Few years ago, my wife called me on the ship.
She said that my younger son’s school female principal
specifically called her and said they the school is having a Kathakali dance
program and that she should attend .
This dance was at night . I asked her “ Do you know the theme ?“. She said it is about Narasimha and
Hiranyakashipu.
I asked her to attend and she did.
My wife never though much of Kathakali till
she saw this performance .
The fires, the drums, the crescendo cymbals –
it was a fantastic welcome assault on her senses.
She called me back on her drive home after midnight and said ” I am
glad I saw this performance . It is the best I have seen of any dance till
today. My heart is pounding and my ears are still
ringing. I can hardly drive . It was mind blowing the way Narasimha jumped out of the pillar with drums and cymbals crashing at crescendo “
I AM WRITING THIS POST , ONLY BECAUSE
EVERYTHING WRITTEN ABOUT KATHAKALI TILL TODAY IS JUST A PACK OF FOUL LIES .
TODAY THEY HAVE INJECTED POISON AND THEY HAVE KATHAKALI ( KRISHNATTAM ) WITH FAKE RADHA ( A CREATION OF JEW ROTHSCHILD ).
WE IN INDIA NEVER HEARD OF KRISHNAs MISTRESS
RADHA TILL THE WHITE INVADER CAME TO INDIA
What FOUL LIES does Wikipedia write ?
QUOTE : Kathakali primarily developed as a
Hindu performance art in the Malayalam-speaking southwestern region of India
(Kerala).[2][3][5] Kathakali's roots are
unclear. The fully developed style of Kathakali originated around the 17th
century. The vocal performance has traditionally been Sanskritised
Malayalam.[6] In modern compositions, Indian Kathakali troupes have included
women artists,[4] as well as adapted Western stories and plays such as those by
Shakespeare and from Christianity. The roots of Kathakali are unclear. Jones
and Ryan state it is more than 500 years old. According to Phillip Zarrilli,
Kathakali emerged as a distinct genre of performance art during the 16th and
17th centuries in a coastal population of south India that spoke Malayalam (now
Kerala).[19]QUOTE
SORRY-
KATHAKALI IS NOT A RECENT DANCE FORM. IT IS DOZENS OF MILLINIUMS OLD PREDATING VISHNU FIRST
HUMAN AVATAR OF VAMANA ( THE BLUE FACED BRAHMIN MIDGET )
A 34,000 YEAR OLD NARASIMHA IDOL WAS
UNEARTHED AT LONE VALLEY ALPS GERMANY.
The ten Vishnu Avatars are:
1. Matsya (the fish)
2. Koorma (the tortoise)
3. Varaha (the boar)
4. Narasimha (the human-lion)
5. Vamana (the dwarf)
6. Parasurama (the angry man, Rama with an
axe)
7. Lord Rama (the perfect man, king of
Ayodha)
8. Lord Krishna (the divine statesman)
9. Lord Ayyappa.
10. Kalki (the mighty warrior)--the FINAL
avatar
THE FIRST FOUR AVATARS OF VISHNU ARE COSMIC
ALLEGORIES .
FROM VAMANA AVATAR ONWARDS VISHNU AVATARS
WERE MORTALS , WHO ALLOWED THEMSELVES TO BE RULED BY LAWS OF KARMA
IN KERALA WE DO NOT CELEBRATE DIWALI THOUGH
THE WHOLE OF INDIA CELEBRATES IT
REASON ?
IN INDIA WE ARE KNOWN BY OUR FESTIVALS WHICH
HAVE CARRIED ON FOR THOUSANDS OF YEARS
WE IN KERALA DO NOT CELEBRATE HOLI TOO. BECAUSE WE WERE AT THE RECEIVING END OF THIS
HIRANYAKASHIPU SERIES ..
SHUKRACARYA WAS THE MENTOR OF KERALA DANAVA KING
MAHABALI
SHUKRACHARYA CREATED THE KATHAKALI DANCE FORM
TO EDUCATE KERALA CITIZENS OF THE DANAVA
LINEAGE OF THEIR BELOVED KING MAHABALI –
HIRANYAKASHIPU ( Vishnu's Vaikunta gatekeeper Vijaya reborn )— PRAHALADA— VIROCHANA – MAHABALI.
My revelations now jump to 35.5 %
Below:- Vishnu's beloved gatekeepers at the gates of Vaikunta -- JAYA and VIJAYA -- cursed by the 4 Sanat kumaras ( Sanaka, Sanandana, Sanatana and Sanatkumara ) who were denied entry while Vishnu was sleeping . This episode is a cosmic allegory..
JAYA would be reborn as HIRANYAKSHA ( killed by Vishnu avatar Varaha ) , RAVANA ( killed by Vishnu avatar Rama ) , SISHUPALA ( killed by Vishnu avatar Krishna ).
VIJAYA would be reborn as HIRANYAKASHIPU ( killed by Vishnu avatar Narasimha ) . KUMBHAKARNA ( killed by Rama ) , DANTAVAKRA ( killed by Krishna )
Krishna's main unwritten mission was to eliminate 100 test tube babies ( Kauravas )
NAMASTE NARASIMHAYA
(1)
namas te narasiḿhāya
prahlādāhlāda-dāyine
hiraṇyakaśipor vakṣaḥ-
śilā-ṭańka-nakhālaye
I offer my obeisances
to Lord Narasimha, who gives joy to Prahlada Maharaja and whose nails are like
chisels on the stone like chest of the demon Hiranyakasipu.
(2)
ito nṛsiḿhaḥ parato nṛsiḿho
yato yato yāmi tato nṛsiḿhaḥ
bahir nṛsiḿho hṛdaye nṛsiḿho
nṛsiḿham ādiḿ śaraṇaḿ
prapadye.
Lord Nrsimha is here
and also there. Wherever I go Lord Nrsimha is there. He is in the heart and is
outside as well. I surrender to Lord Nrsimha, the origin of all things and the
supreme refuge.
(3)
tava kara-kamala-vare
nakham adbhuta-śṛńgaḿ
dalita-hiraṇyakaśipu-tanu-bhṛńgam
keśava dhṛta-narahari-rūpa
jaya jagadīśa hare.
O Kesava! O Lord of the
universe! O Lord Hari, who have assumed the form of half-man, half-lionl All
glories to You! lust as one can easily crush a wasp between one's fingernails,
so in the same way the body of the wasp like demon Hiranyakasipu has been
ripped apart by the wonderful pointed nails on Your beautiful lotus hands.
Kathakali was all about the fights between
good and bad forces— DEVAS AND DANAVAS
I AM A
DANAVA FROM KERALA.
SIX CAN BECOME NINE , DEPENDING ON VIEWING PERSPECTIVE
. AN INDIAN MUSLIM IS GOOD , A PAKISTANI MUSLIM
IS BAD.
TILL THE WHITE INVADER CAME TO INDIA,
KATHAKALI ONLY DID PURANA STORIES OF –
HIRANYAKASHIPU — PRAHALADA— VIROCHANA – MAHABALI.
ASHWAMEDHA IS NOT A HORSE SACRIFICE LIKE WHAT
WENDY DONIGER, SHELDON POLLOCK, JNU
COMMIE PROFESSORS , LITERARY FEST DESH DROHIS etc SAY. IT IS A TRANSPARENT VOTE OF CONFIDENCE FOR A
KING TO DECLARE HIMSELF EMPEROR ( KING OF KINGS )
SHUKRACHARYA FORCED KING MAHABALI TO DO THE
ASHWAMEDHA YAGA , AND DECLARE HIMSLEF
EMPEROR –WITH SEVERAL DEVA KINGS UNDER HIS RULE .
THIS UPSET THE DEVAS AND VISNNU TOOK THE
VAMANA AVATAR TO BANISH MAHABALI TO PATALA
According to Bhagavat
Purana, a Danava king named Hiranyakashipu had the intense desire to be
immortal. He was Vishnu’s gatekeeper Vijaya , who was
reborn later as Kumbhakarna ( Ravana’s brother ) and Dantavakra.
To fulfill this desire,
he performed severe Tapas ( penances ) .
He was granted a boon by Brahma. Since
the Gods rarely granted immortality, he used his guile and cunning to get a
boon that he thought made him immortal.
The boon gave Hiranyakashyapu five
special powers: he could be killed by neither a human being nor an animal,
neither indoors nor outdoors, neither at day nor at night, neither by astra (
scalar projectile weapons) nor by any shastra (handheld weapons), and neither
on land nor in water or air or by anything born from a living womb
As this wish was granted, Hiranyakashyapu felt
invincible, which made him arrogant with opposite camp bitter rivals
Devas. His son Prahlad was unhappy with his father’s
arrogance. He continued keeping good
relations with Devas.
This made
Hiranyakashipu very angry , he considered his own son Prahalad as a traitor and
made various attempts to kill Prahlad. During
a particular attempt on Prahlad's life, King Hiranyakashyapu called upon his
sister Holika for help.
Holika had a
special cloak garment that prevented her from being harmed by fire.
Hiranyakashyapu asked her to sit on a bonfire with Prahlad, by tricking the boy
to sit on her lap.
However, as the fire roared, Prahalada chanted Narayana
mantra --- the garment flew from Holika and covered Prahlad. Holika burnt to
death, Prahlad came out unharmed. Holi festival is to celebrate Holika’s death.
Holika was not aware that the boon
worked only when she entered the fire alone.
Prahalada prayed to
Vishnu to kill his own father .
Vishnu appeared in the
form of Narasimha - half human and half lion, at dusk (when it was neither day
nor night), took Hiranyakashyapu at a doorstep (which was neither indoors nor
outdoors), placed him on his lap (which was neither land, water nor air), and
then eviscerated and killed the king with his lion claws (which were neither a
handheld weapon nor a launched weapon).
In this form, the boon of five special
powers granted to Hiranyakashyapu were no longer useful.
Prahlad was free of fear of
Hiranyakashyapu, showing the victory of good over evil ( sic )..
After the death of his
father, Prahlada took his father's kingdom and ruled peacefully and virtuously.
He was known for his generosity and kindness. He sowed similar seeds in his son
Virochana and grandson Mahabali.
But Mahabali made bitter rivals Devas nervous
when he did the Ashwamedha Yagna.
Shukracharya the mentor of Danavas was in fact getting even with his classmate and bitter rival Brihaspati, the mentor of Devas . Shukracharya was better than Brihaspati every which way at the Gurukul but the Guru Maharishi Angirasa ( Brihaspati's father ) always supported his own son . Angirasa suggested the name of his own son when Devas wanted a mentor . To add to enmity Brihaspati's son Kacha did LOVE JIHAD of Shukrachary's beautiful daughter Devyani.
There
was a time when India ruled the whole planet half the planet worshipped Shukracharya and
the other half worshipped Brihaspati.
Virochana and Mahabali ruled the whole planet –based in Kerala.
This continued to 7000
BC. After 7000 BC , India ruled from
Palestine to Urals to Vietnam.
Mahabali was the descendant of sage Kashyapa.
In Kerala Hindus,
Muslims, Christians –all celebrate Onam in memory of our beloved King Mahabali.
After Mahabali was
banished to Patala at his prime – his old father Virochana ( son of Prahalada )
came back to the throne he vacated. He was
also killed by deceit by the devas.
Blessed with a dazzling golden crown, a boon from the sun-god.
Virochana had received the benediction that
he could not be killed as long as he wore the crown. Knowing this, the devas conspired against
him. Disguised as sages, they entreated him, and the generous Virochana vowed
to grant their wish. They begged for his crown.
Even though Virochana
recognized the demigods' plot, true to his word he parted with his crown and
his life as well. (Srimad-Bhagavatam 8.19.14 -5000 BC )
.
Kathakali
is a complex amalgam of culture , story, dance, theatre, poetry, vocals and
percussion, each component governed by well-defined rules . It takes decades to be qualify as a Kathakali
dancer, starting at a young age .
This
is NOT some stupid tip-toe on toes , splaying your legs , showing your camel toe/ ass to the accompaniment of a
hollering soprano male/ female quivering
their deep throats .
You
must do your homework before viewing a Kathakali performance.
It is imperative
that you know the story line and characters
to appreciate what is going on with just eye / facial muscles rasa /
finger mudra / hand / leg movements and
drums.
With
this post I expect a surge of interest and grand revival of Kathakali.
Below: There are NO females in Kathakali
Below: There are NO females in Kathakali
Kathakali is a dance
combined with acting. It is THE most
difficult acts to execute on stage, with young artists preparing for their
roles for decades before they get a
chance to do it on stage.
The actors speak a "sign language", where
the word part of the character's dialogue are expressed through "hand
signs (mudras)", while emotions and mood is expressed through "facial
and eye" movements.
In parallel, vocalists in the background sing
rhythmically the play, matching the beats of the orchestra playing, thus
unifying the ensemble into a resonant oneness. If you understand the process,
it is terrific
KATHAKALI IS MEANT FOR THE ELITE INTELLECTUALS --
--NOT CULTURELESS HALFWIT BUMPKINS
IF THE ENTIRE WESTERN DANCE AND DRAMA IS A ONE PAGE BOOK--
KATHAKALI IS A TEN THOUSAND PAGE BOOK -WITH NO SUPERFLUOUS WORDS
THE WHITE MAN HAS KILLED KATHAKALI
DURING THE 800 YEAR RULE OF INVADERS KATHAKALI FELL INTO RUIN
THE WHITE INVADER GAVE MONEY AND REDUCED PROUD KATHAKALI DANCERS TO PERFORMING SHAKESPEAREs PLAYS , JESUS AND MARY MAGDALENE , JEW ROTHSCHILDs FAKE CREATIONS LIKE NALA DAMAYANTI ROMANCE etc
THIS WAS LIKE ASKING A RESPECTED GURU TO DANCE LIKE AN ASSHOLE ROTATING ON HIS HEAD , IN A DISCO
THIS POST WILL REVIVE KATHAKALI TO ITS ANCIENT GLORY. YES, WATCH OUT FOR THE ART OF WRITING
Natya Shastra
( used for Kathakali by Shukracharya ) was transmitted orally for more
than 33 millenniums along with the Vedas was finally penned down in 5000 BC by
Bharata Muni ( sic ) consisting of 12,
200 verses structured into 39 chapters.
INDIA IS NAMED BHARAT.
sorry- THE REAL NAME IS BHA- RA- TA .
( MY REVELATIONS NOW JUMP TO 36.0 % )
Bharata is an acronym for the three
syllables: bha for bhaava (emotion) , ra for raaga ( melody) , and
ta for taala (rhythm).
Natya Shastra
like Vedas have NO author as it is a SRUTI .
The white invader converted Bharata into a MUNI ( sage ).
It is Natya
Shastra of Bharata ( India ) NOT written
by a person named Bharata
The verses are in precise
Anustubh meter (4x8, or exactly 32 syllables in every shloka)..
The term Kathakali is
derived from Katha which means
"story, e", and Kali which means "performance”.
Kathakali has roots in the aesthetics of
Natyashastra
Traditionally, a
Kathakali performance is long, starting at dusk and continuing through dawn,
with interludes and breaks for the performers and audience. Some plays
continued over several nights, alomost like a modern TV serial starting at dusk
everyday..
The stage with seating typically in open grounds outside a temple,
but in some places special theatres called Kuttampalam built inside the temple
compounds have been in use
The performance is in
the front of a huge Kalivilakku (kali meaning dance; vilakku meaning lamp) with
its thick wick sunk in coconut oil, burning with a yellow light
Kathakali’s generic
structure may be viewed in terms of mudras (hand gestures), rhythm, body
movements (kinetics), body language (kinesics), performance methods, costumes
and make-up (aharya).
Rasa is prepared,
states Natya Shastra, through a creative synthesis and expression of vibhava
(determinants), anubhava (consequents) and vyabhicharibhava (transitory
states).
In the process of
emotionally engaging the individual in the audience, the text outlines the use
of eight sentiments – loving, comic, pathetic, terrible, furious, odious,
heroic and marvelous..
The Natyashastra defines drama as that which
aesthetically arouses joy in the spectator, through the medium of actor's art
of communication, that helps connect and transport the individual into a super
sensual inner state of being.
Drama in this ancient
Sanskrit text, thus is an art to engage every aspect of life, in order to
glorify and gift a state of joyful consciousness.
The text discusses the
universal and inner principles of drama, that it asserts successfully affects
and journeys the audience to a supersensual state of discovery and
understanding. The stories and plots were provided by the Itihasas (epics), the
Puranas and the Kathas genre of Hindu literature
The function of drama
and the art of theatre, as envisioned in Natyashastra is to restore the human potential, man's
journey of "delight at a higher level of consciousness", and a life
that is enlightened.
Just like the taste of
food, states Natyashastra, is determined by combination of vegetables, spices
and other articles such as sugar and salt, the audience tastes dominant states
of a drama through expression of words, gestures and temperaments.
These
dominant states are love, mirth, sorrow, anger, energy, terror, disgust and
astonishment.
There are 33
psychological states which are transitory such as discouragement, weakness,
apprehension, intoxication, tiredness, anxiety, agitation, despair, impatience
There are eight temperamental states that a
drama can deploy to carry its message.[69] The text describes four means of
communication between the actors and the audience – words, gestures, dresses
and aharya (make ups, cosmetics), all of which should be harmonious with the
temperament envisioned in the drama.
The ideal poem produces
bliss in the reader, or listener. It transports the audience into an
imaginative world, transforms his inner state, and delivers him to a higher
level of consciousness, suggests Natyashastra. Great songs do not instruct or
lecture, they delight and liberate from within to a state of godlike ecstasy.
The text defines the
basic dance unit to be a karana, which is a specific combination of the hands
and feet integrated with specific body posture and gait (sthana and chari
respectively). There are 108 karanas as
the building blocks to the art of dance
The text states the
various movements of major and minor limbs with facial states as means of
articulating ideas and expressing emotions
Verse 28.21 of Natya
Shastra introduced the musical scale as follows,( stolen and patented by the white man -- Do,
Re, Mi, Fa, So, La, Ti--)
तत्र
स्वराः
–
षड्जश्च
ऋषभश्चैव
गान्धारो
मध्यमस्तथा
।
पञ्चमो
धैवतश्चैव
सप्तमोऽथ
निषादवान्
॥
२१॥
— Natya Shastra, 28.21- 5000 BC
Svara/ (Long)
Sadja/(षड्ज)
Rsabha/(ऋषभ)
Gandhara/(गान्धार)
Madhyama/(मध्यम)
Pañcama/(पञ्चम)
Dhaivata/(धैवत)
Nisada/(निषाद)
Sadja/(षड्ज)
Svara/ (Short)
Sa/(सा)
Ri/(री)
Ga/(ग)
Ma/(म)
Pa/(प)
Dha/(ध)
Ni/(नि)
Sa/ (सा)
The music theory in the
Natyashastra, centers around three
themes – sound, rhythm and prosody applied to musical texts. The text asserts
that the octave has 22 srutis or microintervals of musical tones or 1200
cents.
