND SCIENTIFIC.

    THE PRINCIPAL FACTOR DISTINGUISHING THE WESTERN CALENDAR AND THE INDIAN CALENDAR IS THEIR FRAME OF REFERENCE.

    THE WESTERN CALENDAR IS BASED ON THE SUN, IN WHICH A YEAR IS THE TIME REQUIRED FOR THE EARTH TO COMPLETE ONE ORBIT AROUND THE SUN. MODERN INSTRUMENTS HAVE MEASURED THIS TO BE PRECISELY 365 DAYS 5 HOURS 48 MINUTES AND 46 SECONDS.

    AND SOLAR YEAR COMPRISES OF 12 ARBITRARILY DESIGNATED MONTHS – ALL OF WHICH HAVE EITHER 30 OR 31 DAYS, EXCEPT FEBRUARY, WHICH HAS 28 IN COMMON YEARS AND 29 EVERY FOURTH YEAR (LEAP YEAR).

    MATHEMATICALLY, HINDU CALENDAR IS PURELY THEORY AND ZODIAC BASED.

    THE ANCIENT HINDUS USED A COMPLEX CALENDAR THAT USED THE SUN AND THE MOON IN DEFINING THE DAY, MONTH AND YEAR.WHILE DAYS AND MONTHS WERE DEFINED BY THE MOON, THE YEAR WAS DEFINED BY THE SUN.

    REGARDING THE EARTH’S MOTION, ARYABHATTA SUGGESTED SEVERAL MILLENNIUM BEFORE COPERNICUS A THEORY IN WHICH THE EARTH WAS IN AXIAL ROTATION.

    THE VARIOUS HINDU CALENDARS ARE BASED ON ERAS AND EPOCHS. GENERALLY, THE HINDU CALENDAR FOLLOWS THE LUNAR YEAR THAT CONSISTS OF 12 LUNAR MONTHS. A LUNAR MONTH HAS TWO FORTNIGHTS.

    http://ajitvadakayil.blogspot.com/2012/06/heliocentricity-versus-geocentricity.html

    Capt ajit vadakayil
    ..




  • Antikythera mechanism ( GANIT KARTHA - in Malayalam and Sanskrit ) belongs to Kerala for creating Panchangams valid for one full century.   

    GANIT means Math, KARTHA means doer. In this mechanism with perpetual motion, Uranus ( Shweta ), Neptune ( Shyama ) and Pluto ( Teevra ) are not used like in Kerala astrology.. 



    Instead Rahu, Ketu and Moon is used. The Mechanism has a dial for the Callippic cycle and the 76 years.. There are 54 gears inside this instrument in Shiva Shakti format –in consonance with the Hindu King Mantra 108.. 

    The front dial has two concentric, circular scales that represent the path of the ecliptic through the heavens and only India knew of precession those days.. On the inner ring, there is a second dial marked with the Vedic signs of the Zodiac and it is divided into degrees.




    The North ( Rahu ) and South Nodes (  Ketu ) indicate our karma.. The lunar nodes trace out the point in the moon's orbit that crosses the Sun's orbit, the ecliptic. These invisible calculated points, which are 180° apart, move in retrograde motion through the sky.. 

    Rahu is personified as a diplomat and a shadowy planet and a legendary deceptor when disposed beneficially. Rahu is related to crisis due to manipulation. Ketu is dry and fiery in nature. Ketu can bring about sudden, explosive events.




    Jyotisha deals with the astronomical and astrological aspects of fixing auspicious date and time to perform various Vedic rites and rituals including the sacraments or rites of passage. 

    The auspicious time is usually determined based on the position of the luminous bodies (Jyotisha) namely the Sun, the Moon, the Stars and other heavenly bodies

    It has intercalculation rules for computation of tithis and nakshatras. It divides the day into 603 parts and the ecliptic into 27 equal nakshatra segments.