The greeks stole all this while
studing at Kodungallur University in Kerala and patented it in their own
names..
Each sruti computes to 54.5
cents, while the Greek enharmonic quartertone system computes to 55 cents
The
text discusses gramas (scales) and murchanas (modes), mentioning three scales
of seven modes (21 total), some of which are the same as the Greek modes..
The Natysashastra text
has been influential in other arts.
The 108 dance forms described in the Natyasastra,
for example, have inspired Shiva sculptures
Several ancient
Sanskrit texts such as Natya Shastra and Hastha Lakshanadeepika discuss hand
gestures or mudras.
Kathakali follows the Hastha Lakshana deepika
most closely, unlike other classical dances of India
Hasta Mudras in
Kathakali or the codified finger movements in Kathakali are full of definite
symbolical significance and meaning and are effective substitutes for spoken
language.
Imitative, technical and suggestive they are cent per cent symbolical
and denote objects, actions and even inflection. Hasta Lakshana Deepika and
Abhinaya Darpana are two standard works on Mudras.
The Mudras which constitute
the alphabet of a language of more than seven hundred words aim at indirect suggestion
rather than direct exposition. Each pose has a different name. Greater
significance has been attached to indirect suggestion.
Mudras have their
origin in the Tantric rites of the old.
Kathakali depicts
scenes of love, battles, heroic exploits, lyrical situations, fits of rage and
cruelty, religious ceremonies blend into a story that always affirms the
victory of the Gods/ Good over the Demons / Evil.
The Kathakali dancer
embodies this struggle with his own body.
Kathakali then ceases to be a danced drama, and an ancient ritual is
substituted for it.
The dancer, by the
eloquence and expressiveness of his gesticulation, his movements of the feet
and the body, and by his mimicry, must plunge the spectator not only into the
atmosphere and the action of the drama, and also reconstruct the place where it takes place.
Subtle gestures,
movements, body position or rhythmic sequence are not an attempt to present a
reality directly, but to represent it reconstruct it by means of
"figures", "ideograms" whose conventional symbolic meaning
escapes the uininitiated and the profane --who sees such a spectacle for the
first time.
This complex alphabet
of signs, consists of facial expressions, gesticulations, and pre-established
corporeal kinetics. There are thus nine
movements of the head, eleven ways of looking, six movements of the eyebrows,
four positions of the neck.
The movements of the limbs - in all sixty-four -
include those of the feet, the toes, the heels, the ankles, the waist, the
hips, in short all the flexible parts of the body.
The face is the
emotional mirror of the actor. The actor expresses and communicates through the
action of the neck, eyes, eyelashes, iris, eyebrows, lips, teeth, nose, ears,
chin, cheeks and tongue-deep psychic processes.
When
struck with terror, he successively raises one eyebrow after another,
widens his eyes, rapidly moves the irises from one corner of his eye to the
other, he dilates his nostrils, his cheekbones tremble while his head turns by
jerky movements.
When the actor is
seized with an attack of rage, his eyebrows tremble, he raises his lower
eyelids, his eyes fixed and penetrating, his nostrils trembling as well as the
lips, the jaws closely tightened, and he does not breathe , Thus causing an
alteration of the features of his face.
This determined
composition of the face expresses not only feelings like love or hatred, but
also psychic and mental reactions, as well as characteristic attitudes such as
curiosity, pride, anxiety over death, or generosity.
But an actor does not
exteriorize the emotional states of the role mechanically. The expressivity, or
rather the truth of each reaction of his face, is convincing only if he engages
his imagination and his psychic and mental resources.
This wonderful gesture language has in it all
the potentialities of a universal medium of effectively expressing thoughts.
The mudras permit endless permutations and combinations, providing ample scope
to the talented artists endowed with originality to express his rare and full
volumed genius.
Hast-Mudras are shown
with one hand and both hands as befitting the occasion.
Showing a basic Mudra
with one hand is called Asamyukta pose while showing the same root Mudra with
both hands is called Samyukta Pose. The display of one root mudra with one hand
and simultaneously another root mudra with other hand is known as Misra.
The
twenty-four basic mudras are Pataka, Mudrakhya, Kataka, Mushti Kartarimukha,
Sukatunda Kappitthaka, Hamsa-paksha, Sikhara, Hamsasyam, Anjali, Ardhachandra,
Mukura, Bhramara, Suchimukha, Pallava, Tripataka, Mrigasirsha, Sarpasira
Vardhamanaka, Arala, Urnanabha, Mukula and Katamugha.
There are 24 Basic
Mudras (hand gestures) in the "Hasthalakshana Deepika", the book of
hand gestures, which Kathakali is followed. There are 'Asamyutha Mudras' (that
is shown using single hand) and 'Samyutha Mudras' (mudras shown in double
hands) in each Basic Mudras, to show different symbols.
Considering all these
Mudras and their seperations there are totally 470 symbols used in Kathakali.
Mudras (hand gestures)
are the mainstay of communication in Kathakali. The Mudras convey meaningful
interpretations, poetic meanings, sentiments and dramatic actions.
A mudra is not a static
entity;it communicates only when it becomes dynamic along with body movements. The
significance of the three levels, which is head, chest and waist, at which
different mudras are delineated. A combination of the mudras at the three
levels to form ‘sentences’
Kathakali is a
harmonious combination of five forms of fine art:--Literature (Sahithyam) |
Music (Sangeetham) | Painting (Chithram) | Acting (Natyam) | Dance (Nritham)
The Nava Rasas are the
nine emotions in Kathakali
Rasa is accomplished as
a result of the conjunction of Vibhava, anubhava and vybhicari bhava
It means the flavour of
essence. There are basically nine rasas which is nava (nine) rasa and it
corresponding bhava or emotion.
The rasa can be seen as
the equals of the daily life emotions or bhava.
It is represented
below:--
Bhava Rasa Basic state
Rati Sringara Love, or pleasure
Hasam Hasya The comic, mirthful or
derision
Sokam Karuna Pathos and sadness
Krodham Roudra Fury, anger, wrath
Utsaham Veera The heroic vigour
Bhayam Bhayanakam Fera,
terrible
Jugupsa Bibhatsam Repulsive, disgust
Vismaya Adbhutha Wonder, marvellous
Sama Santa Peace
BHAVA VERSE ( NATYA SHASTRA )-
रतिहासश्च
शोकश्च
क्रोधोत्साहौ
भयं
तथा।
जुगुप्सा
विस्मयश्चेति
स्थायिभावाः
प्रकीर्तिताः॥६.१७॥
Sthayi Bhavas is nine
as there are nine Rasas, each Sthayi-Bhava having a respective Rasa. Sthayi Bhavas have a few Sanchari Bhavas
which have a close relation with Sthayi Bhavas and these
Sanchari Bhavas bring up the Sthayi-Bhavas; they show their importance only at times or else they are helping factors. They are always changing and moving about and so they are called Sanchari.
Sanchari Bhavas bring up the Sthayi-Bhavas; they show their importance only at times or else they are helping factors. They are always changing and moving about and so they are called Sanchari.
Verses for 33 Sanchari
Bhavas -- cross feelings which are ancillary to a permanent mood.
निर्वेदग्लानिशङ्काख्यास्तथासूया
मदः
श्रमः।
आलस्यं
चैव
दैन्यं
च
चिन्तामोहः
स्मृतिर्धृतिः॥१८॥
व्रीडा
चपलता
हर्ष
आवेगो
जडता
तथा।
गर्वो
विषाद
औत्सुक्यं
निद्रापस्मार
एव
च॥१९॥
सुप्तं
विबोधोऽमर्षश्चापि
अवहित्थं
अथोग्रता।
मतिर्व्याधिस्तथा
उन्मादस्तथा
मरणमेव
च॥२०॥
त्रासश्चैव
वितर्कश्च
विज्ञेया
व्यभिचारिणः।
त्रयस्त्रिंशदमी
भावाः
समाख्यातास्तु
नामतः॥२१॥
Vyabhicari [Sanchari]
Bhavas – They are thirty three in number viz. Nirveda (Despondency), Glani
(Weakness), Sanka (Suspicious), Asuya (envy), Mada (Inebriation), Srama
(exhaustion), Alasya (lethargy), Dainya (Depression), Cinta (anxiety), Moha (delusion),
Smrti (recollection), Dhrti (fortitude), Vrida (Bashfulness), Capalata (in
constancy), Harsa (joy), Avega (excitement), Jadata (Stupefaction), Garva (Arrogance),
Visada (Despair), Autsukya (impatient curiosity), Nidra (sleep), Apasmara (Loss
of memory), Svapna (Dreaming), Prabodha (Wakening), Amarsa (indignation),
Avahittha (Dissimulation), Ugrata (Cruelty), Mati (self assurance), Vyadhi
(Sickness), Unmada (madness), Marana (death), Trasa (fright)and Virarka
(deliberation).
The eight Bhavas can
only be felt with a sensitive heart and an involved mind. With the oneness with
the characters’ emotions, an actor can physically represent them.
The sastra also
mentions about the temperamental emotions and put them at the highest level as
far as the actors’ feelings and capability of delivering is concerned. They are
termed as Satvika Bhavas in the Natya Sastra
Verse for below Sattvika bhavas :--
Verse for below Sattvika bhavas :--
स्तम्भः स्वेदोऽथ रोमाञ्चः स्वरभेदोऽथ वेपथुः।
वैवर्ण्यं अश्रु-प्रलय इत्यष्टौ सात्विकाः स्मृताः॥२२॥
The Sattvika Bhavas are
eight in number. They originate from the physical form. They are Stambha
(Paralysis), Sveda (Sweat), Romanca (horripilation), Svarasada (feebleness in
the voice), Vepathu (Trembling), Vaivarnya (change of color), Asru (Shedding
tears), Pralaya (Loss of Sense).
"सत्त्वं
नाम
मनःप्रभवम्।
एतदेव
समाहितमनस्त्वादुत्पद्यते।
" इति
भरतः।
"एतदेवास्य
सत्त्वं
यत्
दुःखितेन
प्रहर्षितेन
वा
अश्रु-रोमाञ्चादयो
निवर्त्यन्ते।
तेन
सत्त्वेन
निर्वृत्ता
भावाः
- सात्त्विकाः
भावाः।
तद्भावभावनं
च
भावः।"
इति
धनिकः।
"पृथग्
भावा
भवन्त्यन्येऽनुभावत्वेऽपि
सात्त्विकाः।
सत्त्वादेव
समुत्पत्तेस्तच्च
तद्भावभावनम्॥"
इति
धनिकः।
Thus, physical
expression of the feelings of the mind are called sattvika. The theory of rasas
forms the aesthetic underpinning of all Indian classical dance and theatre
Expressing Rasa in
classical Indian dance form is referred to as Rasa-abhinaya. The Natyashastra
carefully delineates the bhavas used to create each rasa.
The expressions used in
Kathakali are exaggerated theatrical expressions
Comparison of Bhava ,
Vibhava and Anubhava -- (Being, Feeling
and Doing).
Bhava ( to emote ) is the essence of literary and performing
art.
Bhava is the becoming.
In other words, everything (objective or material) that can exist or comes in
to existence is bhava.
Going by this simple
understanding, the state of mind and even the material conditions like birth
and death or growth and decay or existence and transformation is bhava.
This understanding can
be extended to artistic creativity. The ‘feeling’ and ‘the thought process’ are
the direct outcome of the state of mind in real life and at the same time,
attributes like place, time, action, movement, gesture, posture, etc. can also
be defined and described as bhava.
The only difference
that needs to be acknowledged is that in real life “becoming” is more due to
direct implications of what we call the law of causation and with the reference
to artistic creativity, it is the artist who influences it; using the sheer
power of his imagination and creativity.
The artist does this by
creating situations, incidents, characters and infusing attributes like
feelings, thoughts, actions etc. It would be termed as process of “becoming”
with the reference to artistic creativity more as, induced or caused and not as
a production of material thing.
“Nispatti” should be
more interpreted as “Samavitti” means the process of creating intellectual
awareness of an emotional experience through the means of Vibhava and other
factors in the minds of the bhavaka or the spectator .
Bhava or to emote is
the essence of literary and performing art. Bhava is becoming. Going by this
simple understanding, state of mind and even the material conditions like birth
& death or growth & decay or existence & transformation is
bhava.
The Concept of Vibhava
Vibhava (hetu, karana, nimmita) means ‘cause’ of what happens or is happening
in life. Its primary purpose is to
create the awareness of the emotions that the author intends to.
With the reference to
artistic presentation (creative expression),Vibhava can be interpreted as,
developing the knowledge or understanding of a specific emotion (mental state)
that the creator (Author) intends to convey through the means and modes of
acting.
The Vibhavas are of two
types one is ‘Aalambana Vibhava’ and the other is ‘Uddipana Vibhava’.
In broader sense, they
are the internal and external causes of something. ‘Alambana vibhava’ is source
of a particular emotion that determines its nature and ‘Uddipana vibhava’ is
the one, which enhances the emotion caused by a stimulant. It has no direct
bearing or connection with the cause or consequence and it is not a part of the
process but indirectly plays the role of enhancer of a particular emotion borne
out of a stimulant
The Concept of Anubhava
‘Anu’ is a Sanskrit word and in this context, it means “in reaction to”! Here
in this case since it is the natural reaction of body to ‘Vibhava’ it is termed
as ‘Anubhava’.
Apparently, there is a
very thin line of demarcation between the two; yet they cannot be termed as the
same because Vibhava is the cause and Anubhava is its consequence.
Vibhava is definitive
whereas Anubhava is not definitive. The simple reason for this is: it is not
possible to link Anubhava with a specific emotion (mental state). For example,
physical reaction like ‘strenuous expression on the face’ is a sure physical
reaction which is a manifestation of a definite ‘cause’ or Vibhava.
Therefore, the physical
reaction of strenuous expression on the face will be the ‘Anubhava’.
Nevertheless, since such a reaction could be the result of either a body ache
or mental stress or for being thrown in to an awkward condition. As mentioned
earlier, the vibhava is definitive because it is the internal state, which
triggers the anubhava, which is the external manifestation.
Natya Shastra considers that art has no
boundaries or any limits.
There are other bhavas
( dance expressions) in the human mind.
1. Bibhava:
The cause of any Sthayi
Bhava which enter into the composition of any poem or drama, are called Bibhava
(elements). Bibhava is of two kinds, viz., Alamvana and Uddipana.
- Alamvana Bibhava:
That which is essential
to the awakening of Sthayi Bhava is called Alamvana Bibhava.
- Uddipana Bibhava:
That which excites a
Rasa is called the Uddipana Bibhava. Uddipana Bibhava constitutes the attempts
of the character concerned, and his experience of a feeling of similarity as to
time and place.
2. Anubhava:
Anubhavas are resulting
or intentional actions. Anubhava is the expression by means of part of any
Sthayi or Sanchari Bhava. Anubhavas and Mudras are the signs of Bhavas in a
dance. They are the languages by means of which the idea of a dance is
narrated. Its particular Anubhava can express every Bhava.
3. Sattwika Bhava:
The mental condition
arising from the Sattwika Guna is called Sattwika Bhava. Still it sometimes
assumes different shapes due to Anubhava. Stambha, Sweda, Romancha,
Swarabhanga, Bepathu. Vaibarnya, Asru and Pralaya make up the Sattwika Bhava. A
Sattwika Bhava cannot be itself an unintentional emotional condition unless it
is influenced by Anubhava.
There are 3 feminine
bhava dance expressions: -
1. Shariraj or which
keeps connection with the Sharira or body.
2. Ayatnaj or which
springs from itself or spontaneous.
3. Swabhava or which
arises from ones nature.
Shariraj :--
They are classified
into three---
- Hava
- Bhava
- Hela
- Hava:
When the eyes and
eyebrows are changed as a result of Bhava (mentioned below) in a mans mind, it
is called Hava.
- Bhava:
It is the first
passionate yearning in a human mind by Raja and Tama Gunas. There is no outward
expression of this Bhava but it does its work inwardly.
- Hela:
It exists when there is
a linking of Shringara with Hava.These three seem to be of vulgar type
Ayatnaj :----
There are seven such
Bhavas.
1. Shobha: When the
limbs are influenced softly by the desire of Saundarya, Vasua, Tarunya and
Priya-Milan, it is Shobha.
2. Kanti: When the
Shobha Bhava is exclusively covered by passion, it is called Kanti.
3. Madhurya: Not to be
greatly influenced by Bhava is Madhurya.
4. Dwipti: The
spreading or Vistara of Kanti Bhava is Dwipti.
5. Pragalvya: When
astonishment is not seen.
6. Audarya: To keep
Prashraya always intact in every condition is Audarya.
7. Dhairya: The Bhava
of patience is Dhairya.
Leela Swabhavika:
There are ten
Swabhavika Bhavas.
1. Leela: To imitate
the lover by voice and physical care. The famous example of Leela can be from
Ras Leela. In that, Radha imitates Lord Krishna and taking his flute dances the
dance of Krishna.
2. Vilasa: The sudden
and beautiful change in the expressions of the body and voice as a result of
meeting with the loved ones is called Vilasa.
3. Vichchitti: When
there is a great change by dress and Kanti is influenced thereby, it is called
Vichchitti.
4. Vibhrama: To wear a
garment of a particular portion of the body on a different part of body in
haste.
5. Kilinkichita: To depict
Krodha, Asru and Harsha together is Kilinkichita.
6. Mottayita: To be
merged in the Bhava of the beloved when his name or something pertaining to him
is mentioned.
7. Kuttamita: To show
false anger when the lover has come.
8. Bibboka: To behave badly
with the lover even when Abhimana does not exist.
9. Lalita: To arrange
the limbs and their movements gracefully.
10. Vihrita: The Bhava
of silence due to constraint even after meeting with the lover.
Natya Sastra gives information about; the Samgraha (collection)
of everything like Rasas, Bhavas, Abhinaya (gesticulatory representation)
Dharmi (Rehearsed practice), Vrtti (Style), Pravrtti, (Action), Siddhi
(Achievement), Svaras (notes), Atodya (instrumental music), Gana (song), and
Ranga (the stage), etc.
Thus, the Natya Sastra is not only conceptually
different but has also its unique definition of the theatreIn the modern world,
all the concepts have gone to its minutest details i.e. from mini to micro
levels.
However, the Natya
Sastra is a torch light concept, which means that practically whatever required
to do a good theatre is covered under the Natya Sastra. Literature, acting,
dance, song, music, production and the theatre and stage are covered under this
Sastra.
Unique features of the
Natya Sastra are Dharmi (Rehearsed practice), Vrtti (Style), Pravrtti,
(Action), Siddhi (Achievement). Thus, it suggests that not merely external
requirements but internal needs and intangible assets in this form too are
required for theatre.
That Samgraha in regard
to the Natyaveda comprises of the Rasas, Bhavas, Abhinaya (Gesticulatory
representation) Dharmi (Rehearsed practive), Vrtti (Style), Pravrtti, (Action),
Siddhi (Achievement), Svaras (notes), Atodya (instrumental music), Gana (song),
and Ranga (the stage)
The Natya Sastra
defines the character and the corresponding requirement for the level of
performance, the types of the characters, the different kind of people in the
society and their strata and required understanding to develop and achieve it
for a performance.
It shows the path and
explains about the content of theatre - Rasas, Bhavas, Abhinaya (gesticulatory
representation), Dharmi (Rehearsed practice), Vrtti (Style), Pravrtti,
(Action), Siddhi (Achievement), Svaras (notes), Atodya (instrumental music),
Gana (song), and Ranga (the stage)
According to Natya
Shastra ‘Natya Bavanu kirtanam’. In simple words, theatre is all about
emotions
Actors should be aware
of body, voice, make-up, props and the gesture and postures of acting to enable
them express various temperaments.
There are four types of Abhinaya, namely, (1) Angika,
(2) Vacika, (3) Aharya and (4) Sattvika.
Angika — pertaining to
the body and its limbs … This involves the whole body of the actor and included
an elaborate scheme of facial expression, mime, and gestures, accompanied by
their appropriate movements, poses and attitudes. Hand gestures are another
integral part of Angika since the interpretation of the text is mainly conveyed
through this. The holistic communication of the story is through the gestures,
facial expressions and body movements, the Angikabhinaya.
Vachika — relating to
the vocal including proper pronunciation, modulation of voice accents and
percussion… One of the distinguishing characteristics of Kathakali is that the
actors do not speak. Vachika (drama text in the form of verses and songs) are
recited and sung by vocalists. These songs are explained and interpreted in
details by actors through an elaborate method of angikabhinaya, which consists
of highly codified gestures, facial expression, and body movements.
Satvika —
representation of psychic condition … A highly stylized technique in the
invocation of bhava has been developed in Kathakali. This is called Rasabhinava.
Ahraya — costume, make-up, embellishments , ornaments , stage props etc
Vrttis – The Vrttis
(Styles) are of four kinds (1) Bharati (Pertaining to the goddness of speech
(verbal)], (2) Sattvati (The Grand one), (3) Kaisiki (the graceful one) and (4)
the Arabhati (the energetic or impetuous one).
.
Vyabhichari Bhavas:---
1 Swatantra Vishayaukta
Bhavas (Independent lustful )--Garva (Arrogance), Lajja (Vrida - Bashfulness),
and Sentiments)
2 Manke Aaveg
(Psyological forces)-- Avega (excitement), Amarsa (indignation), Avahittha
(Dissimulation), Autsukya, (impatient, curosity) Trasa (fright), Harsha (joy)
and Visada (Despair).
3 Antaha karana Vritti
(Internal Actions)-- Sanka (Suspicious), Smruti (recollection), Mati (self
assurance), Vitarka, (deliberation) and Chinta (anxiety)
4 Mansik Avastha
(Psychological Conditions)-- Dainya (Depression), Mada (Inebriation),
Jadata Stupefaction), Ugrata (Cruelty),
Moha (delusion), Svapna (Dreaming), Alasya (lethargy), Unmaada, (madness)
Chapalata (in constancy), Nirveda (Despondency), Dhairya (patience) and Glani
(Weakness).
5 Sharirik Avasthas
Srama (exhaustion), (Physical
conditions)-- Apasmara (Loss of memory), Marana (death), Nidra (Sleep), Vibodha
(Wakening), and Vyadhi (Sickness)
Category Vyabhichari
Bhava –
1 Sukhatmak (Pleasures)
Garva (Arrogance), Autsukya (impatient curiosity), Harsa (joy), Mada
(Inebriation), Chapalata (in constancy), and Dhrti (Fortitude)
2 Dukhatmak (Painful)
Vrida (Bashfulness), Asuya (envy), Amarsa (Anger, Indignation) Avahittha
(Dissimulation) Trasa (fright), Visada (Despair), Sanka (Suspicious) Cinta
(anxiety) Ugrata (Ferocity, Cruelty) Moha (delusion), Alasya (lethargy), Unmada
(madness), Glani (Weakness) Apasmara (Loss of memory) Marana (death) and Vyadhi
(Sickness)
3 Ubhayatmak (having
both qualities) Avega (excitement), Smriti (recollection) Dainya (Depression),
Jadata (Stupefaction) Svapna (Dreaming), and Chapalata (in constancy)
4 Udasin (Depressive)
Vitarka (deliberation), Mati (self assurance), Srama (exhaustion), Nidra
(sleep) and Vibodh (Wakening).
Vyabhichari Bhavas
according to Psychology --
Category Vyabhichari
Bhava--
1 Manovikara (Mental
Inclination) Nirveda (Despondency), Sanka (Suspicion), Harsa (joy), Dainya
(Depression) (Depression), Ugrata (Ferocity, Cruelty), Chinta (Anxiety), Trasa
(fright), Asuya (envy), Amarsa (Anger, Indignation) Garva (Arrogance),Vrida
(Bashfulness), Avega (Excitement), Visada (Despair), and Autsukya (impatient
curiosity).
2 Amnovikaratmak
Anubhutis (NonPsychological Inclinations) Dhrti (fortitude), Smrti
(recollection), Mati (self assurance), and Tarka (Argument).
3 Sharirik Samvedan
Anubhava (Physically Sensitive Transitory) Apasmara (Loss of memory), Sram
(Exhaustion), Glani (Weakness), Alasya (lethargy), and Vyadhi (Sickness)
4 Na Bhaav Na
Smruti-- (Neither Emotion nor
Experience) Mada (Inebriation), Nidra (sleep), Supta (Sleeping, Dreaming),
Vibodha (Wakening), Marana (death), Avhittha (Dissimulation) Unmada (madness),
Jadata (Stupefication) Chapalata (in constancy) and Moha (delusion).
Category Vyabhichari
Bhava --1 Sharirik Avastha--(Indicators of Physical conditions)--Glani
(Weakness), Mada (Inebriation), Srama (Exhaustion), Alasya (lethargy), Jadata
(Stupefication), Moha (delusion), Nidra (sleep), Supta (Dreaming), Apasmara
(Loss of memory), Prabodh (Wakening), Vyadhi (Sickness), Unmada (madness) and Marana
(death).
2 Bhavnaon ki
Tivrata--(Intensity of Feelings)-- Chapalata (in constancy), Aaveg (Excitement)
Ugrata (Ferocity, Cruelty).
3 Prathmik Bhavna
(Primary Feelings)-- Sanka (Suspicious), Amarsa (Anger and Indignation), Trasa
(fright) and Garva (Arrogance).
4 Sammishra
Bhavna--(Mixed – Blended Feelings) Vrida (Bashfulness) and Asuya (envy).
5 Jnyanamatak
Manovastha-- (Conscious mental conditions)
Mati (self assurance),
Vitarka (deliberation), Avhittha (Dissimulation), Smrti (recollection) and Mati
(self assurance).
6 Sadhit Bhavna
(Emotions which are conceived)- Autsukya (impatient curiosity), Dainya
(Depression), Visada (Despair), Harsa (joy), Dhrti (fortitude), Chinta
(anxiety), and Nirveda (Despondency)
Category Vyabhichari
Bhava-- -- (Transitory Emotions Parallel to Physical conditions)--1 Marana
(death), Vyadhi (Sickness), Glani (Weakness) Srama (Exhaustion) Alasya
(lethargy), Nidra (sleep), Svapna (Dreaming), Apasmara (Loss of memory), Unmada
(madness), Mada (Inebriation), Moha (delusion), Jadata (Stupefication),
Chaplata (in consistency) and Prabodha (Wakening).
2 Jajatmak Manovastha-
(Transitory Emotions Parallel to Intellectual conditions) --Smrti
(recollection), Mati (self assurance) and Vitarka (deliberation)
3 Bhavnatmak
Manovastha- Bhava (Transitory Emotions Parallel to Sentimental conditions)--
Harsa (Joy), Avmarsa (Indignation), Dhrti (Fortitude), Ugrata (Ferocity,
Cruelty), Aveg (Excitement) Vishad (Despair), Nirveda (Despodency), Autsukya
(impatient curiosity), Chnta (anxiety), Sanka (Suspicious) Asuya (envy), Trasa
(fright), Garva (Arrogance), Dainya (Depression), Avhitha and Vrida
(Bashfulness).
Categories of
Vyabhichari Bhavas by (1) Vega – Force (2) Bhavna – Sentiment (Emotion)
(3) sthittsthapakta –Flexibility
1 Vegatmak Vyabhichari
Bhava (Forceful Transitory Emotions)-- Avega (Excitement), Chaplata (in consistency)-Asuya (envy), Amarsa (Loss of
Memory), Ugrata (Ferocity, Cruelty), Mada (Inebriation), Unmada (madness), Glani
(Weakness) Harsa (Joy), Trasa (fright), Marana (death).
2 Bhavnatmak
Vyabhichari Bhava (Sentimental Transitory Emotions)-- Autsukya (impatient
curiosity), Nirveda (Despondency), Cinta (anxiety), Visada (Despair), Moha
(delusion) Vibodha (Wakening), Sanka (Suspicion), Vitarka (deliberation), Smrti
(recollection), Mati (self assurance), and Garva (Arrogance)
3 Sthittsthapak
Vyabhichari Bhava---(Flexible Transitory Emotions)-- Dhrti (Fortitude),
Dainya Depression), Alasya (lethargy),
Nidra (sleep), Svapna (Dreaming), Vrida (Bashfulness), Avhittha
(Dissimulation), Jadata (Stupefication), Vyadhi (Sickness), Apasmara (Loss of
memory)
Below: There are BIRIYANI PACKET mourning rudaalis ( professional wailers ) who cry EXACTLY the same way if their contracted political leader dies --- or her dog dies,--- or her mother dies,--- or her neighbours lover dies, ---or her son dies ---or her friends sister dies --- or whatever
IN INDIAN DANCE THERE IS --
NO SHOWING CAMEL TOE,
NO ASSHOLE DOING PEEK A BOO BEHIND THONG ,
NO GYMNASTICS,
NO ACROBATICS,
NO ROTATING ON HEADS,
NO TRAPEZE,
NO ROPE CLIMBING ,
NO TIP RIDICULOUS TOEING,
NO WHIRLING AROUND A STUPID POLE ,
NO SOMERSAULTS ,
NO MORBID PELVIC THRUSTS,
NO SOPRANO HOLLERING --
WE DANCE REAL !
My heart gasps -- it now
quivers in fear -- dark ominous clouds
roll overhead-- fear engulfs my heart --
tears sometimes cascade from my eyes--, when I open my bag of memories and only
dry leaves come out-- your touch had
once made my dry branches green -- my
mind that you peeked into, to whom can I
show it now, moon beams now scald my
body-- my body you touched in now shrouded, you are now out of my reach above, my wings are clipped, my heart gasps --
Dil hoom hoom kare,
ghabraaye
Ghan dham dham kare,
darr jaaye
Ek boond kabhi paani ki
mori ankhiyon se barsaaye
Dil hoom hoom kare,
ghabraaye
Teri jhori daaroon, sab
sukhe paat jo aaye
Tera chhua laage, meri
sukhi daar hariyaaye
Dil hoom hoom kare,
ghabraaye
Jis tan ko chhua tune,
us tan ko chhupaaoon
Jis man ko laage naina,
voh kisko dikhaaoon
O more chandrama, teri
chaandni ang jalaaye
Teri oonchi ataari
maine pankh liye katwaaye
Dil hoom hoom kare,
ghabraaye
Ghan dham dham kare,
darr jaaye
Ek boond kabhi paani ki
mori ankhiyon se barsaaye
Dil hoom hoom kare,
ghabraaye
THE WHITE MAN CONVERTED OUR TEMPLE DANCERS TO WHORES
THE DESCENDANTS OF THE SOMNATH TEMPLE DANCERS WERE KILLED BY
JEW HITLER AND CROATIAN SADIST ANTE PAVELIC , AS SCUM GYPSIES .
The Abhinaya Darpan (a
descriptive primmer for dancers) mentions that the dancer should sing the song
by the throat, express the meaning of the song through hand gestures, show the
state of feelings in the song by eyes, and express the rhythm with his or her
feet.
From the Natya Shastra,
a text on the arts, this beautiful quotation and translation is often quoted by
Indian classical dance instructors:
"Yato hastastato
drishtihi"..."Where the hand is, the eyes follow"
"Yato drishtistato
manaha"..."Where the eyes go, the mind follows"
"Yato manastato
bhavaha"..."Where the mind is, there is the feeling" Where the
mind goes, the mood (bhava) follows,
"Yato bhavastato
rasaha"..."Where there is feeling, there is mood/flavour, sweetness
(i.e.,appreciation of art; aesthetic bliss)" Where the mood goes, there
arises the sentiment
So vast are the
subtleties expressed in the hand gestures of hasta that the vastness of what
being human entails, and perhaps even what the entire universe contains, might
be expressed by the dancer
Hasta form a distinct
coded language which brings a unique poetic element while performing, so too
when abhinaya (traditional facial expressions), pose (attitude), and rhythm
complete the language, the dancer may express practically anything and
everything to an attentive audience.
In appropriate ways,
Kathakali makes use of the Navarasas (nine moods) and their respective
Sthayibhavas (permanent states of mind) together with the Sancharibhava
(transitory moods).
The actors' faces
reflect their feelings distinctly, as does a mirror. This produces similar
feelings and emotions in the mind of the spectators.
There are Thirty-three
such Bhavas, dance expressions, as enumerated in the Shastras: ---
1.Nirveda (hates own
self), 2. GIani (from tiresomeness), 3. Shanka, 4. Shrama 5. Dhrity (Santosh),
6.Jarata (which arises on hearing any bad message of a beloved), 7.Harsha,
8.Dainya, 9.Ougrya, 10.Chinta, 11. Trasa, 12. Asuya or Irsha (arising from
somebodys wealth), 13. Amarsha, 14. Garva, 15. Smriti, 16. Marana, 17. Mada,
18. Supta (a particular situation at the time of lying down),19. Nidra, 20.
Vivodha (to be awakened or to awake), 21. Vrira (Lajja, bashfulness), 22.
Apasmar (lunaticism), 23. Moha, 24.Mati (the knowledge of things at their
proper places), 25. Alasya, 26. Avega, 27.Tarka, 28. Avahitta, 29. Vyadhi, 30.
Unmada,31.Vishada, 32. Autsukya, 33. Chapalya
Eight rasas and
associated bhavas are named and their enjoyment is likened to savoring a meal:
rasa is the enjoyment of flavors that arise from the proper preparation of
ingredients and the quality of ingredients.
One ingredient in a
juice (incidentally also called Rasa in Sanskrit) is not relish-able. However,
by putting in herbs, spices and other ingredients, processing, blending,
camouflaging and properly preparing it, the juice can be made worthy of
pleasing and relishing. Thus all this
process put together becomes the term ‘Rasa’.
तव तये
पितो
रसा
रजांस्यनु
विष्ठिताः।
दिवि
वाताइव
श्रिताः॥
(Rig Veda I.187.4) 5000 BC
Food has six kinds of Rasa or taste which food has --but
which all tastes cannot be found in one place or item, for these tastes are
variously distributed throughout space. Food, in this context, means matter or
objects or thoughts, which are all produced effects, effects that are produced
owing to various causes.
The Rasas are the unique qualities which bring about
variety in things created whose source is one and one only
The rule that the old
masters of the Kathakali teach their pupils says: where their hands are to
represent an action, there must be the eyes; Where the eyes go, there must
follow the intellect, and the action represented by the hands must give rise to
a definite feeling which is reflected on the face of the actor .
From this rule it
follows that the face is an emotional mirror whose reactions are conditioned
not by the actions of another actor, but by the story described by the hands of
the actor himself.
There is a a double structure in the acting of the
actor; The latter must, more or less simultaneously, engage different
psycho-physical and technical means to represent two complementary aspects of a
history, the purely "narrative" aspect (the hands) communicating what
has just happened in a particular episode, and the emotional aspect (the face)
constituting the subjective reactions of the personage to the situation in
which it is located.
The head is the
character and that the body is the phenomenological world.
Check out the dance of
Shiva Nataraja. The whole body of God is the world with its dialectical cosmic
process of creation and destruction (the legs create and the hands destroy),
while the face reveals the personal attitude of the Godhead in its expression
of serenity and bliss.
Mudras , gestures with well-designed meaning composed by
hands and fingers, are veritable visual ideograms that replace speech.
There 24 fundamental mudras
which, in Kathakali , according to the various possible combinations of them, and
in relation to the movements of the body
and the mimicry of the face, can express more than three thousand words .. Each word in the piece
is expressed by a mudra , even grammatical themes such as "if",
"when", "but".
The Kathakali actor
gives free rein to his fantasy and his imagination. Suppose he describes a woman. After
composing the mudra corresponding to this word, he begins to elaborate the
"beauty" of the woman by introducing attributes or metaphors such as
"beautiful as the lotus", "tender as a rose petal",
"with eyebrows Like waves ".
The Kathakali actor is graded by his own imaginative faculty and this
talent for improvisation - manodharma -
indispensable qualities for an actor.
It is NOT right to say that Kathakali is a rigid science.
In reality, the actor is a sculptor whose
body is simultaneously chisel and block of marble. It takes some intelligence
to understand this. A mountain is not simply a gesture. Its altitude can be read in the eyes of the Kathakali actor, in his gaze, while we see the body climb this mountain, the body which is simultaneously mountain and mountaineer.
This dialectic of the
game allows the viewer to judge the exterior as interior, to be introduced into
the internal mechanism and to apprehend it as a totality. In his
game, the actor arrives at a continual superposition between the subject and
the object, between the world of subjective emotions and the phenomenological
world, between action and reaction. Till today no white man has really understood Kathakali at a deep level.
Mudras are not only a
visual ideogram of descriptive value, but constitute a process of emotional
plastic representation that engages the actor's body in the empty space he
fills with his presence and dynamics.
The expression of each word of the play by a mudra can be regarded as the cause of the long duration of a Kathakali show. A play, which takes only twenty minutes, presented in this way on the stage, can last more than four consecutive hours with the audience transfixed.
The expression of each word of the play by a mudra can be regarded as the cause of the long duration of a Kathakali show. A play, which takes only twenty minutes, presented in this way on the stage, can last more than four consecutive hours with the audience transfixed.
Of properties, the Kathakali stage can become a palace or
forest at a moment’s notice. The actor’s physicalisation of dramatic action and
of the rich poetic images of the text , supplemented by his dancing of set pieces
of choreography provoke the audience’s imaginative engagement in the creation
of the ‘world’ of the play Kathakali dance ranges from the very strong and
vigorous (tandava) to the soft or languid (lasya)..
For abhinaya, there are
four separate and fully developed styles are adopted. They are Aharya
(costumes), Vachika (literary text), Angika (gestrual) and Satvika (emotional).
The white man used to
watching his own SHALLOW mindless theatre will wonder how people in Kerala sit from dawn
to dusk watching Kathakali.