    According to tradition, Sage Bhrigu is said to be the first person who perfected the knowledge of Jyotisha and built a record of the natal charts of every human being who was to be born earth.

    Generally, Maharshi Lagadha is regarded Author of this Vedanga Jyotisha. Varahamihira and Aryabhatta are known ancient scholars conversant with these astronomy and astrology.

    Jyotisha as a vedic discipline is focused on time keeping.  The Jyotisha of the Vedic world played an important role in the development of Vedic calendar and Panchangam.

    Study of the movement of the Sun, the Moon, the Star and planets helped determine the time of the day and night, the day of the week and fortnight, the period of the seasons, the month and the year, besides the influence of each heavenly object on the events of the world and the lives of the people.


    With quantum physics, science is leaving behind the notion that human beings are powerless victims and moving toward an understanding that we are fully empowered creators of our lives and of our world .

    All spacetime events are conscious: they are conscious of other space time events

    The quantum body resonates with any atom of the cosmos. The resonance brings about the direct knowledge of the universe.

    In Kerala an astrologer is just a MEDIUM for he relies on the mystic energy of cowrie shells which he rustles ( to create scalar energy ) before he grabs a handful and places on the rashi board.


    With quantum physics, we are Creators of the Universe

    We are NOT independent from this cosmos. We are part of it. This is the reason we must live in harmony with the laws of the universe by exercising our free will.

    Newton’s absolutism broke down at the foundation level of matter. Newton’s billiard ball would miss the pocket hole every time at the sub-atomic level. Newton’s laws applies only to the macroscopic world, the world which can be detected by our 5 senses.

    In the microscopic world quantum physics rules. Nothing is certain. In the quantum realm the observer is king, as he creates reality, as demonstrated by the Double slit experiment.

    Feelings and thoughts show the same type of duality as waves and particles .

    Stupid Newton pushed consciousness into the realm of religion and mysticism. Scientists who wanted to factor consciousness in were chucked out of the scientific community and the peer reviewed magazines controlled by free masons made them pariahs.

    With the advent of quantum science we now know what great injustice was done.

    The classical physics of Newton takes a material perspective in which the Universe is composed of discrete building blocks, solid and unchangeable.


    FUCKIN' THIEF NEWTON !!

    Quantum physics takes a spiritual perspective in which there are no separate parts, in which everything is fluid and always changing. In the quantum world there are no causes.
    The horoscope has a connection with the deceased soul.

    It is immersed in water along with the ashes of the deceased - signifying that his earthy sojourn is fully over for this present re-incarnation -- for the soul to be at peace before the next induction .

    I did this for my father and mother.

    If the soul gets MOKSHA and merges into the cosmos , it does NOT matter. 

    The Vedangas played an important role in preserving and protecting the Vedic tradition over a long period of time. They formalized the procedures and techniques of performing various Vedic rites and rituals and established authoritative sources of reference for succeeding generations to practice the Vedic ceremonies and rituals with little ambiguity and fear of transgression. 

    The Vedangas were sciences that focused on helping understand and interpret the Vedas that had been composed many centuries earlier.

     Yaska who existed before Panini ( 5500 BC ) quotes the Vedangas.  . Vedangas developed as ancillary studies for the Vedas, but its insights into meters, structure of sound and language, grammar, linguistic analysis and other subjects influenced post-Vedic studies, arts, Culture and various schools  of Hindu Philosophy. 

    The Kalpa Vedangas studies, for example, gave rise to the DharmaSutras, which later expanded into Dharma-Shastras. Although they have lost of much of their ancient significance, they continue to occupy an important place in the academic study of the Vedas. 

    Their study inculcates among its students a sense of discipline and respect for tradition and helps them conduct themselves in society as upholders of the Vedic dharma and traditional family values.

    Jew Rothschild ensured that mindless and time consuming cooked up AGAMA temple traditions took precedence over ancient Vedic traditions in many parts of India, to make the Hindu look like a monkey.. 