It is because we have a completely different
approach to theater. We judge the skill and virtuosity of the actor. Each
gesture, movement and expression of the actor is valued and evaluated by a
public of connoisseurs who does not hesitate to show loudly his appreciation or
his spite.
A pretender Kathakali dancer will not last more than a single show . This is why the
training is long ( minimum 4 years with just meal breaks and 8 hours sleep ) and
rigid.
According to the Natya
shastra, the goals of theatre is to empower aesthetic experience, deliver
emotional rasa. Entertainment is an effect, but not the primary goal of Kathakali.
The primary goal is to create rasa so as to lift and transport the spectators,
unto the expression of ultimate reality and transcendent values.
The success of a
performance art is measured not by the reviews, awards or recognition the
production receives, but only when it is performed with skilled precision,
devoted faith and pure concentration such that the artist gets the audience
emotionally absorbed into the art and immerses the spectator with pure joy of
rasa experience
Rasa is the invisible
substance that gives life meaning. Rasa is
also described as the state of ecstasy
in the union with divine . According to
Natya shastra, a rasa is a synthetic phenomenon and the goal of any creative
performance art, oratory, painting or literature.
Rasa may be said to be the
original emotion transfigured by aesthetic delight, one way is through the use
of gestures and facial expressions of the actors. Expressing Rasa in classical
Indian dance form is referred to as Rasa-abhinaya.
Rasa, the dominant emotion,
aroused by a Kathakali recital , is
tasted by the audience, --it has a different quality from that which is
aroused in real life. Rasas are created by bhavas. Rasa is about what the mind
feels and the expression of the feeling thereafter.
While mudras form the
alphabet, a movement (chulippu) accompanies each mudra to constitute the
grammar to which navarasa is added. Sringara is considered as the king of
rasas. There are sambhoga sringara and vipralambha sringara. Sambhoga sringara
is the love in union and viprlambha sringara as the love in seperation.
Hasya
is not laughter but humour created using either a situation or a mode of
behaviour. The bhava of divine peacefulness is shanta. Natyasastra does not
consider shanta as a rasa
There are usually
different facial expressions like thadam ilakkal, purikam ilakkal, kannu
sadhakam, netti ilakkal, kazhuthilakkal etc. Thadam ilakkal is the movement of
lower part of the eyes. It is moved to show anger or sudden movements.
Purikam
ilakkal means the movement of eyebrows. For showing rasa the movement of eye
brows is important. Kannu sadhakam is the practice of moving eyes to all
directions. Netti ilakkal is also an expression to show surprise or wonder. The
facial expressions are the locution of narratives. It is through this the
narrative is conveyed to the audience.
In Kathakali, narration
advances through various techniques to catch the span of attention of audience.
Here the non-literary elements are communicated through various techniques
apart from the linguistic richness. The stories are not narrated directly.
There is a need of making it strange to attract the audience.
There are 2 kinds
of narration – Primary and Embedded. Primary narrative comes first and embedded
is the hidden one. A visual performance makes use of both the narratives in
which the story comes as primary narrative whereas the techniques form an
embedded narrative.
Usually the sloka will
be Sanskrit and the padam which follows this will be in manipravalam which is
the combination of Sanskrit and Malayalam. The use of space is an impetus to
the actor. He changes the place by revolving on the stage. Adidikkida is used
to show the journey of the character. The technique of creating something from
nothing is also a theatrical technique.
The nature of a
character plays a major role in spinning a story around it. The gradual
development of emotions replaced the importance of plot in the repertoire.
There is a traditional concept of narration
in which the binary opposites play a relevant role in shaping a story-- the
events travel from the present to past and then again to the present. Equilibrium – disequilibrium – equilibrium
There is a conscious
effort on the part of the creators of the Kathakali to avoid any form of
expression that traces or imitates the reality of everyday life. The make-up blurs the individual physiognomy
of the actor to transform it into a supernatural face, into a suggestive mask.
The costumes completely break the organic harmony of the body and the new
silhouette that emerges strikes us by its architectonic and extraordinary
proportions.
The play, mudras as
well as mimic of the face, uses a language where the reality is not illustrated
passively, but recreated by original artistic means. The process distorts the
actor's dynamic, without hindering it.
The actor always has his legs bent,
knees apart, and he leans on the outer edges of the feet, an extremely fatiguing
and painful position, the mastery of which is acquired only after a long
training.
The actor follows his
hands with his eyes all the time, he looks at them as if his hands become the
object or the person they want to present.
The extreme mobility of the hands
and fingers touches us with an expressiveness that goes beyond all imagination.
It is especially the rapidity of these members and their compositions that
fascinate, strange alphabet of deaf mutes.
They are the matrix of epic
materials that the actor represents and develops through its dynamics. The
movements of the various parts of the body are often based on a
desynchronization, on a clear divorce of the rhythm between the different
limbs.
The legs can move at an extraordinary speed while the hands sculpt the
mudras with a slow and calculated precision. Or, facial expression can be
lively and bodily actions impregnated with an austere and serene gravity. Kathakali
does NOT use women.
Men play the
role. There is too much hardship while
training for several years in the preteen years and women cannot survive this
rigor. The approach, the mimicry, the
gesticulation and the slightest movements of these actors reveal a deep
knowledge of the psychology and the behavior of the woman.
There is nothing
vulgar or equivocal, no concession to what might flatter the taste of a popular
public. Playing such a role requires a skill that is a real test bed for the classical
actor.
The style of singing
particular to Kathakali is called Sopana sangeetham (Sopana Music). Of the two
singers, the first singer (pinnani) keeps the steady beat of the thala
(rhythmic pattern) by using the chengila (gongs), made of bell metal.
Music as
a vachika element in Kathakali is designed entirely to enable and enhance
characterisation, and not primarily for expressing classical virtuosity. Also
the singer has to keep his eyes riveted on the actor for every little body
movement has to synchronise with the gong beat.
So adept are experienced
singers that every nuance of a moving facial muscle is anticipated and
synchronised with the gong rhythm. The training of a singer for Kathakali is in
conjunction with a performing actor..
The singer has to control the
performance, its tempo and also the percussionists by his acute sense of
timing. The raga used is entirely governed by the mood and character. Kathakali
music follows the mood-- if the mood demands a certain raga, its following soon
after another raga very close to it, is no restricting factor.
Kathakali
experts price the singer more for his conducting ability than for his melodious
rendition.. Apart from the slow singing which is very difficult to master, the
fluidity takes years to acquire. Unlike classical musicians, a Kathakali
musician goes from raga to raga with no pause.
The drums like the Chenda, a
most versatile instrument which can bring out any tonal quality in the world
and the maddalam as percussion (particularly important in the cholliattam
improvised segments) add the final dimension to the drama in Kathakali.
Music
is central to a Kathakali performance. It sets the mood and triggers emotions
resonant with the nature of the scene. It also the beat speed with which the
actors play their parts.
Attom (dance) is the
technical term for performance, while the verbal text is known as Attakkatha
(dance-story) which is a visual, auditive and contemplative
(drisya-sravya-manana) poetry. The performance text is composed as a mixture of
narrative portion (in quatrains called sloka) and dialogue sequences (pada).
The sloka which is conventionally written in Sanskrit is a narrative bridge in
between two scenes or sometimes it precedes the scene or acting. The “spoken”
passages called padams, either in monologue or dialogue form are lyrics set to
dance and music.
All the sequences of a
Kathakali play is composed into a form called attaprakaram (performance manual)
which gives the complete text of a Kathakali play .Actually a Kathakali
performance takes place solely on the basis of this text.
As soon as he suddenly
"unveils the audience “, the actor gives an impression of artificiality
due to his make-up, his costume, his play and his gait.
The appearance of the
actor in front of the audience is preceded by a complex convention of ritual
value: the Tiranokku or the curtain.
The actor's entry on
the stage is hidden by a large colored sheet that two young boys hold at the
center of the stage. Hidden behind this curtain, we feel, or rather we hear the
presence of the actor by cries, screams, vocalizations that are no longer communicative
language, logical, but magic constraint.
This communicates to the public the
supernatural power of the character, and allows the actor to penetrate into the
"sonorous universe", in the breathing ( prana ) of the person he
embodies.
From time to time, the
two young boys lower the curtain by half a meter and the bewitching face of the
actor reveals itself for a few seconds to the public. All the time one can
observe under the curtain the feet of the actor who, on the spot, performs a
dance at a frantic pace.
This ceremonial complex
lasts about twenty minutes, then, with a sudden and decided gesture, the
curtain is lowered and the actor is revealed to us in all the majesty of his
apparatus, ready to incarnate the story.
During the game, the
actor's mouth is always closed. He breathes through the nose, except in
situations where he must use the language or scream aloud. But a situation like
this, when the rule of immobility of the mouth is suddenly broken, only
reinforces the impression of anomalous and inhuman in the face of the actor.
Often the gaze is
fixed, like that of statues; And the lively gesticulation, as well as the
almost acrobatic movements, contrast violently with these enormous static eyes,
frozen as in the contemplation of the void.
Sometimes the eyelids
are widened and the irises disappear in a corner of the eye, immobile during a
long period of dynamic play where the head moves continuously and where the
face is constantly changing.
KATHAKALI IS THE ONLY
DANCE FORM ON THIS PLANET WHERE STUDENTS MUST DO ONE HOUR OF EYE EXERCISE FOR EIGHT
YEARS..
Spreading the eyelids
with the fingers allows a major dilation of the eye and activates the muscles
of the eyelids.
At the end of this
training, they are able to give the eyes extraordinary expressiveness and
capacity for dilation.
This facial gymnastics
makes it possible to reach the control of each muscle of the face, thus to go
beyond the mimic stereotypes.
It is very important
here to have different facial muscles move in different rhythms simultaneously,
the movements of which are not synchronized in life.
For example, very
quickly shake the eyebrows and very slowly the muscles of the cheekbones. Or,
engage in a fast rhythm the left part of the face, while the right part comes
alive with very slow movements.
1. Raising of the lower
eyelids, without moving the upper eyelids.
2. Lifting a single
eyebrow.
3. Trembling of both
eyebrows, eyes normally open.
4. Trembling eyebrows,
eyes wide open.
5. Trembling of the
eyebrows, the lower eyelids raised.
6. Trembling of the
eyebrows while the head accomplishes movements.
7. Trembling of the
eyebrows, combined with various expressions of the face (disgust, contempt,
hate, joy, etc ...).
8. Trembling of the
eyebrows, while the face expresses a feeling and that the head accomplishes
movements.
9. Trembling of the eyebrows
accompanied by a tremor of the shoulders. These two tremors must not be
synchronized.
10. Tremor of the
eyebrows and horizontal displacement of the iris from left to right and vice
versa. The displacement of the iris is at first very slow, then very fast.
Avoid synchronization of eyebrow shake and iris movement.
11. Trembling of the
eyebrows accompanied by vertical displacement of the iris from top to bottom
and vice versa. Avoid synchronization.
12. Trembling muscles
of the cheekbones without moving eyes and mouth.
13. Trembling of the
muscles of the corners of the mouth faster and faster.
14. Trembling of the
muscles of the chin without moving the corners of the mouth without tightening
the teeth and without engaging the muscles of the anterior part of the neck.
15. Tremor of the
nostrils.
16. Vibrations of the
eyelashes.
http://timesofindia.indiatimes.com/india/krishna-was-legendary-eve-teaser-prashant-bhushan-in-reference-to-anti-romeo-squads-in-up/articleshow/57973615.cms
CHECK OUT THE RABID ANTI-HINDU PRASHANT BHUSHAN.....CALLING LORD KRISHNA A LEGENDARY EVE TEASING STREET ROMEO......
KRISHNAs MISTRESS RADHA WAS CREATED BY JEW ROTHSCHILD... AND HE USED HIS FAKE DASAS ( BHAKTI MOVEMENT ) TO PROPAGATE THIS LIE.....
BEFORE THE WHITE INVADER CAME TO INDIA WE NEVER HEARD OF RADHA OR ANY DASA (KALIDASA/ KABIRDASA / SURDASA/ TULSIDASA / RAMDASA/ RAVIDASA / CHANDIDASA etc ).....
RADHA WAS POISON INJECTED INTO OUR PURANAS TO MAKE THE HINDU SELF LOATHING ..
THE 16000 GOPIKA LOVERS OF KRISHNA AT BRINDAVAN WERE INJECTED INTO OUR PURANAS -- WE NEVER HEARD OF THEM TILL THE WHITE INVADER CAME TO INDIA.....
SAHASRARA CHAKRA is a 1000 petalled lotus -- each with 16 kalas or aspects --this works out to 16000 ...........
this is NOT some girl who has sex with Lord Krishna --taking turns.........
Narakasura kidnapped 16000 damsels --and Lord Krishna saved these damsels in distress........
this is just an allegory........
like Banasura the son of King mahabali - killed by Krishna 60 centuries ago ---though his great grandfather Hiranyakashipu was killed 330 centuries ago by Narasimha avatar . ....it refers to a cosmic allegory.........
banasura wanted to fight shiva and shiva told him, he will have to wait till krishna is born --thousands of years later -.....-and he was sulking till then.......
this banasura was an allegory for BINARY STAR-- described in Section 10.59.33-45 of the Bhagavata Purana...
ALL DASAS OF BHAKTI MOVEMENT ARE FAKE BACK DATED CREATIONS OF THE WHITE INVADER - , TO DIVIDE AND RULE , MAKE THE HINDUS SELF LOATHING, AND DRIVE FISSURES INTO HINDUSIM ....
kabirDAS of immaculate conception , who floated on a lotus leaf ( like krishna ) down ganges river to be found by a Muslim weaver couple did NOT exist . …
kaliDAS who wrote about the FAKE mistress of lord krishna RADHA did not exist.. .
so did surDAS who extolled the virtues of the FAKE radha .....
tulsiDAS who wrote about lord rama abandoning his pregnant wife sita who then delivered twins luv/ kush did not exist ….
raviDAS and chandiDAS who again extolled the virtues of the FAKE mistress of krishna radha did NOT exist .....
JAYADEVA WHO INVENTED RADHA NEVER EXISTED. ....HE WAS A FAKE AND BACKDATED CREATION OF JEW ROTHSCHILD....
Like how Jayadeva found Radha Madhava idols in a river, same way the FAKE madhavacharya of Udipi found a idol of Krishna in the sea.
The Mahabharata or ancient Puranas mention Krishna , but NEVER EVER a woman named Radha….
During British Rule all Krishna temples idols were removed to insert FAKE Radha as a jodi using FAKE mutts created by Jew Rothschild....
The Sikh holy book GURU GRANTH SAHIB is packed with fake dasa verses by Jew Rothschild ….
The FAKE Geeta-Govinda was full of immoral sex and erotica to describe the ILLICIT love between "Radha" and a married Krishna.....
Capt ajit vadakayil
..
CHECK OUT THE RABID ANTI-HINDU PRASHANT BHUSHAN.....CALLING LORD KRISHNA A LEGENDARY EVE TEASING STREET ROMEO......
KRISHNAs MISTRESS RADHA WAS CREATED BY JEW ROTHSCHILD... AND HE USED HIS FAKE DASAS ( BHAKTI MOVEMENT ) TO PROPAGATE THIS LIE.....
BEFORE THE WHITE INVADER CAME TO INDIA WE NEVER HEARD OF RADHA OR ANY DASA (KALIDASA/ KABIRDASA / SURDASA/ TULSIDASA / RAMDASA/ RAVIDASA / CHANDIDASA etc ).....
RADHA WAS POISON INJECTED INTO OUR PURANAS TO MAKE THE HINDU SELF LOATHING ..
THE 16000 GOPIKA LOVERS OF KRISHNA AT BRINDAVAN WERE INJECTED INTO OUR PURANAS -- WE NEVER HEARD OF THEM TILL THE WHITE INVADER CAME TO INDIA.....
SAHASRARA CHAKRA is a 1000 petalled lotus -- each with 16 kalas or aspects --this works out to 16000 ...........
this is NOT some girl who has sex with Lord Krishna --taking turns.........
Narakasura kidnapped 16000 damsels --and Lord Krishna saved these damsels in distress........
this is just an allegory........
like Banasura the son of King mahabali - killed by Krishna 60 centuries ago ---though his great grandfather Hiranyakashipu was killed 330 centuries ago by Narasimha avatar . ....it refers to a cosmic allegory.........
banasura wanted to fight shiva and shiva told him, he will have to wait till krishna is born --thousands of years later -.....-and he was sulking till then.......
this banasura was an allegory for BINARY STAR-- described in Section 10.59.33-45 of the Bhagavata Purana...
ALL DASAS OF BHAKTI MOVEMENT ARE FAKE BACK DATED CREATIONS OF THE WHITE INVADER - , TO DIVIDE AND RULE , MAKE THE HINDUS SELF LOATHING, AND DRIVE FISSURES INTO HINDUSIM ....
kabirDAS of immaculate conception , who floated on a lotus leaf ( like krishna ) down ganges river to be found by a Muslim weaver couple did NOT exist . …
kaliDAS who wrote about the FAKE mistress of lord krishna RADHA did not exist.. .
so did surDAS who extolled the virtues of the FAKE radha .....
tulsiDAS who wrote about lord rama abandoning his pregnant wife sita who then delivered twins luv/ kush did not exist ….
raviDAS and chandiDAS who again extolled the virtues of the FAKE mistress of krishna radha did NOT exist .....
JAYADEVA WHO INVENTED RADHA NEVER EXISTED. ....HE WAS A FAKE AND BACKDATED CREATION OF JEW ROTHSCHILD....
Like how Jayadeva found Radha Madhava idols in a river, same way the FAKE madhavacharya of Udipi found a idol of Krishna in the sea.
The Mahabharata or ancient Puranas mention Krishna , but NEVER EVER a woman named Radha….
During British Rule all Krishna temples idols were removed to insert FAKE Radha as a jodi using FAKE mutts created by Jew Rothschild....
The Sikh holy book GURU GRANTH SAHIB is packed with fake dasa verses by Jew Rothschild ….
The FAKE Geeta-Govinda was full of immoral sex and erotica to describe the ILLICIT love between "Radha" and a married Krishna.....
Capt ajit vadakayil
..
Originally Kathakali
plays were performed all night, but have changed into three hour cameos like
what my wife saw . Also characters have
been added to reflect everyday life than “most roles in the repertory” than
were originally from the epic and puranic sources.
Blame this on the white invader who wanted to
know what the hell is going on .
Kathakali has suffered due to the changing
socio-political structure during the white man’s rule. Instead of tiding himself up the stupid white
man dragged Kathakali down
Kathakali creates a
world of illusion unmatched by any other form of theater on this planet. With
its captivating dramatics, its independently stylish grandeur and its
transformational theatrics, Kathakali dominates the theatre.
Through a systematic
process of practice and training, an actor gains full control of the facial muscles, which
enables him to express the emotions. Through an internal discipline an actor
develops his ability in mastering this action technique.
Kathakali dancers submits to a rigorous and relentless training
discipline – from the tender age of 12.