    This evil Jew used his fake mutts like Kanchi mutt to make FAKE brahmins harass the ordinary poor Hindu. It became super expensive even to do a simple shradd for the dead parents or husband..


    IN KERALA YOU SEE REAL HINDU TEMPLES-  SIMPLE CONSTRUCTION..

    YOU COME AND SEE GURUVAYIR TEMPLE IN KERALA— WHICH HAS THE VISHNU IDOL FROM DWAKARA , SAVED BY ARJUNA BEFORE THE DELUGE.  THIS TEMPLE MORE THAN 6000 YEARS OLD IS A REAL HINDU TEMPLE..

    GO TO TAMIL NADU YOU SEE RIDICULOUS GOPURAM TEMPLES PACKED WITH GARSIH COLOURED STATUES ON THE OUTSIDE .  THIS IS NOT SANATANA DHARMA..


    The Vedangas highlighted the importance of academic excellence and physical, mental and moral discipline in upholding the Vedic dharma and most important of all, at the limbs of the Vedas, they truly served the body of the Vedic tradition by moving it forward through succeeding generations of men of superior vision and wisdom who could adapt themselves successfully to the changing circumstances without sacrificing their faith in the core values up held by the Vedas. 

    The Vedangas provide vitality to the Vedas just as the limbs of the human body



    PRINCIPLES  OF TIME AND TIME DILATION HAS BEEN STOLEN BY MODERN SCIENCE FROM ANCIENT VEDAS

    ATOMIC CLOCKS ARE NOW USED IN GPS AND SATELLITES. WITHOUT ATOMIC CLOCKS GPS NAVIGATION WOULD BE IMPOSSIBLE.

    The oscillation in an atomic clock is between the nucleus of an atom and the surrounding electrons. 

    The oscillation frequencies within the atom are determined by the mass of the nucleus and the gravity and electrostatic "spring" between the positive charge on the nucleus and the electron cloud surrounding it.

    JEW Albert Einstein stole TIME DILATION ,  THEORY OF RELATIVITY , MATTER AND TIME IS INTERCONVERTIBLE  E=MC^2  , GRAVITATIONAL LENSING from the Vedas penned down 7000 years ago

    Satellites in orbit must compensate for time dilation to keep GPS networks functioning properly.
    Let me quote from Srimad-Bhagavatam 9.3.28-32

    There is a story of a king named Kakudmi, who was able to travel to the world of Brahma and experience Brahma’s scale of time.

    Taking his own daughter, Revati,  King Kakudmi went to Lord Brahma in Brahmaloka, which is transcendental to the three modes of material nature, and inquired about a husband for her. When Kakudmi arrived there, Lord Brahma was engaged in hearing musical performances by the Gandharvas and had not a moment to talk with him.

    Therefore Kakudmi waited, and at the end of the musical performances he offered his obeisances to Lord Brahma and thus submitted his long-standing desire.

    After hearing his words, Lord Brahma, who is most powerful, laughed loudly and said to Kakudmi,--“O King, all those whom you may have decided within the core of your heart to accept as your son-in-law have passed away in the course of time. Twenty-seven catur-yugas have already passed. Those upon whom you may have decided are now gone, and so are their sons, grandsons, and other descendants. You cannot even hear about their names.”

    King Kakudmi’s visit to Brahmaloka took 27 times 4,320,000 earth years.  Brahma’s time King Kakudmi’s visit lasted 3,456 seconds, or just under an hour.  The king had had to wait for a musical performance to finish before having a brief conversation with Lord Brahma.

    Kakudmi and Revati then returned to earth which they regarded as having left only just a short while ago. They were shocked by the changes that had taken place.

     Not only had the landscape and environment changed, but over the intervening 27 chatur-yugas, in the cycles of human spiritual and cultural evolution, mankind was at a lower level of development than in their own time . 

    The Bhagavata Purana describes that they found the race of men had become "dwindled in stature, reduced in vigour, and enfeebled in intellect."

    According to the theory of relativity, time dilation is a difference in the elapsed time measured by two observers, either due to a velocity difference relative to each other, or by being differently situated relative to a gravitational field.

    If something travels faster than light, it means that it can penetrate any matter as though it wasn’t there.  Therefore scalar waves pervade all matter and cannot be shielded against by Faraday cages . Vedic healing waves ( lifted by Reiki ) waves pass through the earth.

    Einstein's  Brownian motion is at MICRO level.  

    In vedic astronomy,  Brownian motion is at the MACRO level --the random walk in orientation of a binary star's orbital plane, induced by gravitational perturbations from passing stars.  Moderns science has proved Rotational Brownian motion observed in N-body simulations of galaxies containing binary black holes. 

    At the MICRO level we had MASHI ( ink in Sanskrit and Malayalam  ) NOKKU divinations-which is based on Brownian motion.

    THIEF EINSTEIN  SAW A STAGNANT UNIVERSE WITH E=MC^2

    Albert Einstein proposed a spatially finite model in 1917, in his paper Cosmological Considerations in the General Theory of Relativity. Sorry--we wont allow bullshit to be kicked under the kosher carpet.

    CONMAN Einstein invented the cosmological constant lamba - λ. He multiplied the metric tensor in his equation, g, by the cosmological constant, leading to a term λg, which adjusted his metric tensor acting on space-time. This mathematical trick assured him that his equations would yield a universe that was prevented from expanding or contracting.

    Much later Hubble, used the most powerful telescope on Earth, to study the redshift of distant galaxies and conclude from it definitively that our universe is expanding.

    Einstein heard about these results, and in the early 1930s, he traveled to California and met with Hubble.

    At the Mount Wilson Observatory he saw the massive data set on distant galaxies that had led to “Hubble’s law” describing the expansion of the universe and pretended to be angry at himself. He LIED that he had forced his Math equations to stay static with that cosmological-constant invention of his.

    Today the world know Albert Einstein was very poor in Math.

    CUNT Einstein propounded that the universe was “simply there” with no beginning or end--against Vedanta which said that when the cosmos becomes static there will be PRALAYA ( dissolution )--Brahma will breathe in.

    The CHOOTS from the west have dated Mahabharata war based on a solar eclipse on the 13th day of the war at Kurukshetra.

    During the Mahabharata war in 4000 BC, on the 13th day, Krishna ostensibly used the Solar eclipse to force Arjuna to kill Jayadratha who killed Arjuna's son, in the Chakravyuh maze.

    There was NO solar eclipse.  All the stalwarts participating in the war knew astronomy and they predicted NO solar eclipse .

    The Rig Veda written in 5000 BC explains the solar eclipse well. Panchavimsa Brahmana speaks of four different stages of an eclipse. It describes beautifully the changing colours during the solar eclipse.

    Arjuna had sworn to kill Jayadratha before sunset failing which he will commit suicide. The Kaurava army was successful in keeping Arjuna away from Jayadratha and sunset was nearing.

    So Lord Krishna sent his Sudarshana Chakra which is a scalar interferometry based spinning discus, which created an severe inversion in the atmosphere. This was in the low power ENDOTHERMIC MODE .

    The atmospheric refraction reversed ,and the sun suddenly dipped below the visible horizon causing absolute darkness. At this time there was a mighty cheer among the Kaurava ranks and Jayadratha peered out of his tent.

    As per the rules of Dharma Yuddha it is NOT possible to kill an enemy after sunset.   As soon as Krishna saw Jayadratha he commanded Arjuna to behead him with an arrow and immediately restored the atmospheric refraction the usual way. 

    The sun suddenly came up above the visible horizon.

    In the high power EXOTHERMIC MODE the Sudarshan Chakra could bend space time and cause a REAL SOLAR ECLIPSE.

    Lord Krishna had created an illusion !


    In 1919, during a total solar eclipse, Sir Arthur Eddington performs the first experimental test of Albert Einstein’s general theory of relativity. 