The child enters the theatrical
world which borders on the religious universe.
His psyche and character in training, are receptive to all the stimuli
of the new environment: the austere discipline of work , total surrender and
absolute respect for his guru who initiated this work.
He knows there is NOT
much money and a world of pain in the life time vocation he has chosen . It
takes eight years to be considered worthy to just be on stage as a small part
actor.
At the Kathakali training
institute they live together, in small houses, each arranged for four
people. No beds, no wardrobes, no other
furniture. Mats on which they lie, a
suitcase containing the personal effects, on the walls of images of gurus
(masters) and gods; Here is the austere
and modest interior of their dwellings.
They all eat together
in a refectory, they work every day, with the exception of Sunday, from four in
the morning to nine in the evening. They have two months of vacation per year.
Studies are at their own expense except where the family is too poor, the
institute welcomes them free of charge.
Studies last eight
years. Young people are divided into two
groups: novices during the first four years, then veterans. A series of basic
exercises (dynamic legs, eye and face exercises) are performed daily by both
groups.
Gurus direct the
courses. The discipline is very severe.
At four o'clock in the morning, the pupils rise and pass through huts
where, in the light of oil lamps, they begin their exercises. There is no guru
, but silence and discipline reign absolutely.
Their first exercises are
gymnastics and acrobatics, conducted according to a rhythm that the young ones
impose themselves by pronouncing phrases without meaning, with a well defined
rhythmic value.
It is now six o'clock
in the morning. Students will bathe in a nearby river or temple pond. At
six-thirty they breakfast , and by 07-45 they star work.
Until half past twelve,
under the direction of their respective gurus , they repeat without
interruption fragments or complete scenes of a drama. At the end of his
studies, an actor Kathakali knows perfectly the partition of the signs, mimics,
leaps, mudras of all the characters (men and women, main roles and secondary
roles) of about sixty pieces. These five hours of work are devoted to the
assimilation of these scores.
At half-past twelve,
they interrupt their training and go to lunch. Until three o'clock the pupils
are free for a cat nap. From three
o'clock till five o'clock, they take theoretical courses: history of the
Kathakali theater, biographies of gurus , religion, Malayalam,, Sanskrit, geography and history.
From five to
six-and-a-half, sitting in padmasana (crossed legs), the students exercise
their eyes and face. After half an hour of rest, at seven o'clock, they sing
for half an hour religious hymns, the final of which is the praise of a great
guru Kathakali.
From seven-thirty to
eight-thirty they practice on the mudras . They repeat the mudras that the guru
shows them and which constitute the partition of the scenes that they will play
the next day. They repeat this partition of seated mudras , that is to say by
engaging only the upper part of the body, including the face. After which they
dinner and at nine they go to bed.
The novices attend to
the make-up and the clothing of their older comrades by helping them: they
spray and mix the colors, prepare the different parts of the costume. In
general, these performances are given on Saturday, because they last all night.
Thus, on Sunday, students can rest.
Heavy foot massage (
Chavitti Uzhicchil ) is administered by the guru during the monsoon season which, in Kerala,
takes place between May and August. The entire body is anointed with a mixture
of sesame oil, coconut and ghee..
This massage is painful and last about half
an hour. Through this painful physical operation the young actor organically
acquires the basic position of his play: the parallel feet, half a meter apart,
rest on the edges, the toes are contracted towards the plant, the knees spaced
apart .
The student stretches,
his face and chest touching the ground. The thighs are pushed out and the knees
rest on pieces of wood (palaka ) about fifteen centimeters high.
The lower part of the legs is folded inwards and the feet touch. In this position, the lower part and the upper part of the body touch the ground, while the kidneys are raised by the wood under the knees.
The lower part of the legs is folded inwards and the feet touch. In this position, the lower part and the upper part of the body touch the ground, while the kidneys are raised by the wood under the knees.
The guru , standing at
a beam parallel to the ground at the level of his shoulders, begins to gently
massage with the plant and toes of the right foot, the body of the pupil
stretched out. In proportion as it masses, it compresses the loins, pressing
them towards the earth.
By the gradual pressure thus exercised, the lower
abdomen touching the ground while the knees are always resting on the woods,
the kneecap is deformed.
If you think tip FUCKIN' toeing
by ballet dancers are painful—think again
The calves are stiffened because they support
the weight of the whole body, so the feet whose toes are contracted inwards.
The muscles of the thighs and loins are relaxed. The back muscles are stiffened
because of the very straight position.
Similarly the muscles of the neck, due
to the pressure of the chin on the neck. Finally the muscles of the arms are
half stiffened, while the hands are quite relaxed. This is the correct and
functional muscular commitment of the actor in his basic position.
Complex posture or
distortion of the body would cause the total involvement of all the muscles in
a layman, which would quickly tire him and subject him to a hard physical
effort, not to mention the lack of plastic expressivity and dynamic efficiency
.
The actor Kathakali, by perfectly and consciously controlling each muscle of
his body, easily engages the muscles strictly necessary and keeps a muscular
economy as soon as the action requires hops, or complex physical actions.
The body is subjected
to a rigorous, even painful discipline, which transforms it into an adequate
medium of thoughts, ideas, feelings, emotions.
It is this perfect control of
the body, that consciousness of the anatomical structure which, with the mental
concentration required to bring to life extra-human actions and reactions, the
Kathakali to yoga
Absolute control of
each muscle of the face, the slightest movement of the eyes, agility of the
legs and the rest of the body is attained, and finally, thanks to the acrobatic
gymnastics exercises, a physical condition that allows us to accomplish with
ease the physical effort required by the show.
The formation of the
actor Kathakali is acutely concerned with the expressive possibilities of the
body. The smallest part of this body is trained and put into a state to express
what words themselves can not communicate.
The eyes dilate and contract
according to the vegetal impulse of a lotus which flourishes, the irises roll
and dart when seeing the whirlwind of the enemies who advance in arms, the
eyelashes vibrate to make the flight of a bee , Nostrils pinch, chin,
cheekbones, lips tremble reflecting delicate and secret emotions.
The psychic processes,
the psychological intentions, the complexity of the motives of each action are
manifested by physical reactions which strike by their intuitive accuracy.
Three or four hours
before the show, which begins at nightfall, the actors gather to makeup. The
most absolute silence reigns; Large oil lamps create foci of light around which
the actors are united. Their sons or young chelas (disciples) reduce yellow,
red, green stones, amalgamate and prepare the colors and chutti , a white paste
made of rice powder and silt juice. All this work is directed by specialists in
makeup.
The first phase of
make-up is performed by the actor himself. Sitting in padmasana (legs crossed,
very straight trunk), he weaves on his face a whole net of lines of various
colors, equidistant of the nose, the eyes and the mouth. It does not use
brushes, but small rods.
Then he confides in the
hands of a specialist makeup artist. Stretched on the floor, the body
completely relaxed, breathing rhythmically and deeply, it concentrates on its
role, falling into a kind of torpor, favored by the heat of the afternoon.
In
this sleep there takes place a psychic process that, from private person,
transforms the actor into God or Demon, depending on the role to play. At the
end of this second phase, the makeup artist wakes him up. He gets up, his
gestures and his gait are already modified.
Another feature of
makeup is the reddening of the white of the eyes of certain characters (women
and gods) with seeds of Cunda Poov ( solanum pubescens ).
Before starting his
make-up, the actor gets his face massed with oil. The perspiration during the
show, which lasts all night, does not break down the makeup, instead gives it a
new luster.
This supernatural
character has two objectives: to strike the public, to facilitate the
personality loss of the actor. The stories dealt with by the Kathakali feature
an entire gallery of extraterrestrial and mythological characters. These are
true religious plays, mysteries. The situation, as well as the characters, no
longer belong to everyday reality.
The eyes are wide open
and the head turns while observing, as if the irises led the movements of the
head. Suddenly, with a sudden movement, the head stops and the irises are fixed
on an object which is not the "goal" decided .
The head remains in
its stationary position while the irises move (slowly or rapidly, according to
the intention) towards the "goal" fixed in advance and reach it. Then
only the head turns towards the "goal" and when it arrives on the
latter, the face assumes a particular expression (hatred, contempt, joy, etc
...).
Around the ankles,
therefore very visible, are attached bells that rhythm the slightest movement
of the legs. Long nails in silver deform the left hand. If they produce an
almost elegant effect during lively and graceful gesticulations, they acquire a
fierce character when used by demonic characters.
The actor knows how to
use his skirt to suggest the gait of a young girl or animals, the trembling of
the waves or a narrow path full of obstacles, to be convinced that the body is
not a prisoner of costume, and that the costume is only extension,
amplification, complement of body language.
The Kathakali, with its
scenic language which is a pure "semantic" corporeal, must satisfy
and strike the eyes so as to be able to touch the imagination and the
sensibility of the spectators. The ritual value of the show promotes the
psychological commitment of the spectators and the actors.
All these complex means
of expression of the actor Kathakali merge into a game that leads to its
dehumanization, if by human is meant the natural, habitual of everyday life. Styling, counterfeiting,
"artificiality", if you will, are the sieve by which the supernatural
reality of the play is gone.
Below: A 330 century dance form is reduced to 2 centuries by BBC
The drums roll syncope
and rhythm his improvisation. He then brushes a whole series of descriptions,
adjectives, metaphors that constitute his own contribution to the drama.
Descriptions of scenes or divine assemblies, the beauty of the beloved or the
ugliness of the demons spring from his fantasy and verve.
Manodharma or
imaginative faculty allows the actor to go beyond the descriptive limits of the
text to embark on spontaneous and improvised action. An appreciative audience knows
how are the maestros . They have the respect—though not much money
Kalasam , is an interludes danced by the actor during the
story at the end of each sung stanza. Their function is to relax the audience .
But in reality one can speak here of a distancing effect. The story stops
abruptly and the actor, who may be playing a role of old man, performs a fast
and vigorous dance.
The Kalasam lasts a few
minutes, after which the actor resumes the thread of the interrupted game.
Another trait, which
could also be considered as a distancing effect, is the attitude of the actor
at the end of a "solo".
While his colleague takes over and continues
the scenic action, the actor sits on the stool that is on the stage, he relaxes
and behaves as if he were in his cloakroom in full solitude: he Retouching her
make-up, fixing her crown more firmly, putting in order the numerous ornaments
that garnish her costume.
As soon as his presence
is required for the development of the action, he rises, a sudden metamorphosis
takes place before the eyes of the spectators, and again the actor regains the
supernatural "form" he had just left.
The contribution of
music is preponderant. This sound background that accompanies, syncopates and
rhythms the action scene, is also a psychic stimulant, a weapon of striking, a
kind of blackmail.
The spectator slips into the "magic time" of the
spectacle, he gives himself to a current that, by taking it from the world of
phenomena, transports it into the supernatural regions where gods and demons , curses and boons - clash and interplay in a struggle, the very archetype of our human adventure. ( reduced to ridiculous Romeo and Julie SHIT by the white invader )
A real tour de force,
or better address, the costume thus integrated into the body, becomes the
tangible reality of the spectacle, accessory and panorama, metaphor and
reality, a natural symbiosis between a living organism and the multicolored
materials that suddenly come to life and culminate in a magical language.
To
the voluminous skirt in which the lower part of the actor is engulfed, is added
the white or colored corset covering the upper part of the body. Its simplicity
is enriched by numerous ornaments: colored ribbons, long white and red scarves
to which are attached small mirrors in the form of bells that the actor
manipulates with ease during his game.
Below: The original King Hiranyakashipu and his sister Holika -plotting to kill prince Prahalada
Below: The original King Hiranyakashipu and his sister Holika -plotting to kill prince Prahalada
From a theatrical point
of view, one can notice,its colorful richness which, in the light of the only
oil lamp, can not fail to strike.
Kathakali engages several methods: direct
without special effects or curtain; through the audience, a method that engages
the audience, led by torch bearers since Kathakali is typically a night
performance; tease and suspense called nokku or tirassila or tiranokku, where
the character is slowly revealed by the use of a curtain.
The "tease"
method is typically used for characters with hidden, dangerous intentions.
https://www.theguardian.com/us-news/2017/apr/01/judge-rejects-trump-defense-claim-incited-violence-protesters
DONALD TRUMP
LISTEN UP
MORE THAN 60% OF YOUR JUDGES ARE IN THE PAYROLL OF JEW ROTHSCHILD
PROFILE THEM
WEED THEM OUT
IN INDIA , BEFORE 1947 ALMOST ALL OUR JUDGES WERE IN THE PAYROLL OF JEW ROTHSCHILD
AS OF TODAY THIS NUMBER HAS DRASTICALLY COME DOWN--WE CAN MAKE THIS PERCENTAGE ZERO ONLY OF WE DISCARD THE COLLEGIUM SYSTEM
DONALD TRUMP
LISTEN UP
MORE THAN 60% OF YOUR JUDGES ARE IN THE PAYROLL OF JEW ROTHSCHILD
PROFILE THEM
WEED THEM OUT
IN INDIA , BEFORE 1947 ALMOST ALL OUR JUDGES WERE IN THE PAYROLL OF JEW ROTHSCHILD
AS OF TODAY THIS NUMBER HAS DRASTICALLY COME DOWN--WE CAN MAKE THIS PERCENTAGE ZERO ONLY OF WE DISCARD THE COLLEGIUM SYSTEM
INDIA IS THE ONLY COUNTRY ON THIS PLANET WERE JUDGES ELECT JUDGES --WHERE JUDGES ASK A TROJAN HORSE NGO TO FILE A PIL AND CREATES LAWS OVERNIGHT
JUDGES ARE NOT ALLOWED BY THE INDIAN CONSTITUTION TO CREATE LAWS
THE JUDGES CAN ONLY RULE A CASE BY "INTERPRETING " THE LAW
WE KNOW THE INDIAN DESH DROHIS IN JEW ROTHSCHILDs PAYROLL WHO SUSTAINS THIS SYSTEM ( MEDIA/ LEGISLATURE/ EXECUTIVE ) ALL IN GOOD TIME
DONALD TRUMP -- DESH DROHI MEANS FOREIGN FUNDED TRAITORS WHO HAVE NO LOVE FOR THE WATAN ( MOTHERLAND )
LIKE IN USA -- OUR MEDIA IS CONTROLLED BY JEW ROTHSCHILD. OUR INDIAN MEDIA BARONS ARE MERE FRONTS .
http://ajitvadakayil.blogspot.in/2016/03/foreign-funded-trojan-horse-ngos-pil.html
capt ajit vadakayil
..
THIS POST IS NOW CONTINUED TO PART 2 , BELOW
CAPT AJIT VADAKAYIL
..
INSTANT TRIPLE TALAAQ IS NOT ALLOWED IN KORAN
ReplyDeleteI CHALLENGE ANY ISLAMIC SCHOLAR TO QUOTE ANY VERSE IN KORAN
CRYPTO JEW WAHABBI / SALAFI FUNDS GIVEN TO CRYPTO JEW INDIAN ISLAMIC CLERICS ARE KEEPING TRIPLE TALAQ ALIVE IN INDIA
GIVE TEN YEARS JAIL FOR ANY INDIAN MUSLIM WHO ADVOCATES TRIPLE TALAQ
WHO HAS ELECTED THESE MUSLIM CLERICS ?
LET ME TELL YOU
JEWS !
http://ajitvadakayil.blogspot.in/2013/09/uniform-civil-code-in-india-capt-ajit.html
DeleteBENAMI MEDIA IS PLAYING A DOUBLE ROLE-- THEY SUPPORT THE JEWS
http://in.reuters.com/article/us-climatechange-un-idINKBN1721F5
ReplyDeletePARIS COP21 WAS 100% JEW ROTHSCHILDs AGENDA
TO FIND OUT JEW ROTHSCHILDs PAYROLL AGENTS --CHECK OUT WHO SUPPORTS PARIS COP21, WHERE MAN MADE CO2 IS THE CULPRIT
I HAVE THE LIST WITH ME --BASTARDS ALL
Makes it clear whose poodle is UN. What does Mr. Super Suave cum Mr. Hi Tech Savvy Sashi Tharoor has to say on this, what with his under SG experience at UN. Can he convey his views through News X which looks like pro-Congress Media ?
Deletehttp://timesofindia.indiatimes.com/city/ludhiana/woman-paramour-kill-husband-hang-body-from-tree/articleshow/57954022.cms
ReplyDeleteOH NO
THE DEAD MAN IS RESPONSIBLE
HE MADE HIS WIFE DO BLUE MOVIES
HE FORCED HIS WIFE TO DO ABNORMAL SEX
HE BROUGH HOME DOZENS OF WOMEN TO SCREW IN FRONT OF HIS WIFE--ON HER OWN BED
NCW MUST "SUMMON"
NCW MUST DEMAND "EGO MASSAGE "
ABOLISH THIS DROHI ORGANISATION NCW--WHO SUPPORTS NAXAL WOMEN
Pranaam Captain
ReplyDeleteVishnu is the mediator and makes sure the creation does not go out of control ,
that means if Mahabali would have become emperor something apocalyptic would have happened and he prevented it from happening , is that right ?
Is it possible that Ancient Egyptians erected Sphinx statue in honor of Narasimha ?
ReplyDeletehttp://ajitvadakayil.blogspot.in/2011/07/mysteries-beneath-egyptian-sphinx-capt.html
Delete
ReplyDeleteANI @ANI_news
ED is conducting raids on different Shell companies in several parts of the country. More details awaited
Hope the "Ragad ke Khaini" staff has got actionable inputs from the braintrust of investigating agencies.
DeleteRespected ajit sir
ReplyDeleteUS President Donald Trump’s decision not focus on toppling Syrian President Bashar Assad marks the end of a 16-year-long master plan to effect regime change across the Middle East, former US Army Major Todd Pierce told Sputnik.
https://sputniknews.com/middleeast/201704011052184793-trump-dumps-plan-topple-mideast-states/.
Regards
Gunjan arya
If the United States stops interfering in the internal affairs of other countries the world will be a peaceful world.
DeleteYes Nuclear rogues need to be destroyed but not by destroying its people...
Hari Om Ajit'ji
ReplyDeleteThe government has finally woken up
http://m.indiatoday.in/story/enforcement-directorate-shell-companies-demonetisation-money-laudnering/1/918001.html
Dhanyavad 🙏
Hari Om
What Capt says today tge world follows tomorrow.
DeleteNamastey captain
ReplyDeletehttp://www.wakingtimes.com/2017/03/30/putin-blasts-euro-western-culture-pedophilia-satanism/
Blast by putin on prdophilia .
Main stream media was silent.
https://www.youtube.com/watch?v=jw4mcCu1h7A
DeleteAS LONG AS JEWS CONTROL HOLLYWOOD THE WEST WILL REMAIN DECADENT
Encouraging drugs and pornography it persuaded America that “free love” and living together outside of marriage were socially acceptable. With astonishing rapidity the movie, TV, and print media helped produce a generation of sexual libertines.
http://ajitvadakayil.blogspot.in/2015/08/homosexuality-pedophilia-deviant-porn.html
http://ajitvadakayil.blogspot.in/2015/09/tavistock-institute-creating-herd.html
AROON PURIE INTRODUCED SAVITA BHABHI TO INDIA--BY GIVING FREE PUBLICITY ON HIS TV CHANNEL ..