    This theory just repeats what is in our vedas  that space and time were relative, forming a four-dimensional continuum called spacetime and warping of space time due to gurutwakarshan.  

    Einstein had lifted from the Vedas that  light should not travel in a perfectly straight line.  Light rays are warped by an object’s gravitational field. 

    Since Newton had in possession this Vedic information, he too predicted ( sic )  light would bend due to gravity,  but only by half as much as Einstein’s theory predicted.

    The bending of light around massive objects is now known as gravitational lensing . This is how we were able to note the existence of stars behind the sun in our ancient scriptures which deal with astronomy .

    A gravitational lens is a distribution of matter (such as a cluster of galaxies) between a distant light source and an observer, that is capable of bending the light from the source as the light travels towards the observer.

    HEY “DEGREE OVER DOWRY “ ROMILA THAPAR BABY,..

    DO YOU KNOW WHAY MENDELEYEEV IS NO 2 ON VADAKAYIL PRIZE LIST AND YOU ARE NO 2 ON VADAKAYILs GARBAGE BUCKET LIST ?...

    READ ON…
    ###################
    SOMEBOSY CALLED ME AND SAID --

    CAPTAIN YOU HAVE WRITTEN THAT --

    QUOTE - VEDIC SRUTIS ARE DIVINE AND INFALLIBLE..THERE ARE NO MORTAL AUTHORS.. THE VERSES ARE DOWNLOADED FROM AKASHA BY SEERS..THE MAGIC IS IN THE SOUND NOT THE MEANING..CONVEYING THE VEDAS ON ORAL ROUTE FOR 330 CENTURIES BEFORE THEY WERE PENNED DOWN 70 CENTURIES AGO , WITHOUT LOSING A TONE OR SYLLABLE, IS THE GREATEST FEAT OF MAN..VEDIC SRUTIS HAVE GOLDEN MEAN (1.618 ) , FIBONACCI SERIES , PASCALS TRIANGLE, LUCAS NUMBERS , SRI YANTRA ( GEOMETRY OF OM ), ULAM SPIRAL, PRIME NUMBER MAGIC , ISOTOPE MAGIC EMBEDDED IN IT ..THE ANCIENT SRI YANTRA DIVINE GEOMETRY WHICH CONTAINS THE THEORY OF EVERYTHING, IS MADE USING 1.618 VEDIC GOLDEN MEAN.. UNQUOTE..

    CAN YOU AUTHENTICATE SOME MORE..

    LISTEN ..

    THE FIRST PERSON I GAVE THE VADAKAYIL PRIZE IS TESLA.THE SECOND WAS TO DIMITRI MENDELEYEEV..

    BOTH HAD TALKED ABOUT AKASHA..

    MENDELEYEEV HAD ADMITTED THAT HE MADE THE PERIODIC TABLE OF 108 ELEMENTS USING THE 54 SANSKRIT ALPHABETS IN SHIVA/ SHAKTI FORMAT.

    WHEN ELEMENTS STARTED FALLING IN PLACE LIKE MAGIC ON THE PERIODIC TABLE , HE KNEW THAT SEVERAL ELEMENTS HAVE NOT YET BEEN DISCOVERED ..

    HE KEPT EMPTY SPACES FOR SUCH ELEMENTS .. HE WAS 100% SURE THAT THIS PLANET IS RULED BY A DIVINE HARMONIC ORCHESTRA ( SHABDA BRAHMAN )..

    NIKOLA TESLA AND MENDELEYEEV ARE THE GREATEST GENIUSES ON PLANET EARTH.. BOTH WERE DELETED BY ROTHSCHILD .. BUT TODAY THE WORLD RECOGNIZES THIS DUO..

    HOW DID CAPT AJIT VADAKAYIL FUCK THE COLLECTIVE BRAINS OF NASA ?

    http://ajitvadakayil.blogspot.com/2010/12/dna-nasa-arsenic-and-phosphorous-capt.html

    THIS POST IS STILL ON PAGE 1 AFTER 9 YEARS ( 44 MILLIONS POSTS ) .. BECAUSE OF ORIGINAL THINKING..