MODI HAS NO SHAME OR LEADERSHIP SPIRIT.. HE TALKS IN AROON PURIEs CONCLAVES
Pedophilia (sex with little boys and girls along with child pornography) is the latest underground obsession sweeping America and the world.
OBAMA SUPPORTED HOMOSEXUALITY. 99.1 % HOMOSEXUALS ARE PEDOPHILES
Virtually all the media moguls who founded Hollywood and the big three TV networks were immigrants, or their children, from predominantly orthodox Jewish communities in Eastern Europe.
Israel has become a safe haven for Jewish pedophiles from around the world
WHEREVER YOU FIND PEDOHILE RINGS--YOU WILL SEE THAT JEWS ARE AT THE BOTTOM OF IT
In 2008, 2008. ADL ( Jesi anti-defamation league ) , through Jewish lesbian activist and state Rep. Sheila Kuehl helped pass California's SB777, banning criticism of homosexuality in public schools. If any child now criticizes sodomy, he will be expelled. If a teacher or administrator does, they are fired.At the same time, ADL submitted an extensive amicus brief to the California Supreme Court in favor of same-sex marriage.
JEW INTELLECTS FALLS PHUTT ON ITS KOSHER FACE IN "OPEN COMPETITION" WHERE THE QUESTION PAPER IS SET, AND ANSWER PAPER IS CORRECTED BY A NON -JEW
https://www.youtube.com/watch?v=UZ6Y2TVYQmE
capt ajit vadakayil
..
checked out your profile it was fantastic so many views so many blogs and so many replies how the hell u manage it man, i am dying to manage my single blog critisizing the blody pakistan. and wont get a reply except that idiotic pakistan people who make abuses instead of comments, what about you dude.
DeleteWoman Caught Shoplifting Is Busted | The World According To Maxim Bady
ReplyDeletehttps://www.youtube.com/watch?v=JO3wmdil70A
how gora gand shop lift ..... Indian poor are much better
ReplyDeleteSHOPLIFTERS CAUGHT IN THE ACT! INSTANT KARMA COMPILATION
https://www.youtube.com/watch?v=FE-oKf_o_Zo
aaj se farzi companiyon par sarkari karvayi shuru.
ReplyDeletedhanya ajit chettan...
Hello Sir,
ReplyDeleteIn one of the post you were going to revel why having protein for breakfast is important.
This comment has been removed by the author.
ReplyDeleteMost of my uncles wear white shirt and white dhoti. Among younger generation, colored shirt with white dhoti more popular. This trend actually started with Mammootty in movie 'hitler' 22 years ago.
DeleteHi Ajit,
ReplyDeleteWhat I presume, you smelled the Rat in Advance, but your persistence effort to unmask the Truth can't be ignored .And you started the Domino Effect but let see what is happening in ground reality as many thinks has been hushed up earlier .
Kudos to you
Any way we will Start a New year from today.
With best wishes,
Sushanta Das
Captain
ReplyDeleteI hope today's news on Raids and the thousands of Shell compabies is a start and not the end. Modi must listen to this blog. There is no other way I would accept Modi and his Cabinet as Desh Bhakts until they follow what is revealed in this blog to a T.
Do not rejoice too early.
Slasher
WE THE PEOPLE KNOW ABOUT IPL CRICKET TEAMS , THE BENAMI OWNERS , THE SHELL COMPANIES AND OFFSHORE BANKS
ReplyDeleteIS FINANCE MINISTER AND EX-BCCI MAN ARUN JAITLEY FEIGNING IGNORANCE ?
ASK LALIT MODI TO BE A WHISTLE BLOWER -- THE REWARD MUST BE FREEDOM FROM PROSECUTION
WATCH HOW LALIT MODI TURNS INTO A CANARY
HE WILL SCREW ARUN JAITLEY
PM MODI--YOU WILL BE LEFT WITHOUT YOUR 2 IN 1 MINISTER , AT A TIME WHEN YOU ARE QUIETLY BUYING ISRAELI ARMS
HIMMAT HAI?
PUT THIS COMMENT IN PM MODIs, HOME MINISTERs , LAW MINISTERs AND ATTORNEY GENERALs WEBSITES
ASK FOR AN ACK
Your Registration Number is : PMOPG/E/2017/0187701
ReplyDeleteSir
ReplyDeleteWhich are the fake gods in rajasthan , similar to vithala, panduranga and other found all over Maharashtra. Its strange here that shiva and durga temples are fewer than the fake gods.
Guys and gals:
ReplyDeleteDon't let up the pressure on Modi and Jetley.
for God's sake this is our only chance to save Bharatamata.
Now is the time ! Go to wherever the articles are about the IT raids and point them back to the Shell Companies series (any part) and give credit to The Captain. That is the only way we can ensure that everybody reads Captains posts and he becomes even more of an influence on Modi and his Cabinet.
A typical comment should be like this:
"For those who want to read more about Shell Companies and how the toxic nexus of Politicians, Media Crooks and Benami Businessmen are bleeding Bharatamata dry, read all about it here:
(Provide a link to Captain's blog series here)
"
Our goal is ensure we save Bharatamata. It is not about saving Modi or some falthu guy who gives ego massage to Modi.
Let us do our best.
Slasher
http://timesofindia.indiatimes.com/india/now-gaikwad-tries-his-luck-with-spicejet-but-gets-grounded-again/articleshow/57963629.cms
ReplyDeleteRAVINDRA GAIKWAD IS A BETTER SON OF BHARATMATA THAN THESE MEDIA WH0RES AND BENAMI PRIVATE AIRINE OWNERS ........................
SOON AIR INDIA CMD , AND INDIGO AIRLINES CEO WILL HAVE TO RESIGN...
WE SUPPORT RAVINDRA GAIKWAD...
HE DID NOT HOLD UP ANY PLANE MID AIR..
Respected captain,
DeleteOn which basis are u saying this.Can u please explain me something related to this.
yours faithfully
Siddharth Awadh
http://timesofindia.indiatimes.com/nri/other-news/indian-origin-woman-alleges-racial-profiling-after-being-asked-to-strip-at-frankfurt-airport/articleshow/57964282.cms
ReplyDeleteTHE LAST THREE TIMES I WROTE ABOUT "VIRGINITY TESTS " DONE BY MALE BRITISH IMMIGRATION MEN ON UN ESCORTED YOUNG INDIAN HINDU WOMEN--TIMES OF INDIA SPAMMED ME
IT WAS ABOUT MALE WHITE MEN RUBBING CLITORIS OF INDIAN WOMEN WHOSE LEGS WERE STRAPPED WIDE APART
#################
Capt. Ajit Vadakayil
March 27, 2015 at 8:24 PM
STOP PRESS:
At Bangkok International airport I had my Russian Chief engineer with me. We both were on VISA ON ARRIVAL to join a ship.
We saw several young Russian women tourists along with us- in the VISA ON ARRIVAL immigration section of the airport
One young attractive Russian woman was crying .
I asked my Russian Chief Engineer, what she is saying.
She was afraid – that she would be sent back.
My Chief Engineer told me all of them were WHORES.
One of them said , that there is never a problem . Maximum is that you may be taken to a side room where you may have to give one or two officers a BLOW JOB. They will NOT ask for bribe in cash .
Surprised ?
Repelled ?
All this is normal.
The British did this to young unescorted attractive Hindu Indian women- in the guise of VIRGINITY TESTS at heathrow airport.
These Britsih immigration officers “put their finders inside VAGINAS “ – what else they put inside vaginas –we know !!
http://ajitvadakayil.blogspot.com/2013/04/india-must-quit-commonwealth-capt-ajit.html
capt ajit vadakayil
..
http://archive.indianexpress.com/news/uk-virginity-tests-tantamount-to-rape-on-indian-women/787928/
DeleteRAVINDRA GAIKWAD IS A BETTER SON OF BHARATMATA ----
ReplyDelete--- THAN THE DESH DROHI MEDIA WH0RES AND BENAMI INDIAN OWNERS OF PRIVATE AIRLINES...
http://timesofindia.indiatimes.com/india/now-gaikwad-tries-his-luck-with-spicejet-but-gets-grounded-again/articleshow/57963629.cms
Namastey sir
ReplyDeleteYou wrote " THE FIRST FOUR AVATARS OF VISHNU ARE COSMIC ALLEGORIES ." How narsimha is a cosmic allegory in a real life story of prahalad.
SOUTH KOREAs PRESIDENT PARK GYEUN HEI HAS BEEN ARRESTED DUE TO MANIPULATIONS BY JEW ROTHSCHILD CONTROLLED COMMIES
ReplyDeleteSOUTH KOREANS DO NOT REMEMBER HER FATHER WITH GRATITUDE-- THE MAN WHO REBUILT SOUTH KOREA
SOUTH KOREANS MUST DISBAND THE KOREAN ASSEMBLY FULL OF FOREIGN PAYROLL TRAITORS
THE OUSTED PRESIDENT IN NOT GUILTY
Hi sir
ReplyDeleteYour priceless jewel sanatana dharma series.waiting sir .please continue sanatana dharma series
10 years back i had seen jarashandha vadham. It's was the greatest experience still remember it. Fantastic
ReplyDeleteNamaste ji,
ReplyDeleteThe Power of ether/Space, made me stunned and astonished, I was shocked to see the power which is holding the galaxy, stars, planets - the ZPF that’s holds everything and creates and expands in its own will.
Is the ether bounds the time or time bounds the ether? or both in independent work together?
Thank you, Ji, for every wisdom I am gaining from you.
With Great Gratitude
Kannan
This comment has been removed by the author.
ReplyDeletehttp://www.mercurynews.com/2017/04/01/cartoons-donald-trump-and-climate-change/
ReplyDeleteTHIS WILL BE JEW ROTHSCHILDs THIRD CONSECUTIVE FAILURE
1) TRUMP ELECTION
2) ASSAD STILL IN PLACE
3) PARIS COP21 TORN AND THROWN ON OBAMAs KOSHER FACE
MANY MORE DEFEATS ON THE WAY
Namastey captain
DeleteWhen will we see this type action in india?
Do you expect this from APCO modi?
Deletehttps://www.washingtonpost.com/news/the-fix/wp/2017/04/01/donald-trumps-joyless-presidency/?utm_term=.381b9dd1b437
ReplyDeleteTRUMP ENJOYS WHEN ROTHSCHILDs MEDIA WHORES BLEED FROM THEIR ASSHOLES
http://timesofindia.indiatimes.com/
ReplyDeleteMEDIA WHORES DO NOT UNDERSTAND THE DIFFERENCE BETWEEN LOVE AND LUST....
A GAY GETTING A HOP BY SEEING A YOUNG BOYS ASSHOLE IS NOT LOVE
http://ajitvadakayil.blogspot.in/2013/12/ipc-section-377-love-lust-perversion.html
But Captain you had said before that many of these Gays were abused when they were young. Should that not be addressed properly???
Deletehttp://timesofindia.indiatimes.com/india/drunk-britons-arrested-for-harassing-air-india-air-hostess/articleshow/57966378.cms
ReplyDeleteTHE AIR INDIA AIRHOSTESSES ARE RUDE AND INEFFICIENT.. MOST ARE LYING FAT AUNTIES SUFFERING FROM PMS..
http://timesofindia.indiatimes.com/india/what-arvind-kejriwal-said-after-chants-of-modi-modi-at-a-delhi-rally/articleshow/57966767.cms
ReplyDeleteKACHRAWAAAL THE MOST SLIMY AND DANGEROUS POLITICIAN INDIA HAS EVERY PRODUCED ....
Hari Om Ajit'ji
ReplyDeleteOne more wicket down
http://www.thehindu.com/news/cities/Delhi/unitech-mds-arrested-for-cheating-breach-of-trust/article17759727.ece
Hari Om
PM MODI--CATCH BIG FISH --IF YOU HAVE THE BALLS
DeleteWE ALL KNOW WHO THEY ARE .
WANNA DEFINE ONE BIG FISH ?
EVER HEARD OF BCCI / ICC PRESIDENT-- WHO HEADS A POLITICAL PARTY ---WHO RUNS A BENAMI SHIPPING COMPANY IN HIS WIFEs NAME--- WHO WAS AGRICULTURE MINISTER FOR MORE THAN A DECADE--WHO WAS THE FIRST ACCUSED BY KARIM TELGI IN HIS NARCO SERUM TEST ?--WHO WAS SLAPPED BY A SARDARJEE ?
CATCHING VERY SMALL FISH-- AND GOING THROUGH THE MOTIONS TO PULL WOOL OVER OUR EYES ?
WE WATCH !
HUM KO CHOOTIYA MATH BANAO !
Captain has dared to say which many wouldn't dare but anyway India can catch hold of him any time but we should not let go queen bee WTE whose most money lies in foreign countries. Any plans to resume Shell Companies post. Any rethinking!!!!
DeleteIn a political scenario everyone one is interlinked.for exampl jagan Mohan reddy father directly funded this above man in Maharashtra elections through his benami like Karnataka mining baron etc which was not appreciated by close aides of Madame though it was done on Madame orders but direct funding dat to more than why is asked for jolted some.And his family frequent vista to Israel also was very suspicious to those.
DeleteHari Om Ajit'ji
ReplyDeleteYOGI has become silently BHOGI
https://inc42.com/buzz/walmart-new-stores-uttarakhand-up/
Hari Om
Walmart has one of the highest level of automation. It will create one job and make 100 jobless. All Chinese manufacturing companies are proxy owned by Walmart. The flood of Chinese goods will destroy Indian industries. BJP's 2014 election manifesto had clearly stated that they will not allowed foreign companies in retail. I hope modiji keep his poll promise. What India requires is a world class supply chain and efficient logistics that can eliminate middle men and ensure good prices for our farmers. Then only Make in India plan become a success
Deletehttps://www.theguardian.com/us-news/2017/apr/01/judge-rejects-trump-defense-claim-incited-violence-protesters
ReplyDeleteDONALD TRUMP
LISTEN UP
MORE THAN 60% OF YOUR JUDGES ARE IN THE PAYROLL OF JEW ROTHSCHILD
PROFILE THEM
WEED THEM OUT
IN INDIA , BEFORE 1947 ALMOST ALL OUR JUDGES WERE IN THE PAYROLL OF JEW ROTHSCHILD
AS OF TODAY THIS NUMBER HAS DRASTICALLY COME DOWN--WE CAN MAKE THIS PERCENTAGE ZERO ONLY OF WE DISCARD THE COLLEGIUM SYSTEM
INDIA IS THE ONLY COUNTRY ON THIS PLANET WERE JUDGES ELECT JUDGES --WHERE JUDGES ASK A TROJAN HORSE NGO TO FILE A PIL AND CREATES LAWS OVERNIGHT
JUDGES ARE NOT ALLOWED BY THE INDIAN CONSTITUTION TO CREATE LAWS
THE JUDGES CAN ONLY RULE A CASE BY "INTERPRETING " THE LAW
WE KNOW THE INDIAN DESH DROHIS IN JEW ROTHSCHILDs PAYROLL WHO SUSTAINS THIS SYSTEM ( MEDIA/ LEGISLATURE/ EXECUTIVE )
ALL IN GOOD TIME
DONALD TRUMP -- DESH DROHI MEANS FOREIGN FUNDED TRAITORS WHO HAVE NO LOVE FOR THE WATAN ( MOTHERLAND )
LIKE IN USA -- OUR MEDIA IS CONTROLLED BY JEW ROTHSCHILD. OUR INDIAN MEDIA BARONS ARE MERE FRONTS .
http://ajitvadakayil.blogspot.in/2016/03/foreign-funded-trojan-horse-ngos-pil.html
capt ajit vadakayil
..
PUT THIS COMMENT IN PM MODIs, LAW MINISTERs, HOME MINISTERs AND ATTORNEY GENERALs WEBSITE
DeleteJUDGES ARE NOT ALLOWED BY THE INDIAN CONSTITUTION TO CREATE LAWS
DeleteThen how do they get away with it. Can we not ignore these laws?
Dear Captain,
DeleteDone...PMOPG/E/2017/0188494
Grace & Peace,
JTA
http://www.cbc.ca/news/world/trump-health-care-freedom-caucus-1.4050847
ReplyDeleteDONALD TRUMP
YOUR FREEDOM CAUCUS OF MORE THAN 3 DOZEN CONGRESSMEN ARE IN THE PAYROLL OF JEW ROTHSCHILD
THEY ARE TRAITORS
NAME AND SHAME THEM.. LET THE PEOPLE DECIDE IF THESE JUDASES CAN EVER ENTER TOWN HALLS AGAIN ..
KEEP YOUR LINE WITH THE PEOPLE CLEAR. MAKE SURE YOUR KOSHER ENEMIES NOTICE IT-- AND THAT YOUR PEOPLE KNOW THE SECOND AMENDMENT..
PAUL RYAN IS AN AGENT
http://indianexpress.com/article/india/after-raids-in-16-states-ed-finds-over-1000-shell-companies-4595827/
ReplyDeleteALL SMALL FISH
MODI GOVT DOES NOT HAVE THE BALLS TO GO AFTER BIG FISH
PATHETIC !
Captain:
DeleteCongrats and keep up the relentless pressure on Modi and his Chamchas crew!!
We need results. We need Modi to go after the Big Fish. By raiding the small fish first, Modi is warning all the Big Fish to take protective measures. That's the way he operates. It's all for show.
Don't let him get away with it!
You have done more work than Modi has done in his piddly raids so far in one day. Don't let him forget that.
Thanks and Praying to Lord Vishnu that may the rightful credit for exposing these Shell Companies come to you.
Slasher
I hardly look at the Executive Branch as the ruler of this country. I feel the Captain is in charge and guiding these 'elected' reps to do the right things. Enough people on this blogsite have seen the direct connection of the Captain raising an issue and then within days or weeks the 'elected' reps are carrying out these tasks.
DeleteCaptain ji
DeleteIt is from maharashtra...you want to say.
Hari Om Ajit'ji
DeleteHe made friendship gesture last year with ex defence minister n said he's senior most respected politician.
That means "Teri Chup aur Meri bhi Chup"
Mean while
He's daughter's coal scam has started boiling
Hari Om
http://www.deccanchronicle.com/nation/politics/020417/ed-conducts-raid-at-shell-companies-related-to-ys-jagan-mohan-reddy.html
ReplyDeleteJAGAN MOHAN REDDY IS SMALL FISH
http://ajitvadakayil.blogspot.in/2012/05/jagan-mohan-reddy-finally-in-jail-for.html
http://www.asianage.com/india/all-india/020417/nationwide-raids-on-shell-firms.html
ReplyDeleteCHAGGAN BHUJBAL WAS NAMED BY KARIM TELGI DURING THE NARCO TEST--SECOND NAME
MONEY WAS NOT MADE BY SELLING STAMP PAPER--THAT IS SECONDARY
PRIMARILY THE FAKE STAMP PAPER WAS USED TO REGISTER BENAMI PROPERTY --THIS IS THE GRAND DADDY OF ALL SCAMS
THORIUM SCAM IS THE MOTHER OF ALL SCAMS-- TAMIL NADU FISHERMEN CONVERTED TO CHRISTIANITY AND USING THEM TO STEAL THORIUM.
http://ajitvadakayil.blogspot.in/2014/12/telgi-stamp-paper-scam-must-be-exhumed.html
READ ALL 8 PARTS OF COMMIE LAND GRAB
http://ajitvadakayil.blogspot.in/2016/08/communist-maoist-naxalite-movements-in.html
Captain ji
DeleteWhat you said you are right. One person behind that everyone knows. That was huge scam and many ministers were involved in that. They change land owner names on there name those land without owner in big cities mainly mumbai and backdated...I know it from my village pople.
..very big scam.
Regards
Rhushikesh
https://twitter.com/i/web/status/847462148032704513
ReplyDeleteWHORES
THE WHOLE WORLDs MEDIA IS CONTROLLED BY JEW ROTHSCHILD
############
IRANIAN JEWESS CHRISTIANE AMANPOUR IS A MEDIA WHORE
https://twitter.com/camanpour/status/773823554030825472
ReplyDeleteThe first time i heard the narasimha mahamantra on youtube for half an hour after that i turned on the tv to check the time and there was a family of lions on the screen.
Hello Sir. The Anti India forces are in full throttle. Now they are trying to split Indian history using Sangam Literature. https://twitter.com/AudreyTruschke/status/848189017678131206
ReplyDeleteRespected Captain,
ReplyDeleteIn your photo, there are six layers of fire glowing behind the dhwaja stambham of the temple.
Are those six layers of fire representing Kama, krodha, lobha, moha, mada and matsarya?
Are these energy levels of a soul?
http://edition.cnn.com/2017/04/01/politics/iraq-syria-coalition-civilian-deaths/index.html
ReplyDeleteWhere is the outrage? Where is the Facebook community with the 'Je suis Syria' DPs. Where is the media coverage? This hypocrisy is the achilles heel of the USA - when Karma rears its head. Indians too have fallen for this trap.
You pointed out how Diwali isn't celebrated in Kerala. I have noticed in West Bengal, the Bengalis celebrate Kali Puja and during Holi, they celebrate Dol usually one day before. What's the reason?
ReplyDeletehttp://timesofindia.indiatimes.com/india/as-booze-shops-along-highways-go-dry-states-stare-at-massive-losses/articleshow/57968425.cms
ReplyDeleteWHY ARE COLLEGIUM JUDGES CREATING LAWS ?
IS THE EXECUTIVE NAPUANK ?
BEER IN MODERATE AMOUNTS IS GOOD FOR HEALTH
http://ajitvadakayil.blogspot.in/2013/03/beer-moderate-drinking-for-good-health.html
Are these laws, legally binding? How can they create laws if they are not authorized to do so??!??! Please explain.
DeleteTypical faulty logic (cause and effect game) that they do to mess up the minds of young Indians. If drinking and driving is the issue then enforcement is the solution. But these arbitrary type rules creates a lot of collateral damage (this is intentional).
Deletehttp://timesofindia.indiatimes.com/india/when-black-soldiers-fought-side-by-side-with-indians/articleshow/57968306.cms
ReplyDeleteNONSENSE ....
SO SHALL WE MAKE A STREET DRUG PUSHING NIGERIAN WHO HAS DELIBERATELY BURNT HIS PASSPORT , WHO WEARS HELMET AND FULL SLEEVES DURING THE DAY -- OUR PRESIDENT
YOUR MEDIA WH0RE C U N T S !
WE ASK THE MODI GOVT…………
PROTECT THE WATAN FROM THESE NIGERIAN DRUG PEDDLERS……..
IF IT WAS USA ALL OF THEM WOULD BE IN JAIL BY NOW……..
IN INDIA , INDIANS ARE BEING PUNISHED FOR RESISTING THESE EVIL NIGERIANS………
MAKE IT COMPULSORY FOR ALL FOREIGN STUDENTS IN INDIA TO RECORD ATTENDANCE IN CLASS ………….
PUT CCTV AT THE COLLEGE ENTRANCE --BECAUSE THEY PAY GOOD MONEY TO TEACHERS/ PEONS TO MARK THEIR ATTENDANCE ……….
ANY AFRICAN WITHOUT PASSPORT IS AN ILLEGAL IMMIGRANT….. MOST NIGERAIN DRUG PEDDLERS HAVE BURNT THEIR OWN PASSPORTS …………………
ARE THERE NO LAWS ?....
WHY IS THE MODI GOVT APPEASING THESE DRUG PUSHERS?....
WHY IS THE COLLEGIUM JUDICIARY, NCW, NCM, NCHR , BENAMI MEDIA ON THE SIDE OF THE FOREIGN MAFIA NIGERIANS RATHER THAN DESH BHAKT INDIAN CITIZENS WHO ARE AT THE RECEIVING END….
WE ASK , WHAT IS MORE HEAVY -- ONE PHYSICAL PUNCH GIVEN TO AN EVIL FOREIGN DRUG MAFIA MAN OR LOSING YOUR DEAR CHILD TO DRUGS ?...........
Go0gle for the blogpost below------
……………………………………………… JEWISH RUSSIAN MAFIA VADAKAYIL …………………………..
Capt ajit vadakayil
..
HULLO PM MODI
DeleteDO YOU HAVE A I&B MINISTER?
DO YOU KEEP VENKAIH NAIDU ONLY FOR EGO MASSAGE ?
WHAT TYPE OF FALSE NEWS IS THIS ?
http://timesofindia.indiatimes.com/india/when-black-soldiers-fought-side-by-side-with-indians/articleshow/57968306.cms
Manimugdha S Sharma-- MEDIA WHORE
DeleteABSOLUTE FALSE NEWS ...... CONVERTING SUNSET TO SUNRISE...
DeleteGANDHI WAS AN AGENT OF JEW ROTHSCHILD..............
go0gle for the blogspost------
..................................MAHATMA GANDHI AND HIS ENDLESS EXPERIMENTS WITH TRUTH VADAKAYIL ..................................
Gandhi recruited 13 lakh ( 1.3 million ) Indian soldiers in the first world war – out of which 111000 ( 1.11 lakh ) Indian soldiers were killed ...............
Gandhi recruited 25 lakh ( 2.5 million ) Indian soldiers in the second World war. Out of this 243000 ( 2.43 lakh) soldiers were killed...................
go0gle for the blogspost-----
....................................... THE INDIAN NAVY MUTINY OF 1946, THE ONLY WAR OF INDIAN INDEPENDENCE VADAKAYIL ..............................
capt ajit vadakayil
..
BREAKING NEWS CAPTAIN!
ReplyDeletehttp://timesofindia.indiatimes.com/city/kolkata/intolerance-has-no-place-in-land-of-buddha-prez/articleshow/57967195.cms
I did not know we were living in the land of Buddha. Can he say that - as a secular President. I could understand the land of Sanatana Dharma. What is going on?
BONG PRANAB MUKHERJEE IS THE WORST PRESIDENT OF INDIA....
DeleteFOR SEVERAL YEARS HE HAS BEEN GIVING INDEPENDENCE DAY SPEECHES WITH A BUDDHA BUST BEHIND HIM..
BUDDHISM WAS DEAD IN INDIA WHEN THE WHITE INVADER CAME
JEW ROTHSCHILD REVIVED BUDDHISM BY COOKING UP FAKE STORIES ABOUT GOOOOOOOOOD BUDDHISM
http://ajitvadakayil.blogspot.in/2014/08/chanakya-taxila-university-professor.html
TODAY NATIONS WHO ADOPTED BUDDHISM ARE SADISTS AND IMMORAL ( PEDOPHILA AND HOMOSEXUALITY ).
http://www.huffingtonpost.in/entry/trump-approval-rating-gallup_us_58de8206e4b0ba3595948e21
ReplyDeleteHEY ARIANE HIFFINGTON
WHY DID YOUR HUSBAND RUN AWAY WITH A MAN ?
BECAUSE YOU ARE SO UGLY AND YOU TELL LIES ALL DAY , RIGHT ?
http://edition.cnn.com/2017/04/01/politics/john-mccain-axe-files/
ReplyDeleteJOHN McCAIN USED JEW ROTHSCHILDs MEDIA TO BECOME A HERO
HE IS A COWARD AND A CUNT
http://ajitvadakayil.blogspot.in/2011/09/deadly-fire-on-aircraft-carrier-uss.html
Namaste ji,
ReplyDeleteA real-life incident happened with me, somebody was sick and went near death situation, there was a sea change in behavior for the last few weeks, humble, polite, forgiving etc.. say as if with very negligible ego, by Gods grace started recovering and was discharged from hospital.
Once gaining health the behavior changed and all those good qualities seen for fast few weeks disappeared.
Why this behavioral change happens when one was near death, why this behavior do not sustain permanently to anybody in all their time span of life.
Really what bring this change only at time when death is nearing?
How does the food and health conditions affect this behavior? I know Sattvic food and ego plays a big role in this ,but the same food eaten when in good health is conditioning the behavior differently in sick and when healthy. So what really runs the show behind this behavior?
Thank you, Ji, please answer.
With Great Gratitude
Kannan
http://ajitvadakayil.blogspot.in/2010/05/ego-fountainhead-of-unhappiness-capt.html
DeleteDear Sir,
DeleteI tried to open the page, but it says it does not exist.
Is Google Inc. paranoid with your updates...If So keep it up!
Best Wishes.
http://timesofindia.indiatimes.com/city/kolkata/intolerance-has-no-place-in-land-of-buddha-prez/articleshow/57967195.cms
ReplyDeleteCHAITANYA WAS JEW ROTHSCHILDs FAKE AND BACKDATED CREATION....THIS WAS TO RUN DOWN ADI SHANKARACHARYAs ADVAITA VEDANTA ....
JEW ROTHSCHILD CREATED THE FAKE MADHAVACHARYA TO CREATE THE FAKE UDIPI KRISHNA MUTT. ORIGINALLY IT WAS A AYYAPPA TEMPLE....
http://timesofindia.indiatimes.com/world/us/gay-activist-who-created-the-rainbow-flag-dies-at-65/articleshow/57968865.cms
ReplyDeleteGOOD RIDDANCE !
THIS MAN DID NOT CREATE THE RAINBOW FLAG.. IT WAS CREATED BY MEHER BABA..
SOME ONE ASKED ME WHY HOMOSEXUALS AND CRIMINAL HUMANS OCCUPY THE FIRST LAYER.
THE REASON IS THEY HAVE NEVER RISEN BEYOND THE MOOLADHARA CHAKRA.
THE 7 ASTRAL LAYERS HAVE THE SAME COLOURS OF THE HUMAN CHAKRAS -- THE SEVEN RAINBOW COLOURS-- 7TH LAYER BEING VIOLET AND THE FIRST LAYER BEING RED.
THE GAY FLAG WAS CREATED BY ROTHSCHILDs STOOGE , A GURU HE CREATED NAMED MEHER BABA. NOBODY HAS EVER WRITTEN WHAT HE DID WITH "MASTS" -- YOUNG BOYS HE KEPT AROUND HIM . .
EVEN TODAY, IF YOU GO TO MEHERABAD ( 9 KM SOUTH OF AMMEDNAGAR ) , AT HIS SAMADHI YOU WILL FIND THE RAINBOW FLAG . MEHER BABA , A PARSI FROM PUNE DESIGNED THIS FLAG IN 1925.
GAYS FLY THE FLAG WITH RED ON TOP--TO SHOW THEY THEY ARE THE SALT- NAY --BOUNTY OF THE PLANET.
INSTEAD OF EVOLUTION OF SOUL FROM FIRST TO SEVENTH LAYER -- MOKSHA
THE HOMOSEXUAL FLAG REPRESENTS INVOLUTION ( SHRINKAGE ) TO BOTTOM MOOLADHARA CHAKRA. THEY FLY THIS FLAG , RED ON TOP.
JEW ROTHSCHILDs PLAN FOR NWO
WAR IS PEACE
UGLY IS BEAUTIFUL
SHIT IS GOLD
EVOLUTION IS INVOLUTION
THE NEED TO PUT THE PRICK IN THE ASSHOLE IS A WRETCHED URGE TO PENETRATE THE MOOLADHARA CHAKRA- THE BASEST OF HUMAN ENDEAVOUR --
MOKSHA IN REVERSE
AAARRRRRGGGHHH PPTTHHEEOOOYYYYYYYYYYYYYYYYYYY
capt ajit vadakayil
..
http://ajitvadakayil.blogspot.in/2016/05/sanatana-dharma-hinduism-exhumed-and_31.html
DeleteCaptain ji
DeleteI am from Ahmednagar. In our district local people don't know well who is meherbani. And from rural area nobody go there except Ahmednagar city people and some foreigners. Until now I didn't know this gye I read regarding him after your post.
Regards
Rhushikesh
Ji,
ReplyDeleteWhat a revelations - bha for bhaava (emotion) , ra for raaga ( melody) , and ta for taala.
To my level of understanding - with true happiness in state of mind, you always tend to sing and dance with harmony and float and God has really named only our country as Bharat which shows that in ancient times people were always in happiness harmony ever.
With Great Regards
Kannan
RSS had no role in freedom movement: Ramya
ReplyDeletehttp://timesofindia.indiatimes.com/entertainment/kannada/movies/news/RSS-had-no-role-in-freedom-movement-Ramya/articleshow/53961740.cms
Former Congress MP Ramya, who faced flak recently for her statement about Pakistan, hit back at the BJP and the RSS, saying the latter did not have any role in the Indian freedom struggle and, in fact, may have been on the side of the British.
RSS may or may not have any role in the freedom movement against Brits. But definitely they had a clear role in the freedom struggle for the ouster of proxy Italian rule. Neither the British nor the Italians never wanted to abdicate their crown jewel in the East. The 1946 Navy Mutiny was a compelling reason for the Brits to think of quiting India. After WW2, the IMF and WB took the role of Colonialism and world dictactorship
Deleteeven congress has no role in freedom movement they sat and watched bengal famine and nation being splintered into pieces....
Deletecongress was established by white man nd server for the purpose of it....
Namastey captain
ReplyDeleteToday ,top twitter trending
#removeunfairPOCSOlaw
We people are demanding, lets see when will gov take this?
UNDER-
DeleteThe Protection of Children from Sexual Offenses Act
99.5 % HOMOSEXUALS WILL BE CRIMINALS --AS THEY ARE PEDOPHILES
MODI IS PROTECTING HOMOSEXUALS
ANY WOMAN CAN CHARGE A MAN WITH RAPE AND MOLESTATION
http://ajitvadakayil.blogspot.in/2013/03/holi-celebrations-immoral-attack-on.html
NCW PROTECTS LESBIANS --WHY ?
Hello Captain Saheb
ReplyDeleteYou have talked a lot about various temples around the globe.The best one being the Mecca Shiva temple.
Can you plz clarify what is the Brahma Tattva installed in d navel point of Shri Jagannath, Shri Balabhadra, Mata Subhadra and Bhagwan Shri Sudarshan.
What is "navakalevara" ???
Brahma Tattava cudnt be destroyed by Muslim Afghan invader "the iconoclast" Kalapahad.
He destroyed lot many temples of Odisha the best known testimony is the Konark Sun temple.
God knows wht is the significance of this State "Odisha"...
Hi Captain
ReplyDeleteNandan Nilekani spells out.. He says ""OUR COLONIZED GUYS DONT UNDERSTAND THIS"
Read the last line of the article -
http://timesofindia.indiatimes.com/home/sunday-times/all-that-matters/show-me-even-one-example-of-data-theft-aadhaar-is-very-very-secure/articleshow/57966495.cms
http://timesofindia.indiatimes.com/city/kochi/my-name-is-kerala-and-i-am-from-the-us/articleshow/57969514.cms
ReplyDeleteEVERY VESTIGE OF ANCIENT INDIAN KNOWLEDGE ( AND THUS WORLD KNOWLEDGE ) IS FROM KERALA
THIS PLANETS OLDEST CIVILIZED LAND, THIS PLANETS MOST BEAUTIFUL LAND , THIS PLANETS MOST FERTILE LAND
NOW BEING FUCKED BY COMMUNISTS
http://timesofindia.indiatimes.com/city/thiruvananthapuram/400-crpf-jawans-taken-ill-after-consuming-fish-curry/articleshow/57971083.cms
ReplyDeleteIN KERALA CHRISTIAN / MUSLIM FISHERMEN USE FORMALIN FOR PRESERVATION....
IF CAUGHT THE PUNISHMENT MUST BE DEATH BY HANGING
STOP EATING SHELL FISH ( MOLLUSCA ) TILL MONSOON STARTS --THE CLAMS/ OYSTERS RETAIN TOXINS IN THEIR GILLS (RED TIDE ALGAE )
http://ajitvadakayil.blogspot.in/2012/08/formalin-as-fish-preservative-and.html
PUT THIS IN PMs , RAJNATH SINGHs AND HEALTH MINISTERS WEBSITES--ASK FOR AN ACK
capt ajit vadakayil
..
You have revealed the original name of my Matri Bhumi - BHA RA TA. Now please tell me what does the word BRAHMAN means ?
ReplyDeleteComplete picturing of Vimanas by rishi Bhardhwaja http://www.burlingtonnews.net/files/viminas.pdf
ReplyDeleteP&G Vicks pushing for Transgender Rights through subtle television ads
ReplyDeletehttps://www.youtube.com/watch?v=5q4PkSth0FQ
http://www.hindustantimes.com/more-lifestyle/vicks-makes-a-strong-case-for-transgender-rights-with-heartwarming-new-ad-watch/story-3ZSl1YsBpryR37daqYfxmK.html
lets Stop buying all these kosher foreign products , this is how they use our money against us
Saw that add, seems disgusting, Kosher smell all over it. Seems like that Surf excel add 'Share the load' which ask men to be Tattu.
DeleteCaptain Saab,
ReplyDeleteAn off topic info on GSTN which is being rolled out, since I thought this should not be ignored - https://www.pgurus.com/gstn-extra-constitutional-network/
1. Government - both central and states hold 49% overall, whereas FII owned ICICI, HDFC, LIC Housing Corporation, NSE Strategic Investment Corporation owns majority 51%
2. GSTN SPV would have a self- sustaining revenue model, where it would levy user charges on the tax payers and the tax authorities for availing services.
3. GSTN refusing the CAG audit and opposing Home Ministry security clearance and stalled the service tax department’s investigation.
4. GSTN IT backend is similar to CBEC back end program “Saksham” costing around 200 crores whereas the GSTN program was costing around 1500 crores. “Saksham” was developed by “IRS” with much deeper data analytics.