    JUST GOOGLE "DNA NASA".. IT WAS ITEM 1 FOR 8 YEARS .. NOW GOOGLE HAS USED ALGORITHMS TO SINK MY POSTS..WHO CARES ?..

    MY BASICS WERE STRONG... I KICKED THE COLLECTIVE BALLS AND TWATS OF NASA STATING THAT THE SOUND OF MUSIC ON THE COSMIC GRAND ORCHESTRA CANNOT BE INCONGRUENT..

    THIS IS ABOUT COURAGE OF CONVICTION THAT GOD EXISTS..

    http://ajitvadakayil.blogspot.com/2016/12/108-numerical-equivalent-of-hindu-king.html

    MY REVELATIONS NOW JUMP TO 59.41 %...

    THE PERIODIC TABLE OF 108 ELEMENTS HAS SURVIVED THE TEST OF TIME.. I AM A CHEMICAL MAN.

    SAME WAY VEDIC SRUTIS HAS SURVIVED THE TEST OF TIME.. SRI YANTRA HAS THE THEORY OF EVERYTHING ( TOE ) EMBEDDED AND INCLUDES CONSCIOUSNESS ..

    The musical analogies of maths , physics , chemistry, quantum particles and contained in this diagram in the form of notation, harmony , melody and notes.

    The mind of god represented by the Sri Yantra is cosmic music resonating through hyperspace.

    The heat of the big bang cooked up and created the elements in Dimitri Mendeleev's periodic table.

    Mendeleev gleaned that Panini did the phonological patterning of Sanskrit alphabet sounds as a function of their articulatory properties..

    SOUNDS SANSKRIT ALPHABETS AND SRI YANTRA GEOMETRY WERE BEATEN IN BY SHIVAs DAMARU..

    Mendeleev has expressed his thanks to Panini who was Sanskrit's grammarian 7500 years ago ..

    HARK-- THE DAMARU BEATS ..

    https://www.youtube.com/watch?v=3B6-u8c7Xp8

    WE HINDUS DONT CARE WHAT THE WHITE MAN THINKS. HIS MIND IS TOO FUCKIN' SHALLOW..THESE ARE THE BASTARDS WHO CALLED US SUPERSTITIOUS SAVAGES.

    capt ajit vadakayil
    ..
    ######################
    POOR ROMILA THAPAR BABY.. CAPT AJIT VADAKAYIL WILL WRITE HER LEGACY…

    Capt ajit vadakayil



    PART 110,   OF SANATANA DHARMA SERIES IS MY BIRTHDAY GIFT TO MY READERS..


    IT WILL BE THE MOST PROFOUND PIECE , PROBABLY EVER PENNED ABOUT OUR WATAN AND OUR PRICELESS CULTURE-- 

    --WHICH THE COLLEGIUM JUDICIARY GUIDED FROM THE SHADOWS BY A GUJARATI NAMED NARENDRA DAMODARDAS MODI AND HIS PARTY BJP , IS TRYING HARD TO WRECK..

    THESE TRAITORS FROM WITHIN --WE KNOW WHO THEY ARE--

    WE THE PEOPLE WILL STOP THESE BASTARDS ..

    EVERY HINDU ORG LIKE RSS ( RUN BY HOMOSEXUALS ) IS GUIDED BY DESH DROHI DEEP STATE FOREIGN FORCES.. 

    WE HINDUS HAVE TO TAKE CARE OF OURSELVES FROM NOW ON.

    I WILL DEMAND THAT ALL OF YOU READ IT THREE TIMES..

    GET INSPIRED !

    capt ajit vadakayil
    ..








    THIS POST IS NOW CONTINUED TO PART 110, BELOW--








    CAPT AJIT VADAKAYIL
    ..