Subramaniam Swamy is fighting of majority ownership by Government in courts. GSTN as it stands is definitely a sellout by BJP under Modi/AJ to FII owned private sector.
Rgds,
C Prabhu
http://www.cbc.ca/news/world/texas-gun-lgbt-firearms-trump-1.4046334
ReplyDeleteBALLS
ROTHSCHILDs AGENT VAN JONES IS CREATING " HIJRON KA FAUJ ", AND "HOMOSEXUALS ARMY "
http://timesofindia.indiatimes.com/india/krishna-was-legendary-eve-teaser-prashant-bhushan-in-reference-to-anti-romeo-squads-in-up/articleshow/57973615.cms
ReplyDeleteCHECK OUT THE RABID ANTI-HINDU PRASHANT BHUSHAN.....CALLING LORD KRISHNA A LEGENDARY EVE TEASING STREET ROMEO......
KRISHNAs MISTRESS RADHA WAS CREATED BY JEW ROTHSCHILD... AND HE USED HIS FAKE DASAS ( BHAKTI MOVEMENT ) TO PROPAGATE THIS LIE.....
BEFORE THE WHITE INVADER CAME TO INDIA WE NEVER HEARD OF RADHA OR ANY DASA (KALIDASA/ KABIRDASA / SURDASA/ TULSIDASA / RAMDASA/ RAVIDASA / CHANDIDASA etc ).....
RADHA WAS POISON INJECTED INTO OUR PURANAS TO MAKE THE HINDU SELF LOATHING ..
THE 16000 GOPIKA LOVERS OF KRISHNA AT BRINDAVAN WERE INJECTED INTO OUR PURANAS -- WE NEVER HEARD OF THEM TILL THE WHITE INVADER CAME TO INDIA.....
SAHASRARA CHAKRA is a 1000 petalled lotus -- each with 16 kalas or aspects --this works out to 16000 ...........
this is NOT some girl who has sex with Lord Krishna --taking turns.........
Narakasura kidnapped 16000 damsels --and Lord Krishna saved these damsels in distress........
this is just an allegory........
like Banasura the son of King mahabali - killed by Krishna 60 centuries ago ---though his great grandfather hiranyakashipu was killed 330 centuries ago by narasimha avatar . ....it refers to a cosmic allegory.........
banasura wanted to fight shiva and shiva told him, he will have to wait till krishna is born --thousands of years later -.....-and he was sulking till then.......
this banasura was an allegory for BINARY STAR-- described in Section 10.59.33-45 of the Bhagavata Purana...
ALL DASAS OF BHAKTI MOVEMENT ARE FAKE BACK DATED CREATIONS OF THE WHITE INVADER - , TO DIVIDE AND RULE , MAKE THE HINDUS SELF LOATHING, AND DRIVE FISSURES INTO HINDUSIM ....
kabirDAS of immaculate conception , who floated on a lotus leaf ( like krishna ) down ganges river to be found by a Muslim weaver couple did NOT exist . …
kaliDAS who wrote about the FAKE mistress of lord krishna RADHA did not exist.. .
so did surDAS who extolled the virtues of the FAKE radha .....
tulsiDAS who wrote about lord rama abandoning his pregnant wife sita who then delivered twins luv/ kush did not exist ….
raviDAS and chandiDAS who again extolled the virtues of the FAKE mistress of krishna radha did NOT exist .....
JAYADEVA WHO INVENTED RADHA NEVER EXISTED. ....HE WAS A FAKE AND BACKDATED CREATION OF JEW ROTHSCHILD....
Like how Jayadeva found Radha Madhava idols in a river, same way the FAKE madhavacharya of Udipi found a idol of Krishna in the sea.
The Mahabharata or ancient Puranas mention Krishna , but NEVER EVER a woman named Radha….
During British Rule all Krishna temples idols were removed to insert FAKE Radha as a jodi using FAKE mutts created by Jew Rothschild....
The Sikh holy boob GURU GRANTH SAHIB is packed with fake dasa verses by Jew Rothschild ….
The FAKE Geeta-Govinda was full of immoral sex and erotica to describe the ILLICIT love between "Radha" and a married Krishna.....
Capt ajit vadakayil
..
PUT THIS COMMENT IN THE WEBSITE OF EVERY HINDU STALWART.......
DeletePUT IN PM MODIs, RAJNATH SINGHs , EDUCATION MINISTERs, LAW MINISTERs WEBSITES.............ASK FOR AN ACK
USE EVERY METHOD--EMAIL/ TWITTER/ FACEBOOK/ WHATSUP ..
I WANT MY READERS TO END THIS RADHA BULLSHIT ONCE AND FOR ALL.
DeleteSPREAD LIKE WILD FIRE
I WILL WATCH !
MY COMMENT ABOVE HAS BEEN SPAMMED BY TOI
DeleteCaptain
DeleteWe are propagating above treatise through whats up group and good spokesman of bjp so that they can debate on tv with logical.
WHY HAS ANTI-HINDU ANTI-WATAN NEWSPAPER TIMES OF INDIA SPAMMED MY COMMENT ?
DeleteI ASK MY READERS TO SPREAD MY COMMENT
Captain,
DeleteI have seen one concept, almost every person name ends with dad like (KALIDASA/ KABIRDASA / SURDASA/ TULSIDASA / RAMDASA/ RAVIDASA / CHANDIDASA etc )..... were born in 15th century
Vrindavan oldest temple is banke Bihari temple which was built by Swami HARIDAS who was also guru of tansen
This is the biography of him : Swami Haridas was born to Shri Ashudhir and his wife Srimati Gangadevi on the day of Radha Ashtami i.e. eighth day of second (bright) fortnight of Bhadrapad month of the year 1535 Vikrami(1478 A.D.). He was born in a small village, now known as Haridaspur,
Captain, British army entered India in 16th century....
15th century was Mughal rules in India...Which were very powerful
So how this bhakti movement started if mughals were powerful and British empire entered after 16th century
Why this fake das gurus were immoral when during those days indians were innocent and peace lovers
Why invaders were after Krishna as a eve teaser than any other god
Krishna was prayed by foreigners but why he also got attacked by those white people
Captain, why North East India didn't have huge or old temples or holy places like we have in south india
DeleteNorth East India were not attacked by Muslim invaders so why we didn't have it
This article is doing rounds on the web. Utterly shameful!
ReplyDeletehttps://thewire.in/12170/what-mahatma-gandhi-said-to-those-who-wanted-beef-banned-in-india/
Namastey captain
ReplyDeleteI want to ask futuristic question.
If one of your follower of this blog becomes prime minister of india ,then if he will make u request a guru as chankya in pmo office (as chankya made chandragupt great emperor )
Will u accept it? Or will u continue as today giving advices?
YOU PUT ALL INDIAs PRIME MINISTERs SINCE INDEPENDENCE --THEIR ENTIRE INTELLECT/ KNOWLEDGE / PERCEPTION IN A BASKET AND BLEND IT
DeleteCAPT AJIT VADAKAYIL SAYS THIS IS JUST 1% OF WHAT HE HAS
HUMILITY IS NOT ABOUT UNDERESTIMATING MYSELF
BY RIGHT NOW
I AM ON A MISSION
TO HEAL THE OPEN GAPING WOUNDS OF BHARATMATAs BODY
I WILL NOT STOP TILL I COMPLETE THE JOB
TODAY PRASHANT BHUSHAN DENIGRATED HINDU GOD KRISHNA AS A ROAD ROMEO
WHAT HAS RSS PACKED WITH CHITPAVAN JEWS IN TOP STRATA DONE --OTHER THAN MAKING HINDUS / MUSLIMS FIGHT AND PROPAGATING HOMOSEXUALITY ( EUPHEMISM IS BRAHMACHARYA VIA ASSHOLE )
We support you captain! I'm making a compendium of the mistakes in the mainstream history and of all the times they have contradicted themselves (since no matter what, lies will leave clues for they are not truth). I'll post it somewhere when it is all done and expose the lies of Jew Rothschild, their commie supporters and benami media!
Deletehttp://timesofindia.indiatimes.com/india/kenyan-woman-who-faked-assault-by-locals-to-quietly-leave-india/articleshow/57972211.cms
ReplyDelete############### SUBJECT--- DRUGS AND NIGERIAN STREET PEDDLERS ############
WE ASK THE MODI GOVT…………
PROTECT THE WATAN FROM THESE NIGERIAN DRUG PEDDLERS……..
IF IT WAS USA ALL OF THEM WOULD BE IN JAIL BY NOW……..
IN INDIA , INDIANS ARE BEING PUNISHED FOR RESISTING THESE EVIL NIGERIANS………
MAKE IT COMPULSORY FOR ALL FOREIGN STUDENTS IN INDIA TO RECORD ATTENDANCE IN CLASS ………….
PUT CCTV AT THE COLLEGE ENTRANCE --BECAUSE THEY PAY GOOD MONEY TO TEACHERS/ PEONS TO MARK THEIR ATTENDANCE ……….
ANY AFRICAN WITHOUT PASSPORT IS AN ILLEGAL IMMIGRANT….. MOST NIGERAIN DRUG PEDDLERS HAVE BURNT THEIR OWN PASSPORTS …………………
ARE THERE NO LAWS ?....
WHY IS THE MODI GOVT APPEASING THESE DRUG PUSHERS?....
WHY IS THE COLLEGIUM JUDICIARY, NCW, NCM, NCHR , BENAMI MEDIA ON THE SIDE OF THE FOREIGN MAFIA NIGERIANS RATHER THAN DESH BHAKT INDIAN CITIZENS WHO ARE AT THE RECEIVING END….
WE ASK , WHAT IS MORE HEAVY -- ONE PHYSICAL PUNCH GIVEN TO AN EVIL FOREIGN DRUG MAFIA MAN OR LOSING YOUR DEAR CHILD TO DRUGS ?...........
Go0gle for the blogpost below------
……………………………………………… JEWISH RUSSIAN MAFIA VADAKAYIL …………………………..
Capt ajit vadakayil
..
Give me your vote, I will give you good-quality beef, promises BJP's Kerala candidate
ReplyDeleteWTFFF
THanks to deshdrohi idiots like those, we know that even BJP is overrun by traitors. We should keep the pressure on them lest they will sell Bharatmata for a noble prize. Disgusting!
DeleteTHE INDIAN TV WHO GOES TO TOWN FOR EVERY SMALL SHIT
ReplyDeleteWHY ARE THEY NOT SHOWING PRASHANT BHUSHAN DENIGRATING KRISHNA
OUR MEDIA IS ANTI-HINDU AND ANTI-WATAN
ALL THE MAJOR BENAMI MEDIA BARONS OPERATE SHELL COMPANIES.
MODI GOVT MUST SEND THEM TO JAIL
PUT THIS COMMENT IN PM MODIs , LAW MINISTERs AND RAJNATH SIGHs WEBSITE--ASK FOR AN ACK
capt ajit vadakayil
..
Exactly what I was thinking. Why media doesn't report this.. Also note that when it is about anti Islamic stuff media will cry Muslims are offended. But when it comes to reporting anti hindu activities they will say people belonging to 'vishesh samudai' are offended.
Deletehttp://www.huffingtonpost.in/2016/09/20/new-delhi-will-have-to-stop-pretending-there-is-no-kashmir-dispu/
ReplyDeleteWHY IS THIS DESH DROHI NEWSPAPER RUNNING IN INDIA ?
Namastey captain
ReplyDeletehttp://www.dnaindia.com/sport/live-commentary-and-scoreindia-open-final-pv-sindhu-wins-first-game-against-carolina-marin-2378774
Pv sindhu smashed her in two part.
Gazab ..
http://www.independent.co.uk/news/world/americas/us-politics/donald-trump-golf-course-virginia-rand-paul-a7663231.html
ReplyDeleteDONALD TRUMP
MAKE YOUR DETRACTORS JEALOUS
LET THEM STEW IN THEIR OWN TOXIC JUICE
THIS IS THE BEST WAY OF TAKING REVENGE
CAPT AJIT VADAKAYIL PLAYS BEST TO A STADIUM CHOCK A BLOCK WITH HOSTILE AUDIENCE
I LOVE TO PICK A NOSE AND BLOODY IT WITH A SIXER --ON MY TIME TABLE AND TERMS
PEOPLE WHO KNOW ME WILL VOUCH
AYE !
http://timesofindia.indiatimes.com/india/one-policeman-killed-11-others-injured-in-grenade-attack-in-srinagar/articleshow/57976627.cms
ReplyDeleteCHANGE THE ARMY LEADERSHIP IN KASHMIR
WE ARE TOO SOFT
BOYS THROW STONES AND THEN SUDDENLY LOB A GRENADE
USE PELLET GUNS AND DRONES
https://www.youtube.com/watch?v=VCatYnhgFko
ReplyDeleteCHECK OUT THIS FAKE ROGUE GURU
NO WONDER FREEMASONS AND UN CALL HIM FOR THEIR SEMINARS
BALLS TO AGAMA SHASTRA
...and I thought I was the only one who got messed up by my scientific understanding of Western things and non-technical understanding of our own knowledge repository.
DeleteI don't know if Arianna Huffington's Yaggi - Yaggi Vasudev is open to feedback, but he should seriously cut down on media exposure. Do I see him playing to the gallery? I hope not.
Ajit Sir,
ReplyDeleteI am reading your blog for two years now . I am in US. My wife is 27 weeks pregnant, during 5-6 weeks earlier she had Progesterone deficiency for which doctor prescribed Progesterone supplement and after reading your blog we took Taro root or Ghuinya or CHEMBU and after 12 weeks that problem gone.
However in last two weeks i.e. 25 weeks onwards my wife has itchiness all over her body and doctor is suspecting Intrahepatic Cholestasis of pregnancy (ICP) , as per doctor
baby must be delivered in 37 weeks (instead of 39 weeks or more naturally ) as the baby could be at risk.
As per some internet sites "Every year, one in every 140 pregnant women develop ICP - a build-up of bile in the body due to decreased liver function – and the key symptoms to look out for are extreme itching, which is typically worse in your hands and feet."
We are trying to eat organic vegetables and fruits as much as possible. Do you have any words for us on this.
Thanks
Currently the most sensitive test available to detect Intrahepatic
DeleteCholestasis of Pregnancy is the serum bile acid test, a blood test to measure the level of bile acids.
It is referred to as total bile acids, bile salts, or bile acid salts. Bile acids over 10 µmol/L indicate ICP.
Cholestasis of pregnancy, is thought by doctors to cause severe itching, especially on the hands and feet. It usually occurs during the last trimester of pregnancy.
Cholestasis happens when the liver cannot excrete bile properly. Bile is a fluid that helps the body process fat.
Intrahepatic cholestasis happens when there is a problem with eliminating bile salts from the liver. This is the kind of cholestasis that happens during pregnancy.
Bile acids are NOT thought to be the cause of itching in Intrahepatic Cholestasis of Pregnancy. Bile acid levels do not correlate well with the intensity of itching .
Lysophosphatidic acid (LPA) and sulfated progesterone metabolites, raise the blood of women with ICP and may be implicated as links in the cause of the itching.
drink GOOD water.
FOLLOW DOCTORs ADVISE
capt ajit vaadkayil
..
Thanks Captain for your valuable inputs, She is taking evian water for last 5-6 weeks ()i.e. around 20 weeks of pregnancy)
Delete,What we observed is whenever she doesn't have proper food (lunch or dinner or both, like yesterday she had severe itching in the middle of night for 2-3 hours and she didn't have good lunch and she skipped dinner altogether yesterday as she wasn't feeling hungry at all) or whenever her tummy is not clean in the morning ritual this problem increases.
Doctor has done Bile Acid test and test result awaited. As per doctor baby has to be delivered early if test outcome is positive.
Thanks
YA
Captain Sir , Today report came for ICP blood work and number is little higher 200. We are following doctor's advice and medication started from today,
DeleteThanks
http://www.news18.com/news/politics/muslim-leader-files-complaint-against-bhushan-for-hurting-hindu-sentiments-1367330.html
ReplyDeleteCONGRESS AND MUSLIMS ARE OUTRAGED AT THE INSULT TO KRISHNA BY PRASHANT BHUSHAN
RSS REVELS IN MAKING HINDUS AND MUSLIMS FIGHT --
AND OF COURSE THEY ARE NOT THE PROTECTORS OF HINDUS OR THE WATAN -- THEY PROTECT THE RIGHTS OF HOMOSEXUAL ASSHOLES TO RECEIVE A PRICK
RSS HAVE BEEN INFILTRATED BY CHITAPAVAN JEWS--WE KNOW WHO THEY ARE
Dear Capt Ajit Sir,
ReplyDeleteCan you pls throw some light on this Piri Reis map about an ancient prehistoric civilization ??? ...http://www.thevintagenews.com/2016/08/11/stone-age-cave-art-germany-thought-oldest-country-researchers-disprove-theory/
Hari Om Rn Murty
DeleteHere's the link
http://ajitvadakayil.blogspot.com/2012/07/maya-inca-aztec-civilizations-decoded.html?showComment=1382155324244&m=1#c4042102148756960147
Hari Om
http://indianexpress.com/article/india/us-govt-report-pans-india-over-human-rights-violations-4596611/
ReplyDeleteIN USA THERE IS A LEGITIMATE ELECTED GOVT LED BY DONALD TRUMP
THERE IS ANOTHER ILLEGITIMATE SHADOW GOVT RUN BY JEW ROTHSCHILDs JEWISH / COMMIE AGENTS..
THIS SHADOW GOVT HAS RUN USA EVER SINCE GERMAN JEW ROTHSCHILDs GERMAN JEW AGENT ADAM WEISHAUPT MURDERED GEORGE WASHINGTON AND TOOK HIS PLACE ....
WE DO NOT CARE FOR THIS SHADOW GOVT ..
WE ASK DONALD TRUMP TO PROFILE THE JUDAS TRAITORS WHO WORK FOR JEW ROTHSCHILD RATHER THAN UNCLE SAM..
http://ajitvadakayil.blogspot.in/2012/10/every-breath-you-take-ill-be-watching.html
PUT THIS COMMENT IN PM MODIs, AND SUSHMA SWARAJs WEBSITES ..
During the early 2000s US-Israel pharma gaint Teva Pharmaceutical Industries Ltd marketed Copaxone® (a 20 milligram daily injection) for the treatment of multiple sclerosis, a disease in which the insulating covers of nerve cells in the brain and spinal cord are damaged. The active ingredient of Copaxone® is glatiramer acetate known as copolymer-1.
ReplyDeleteTo know much much money Copaxone makes, we should look at the sales figure and price of this drug. Annual sales of Copaxone® are approximately US$4.3 billon worldwide and account for more than half of Teva’s profit. Copaxone® is very expensive with many patients paying over US$40,000 (Rs. 26,00,000) per year for the drug. The product is protected by nearly 10 patents issued between 1998 and 2013.
2. In 2003, Natco Pharma Limited (Natco) began research to develop a generic version of Copaxone® in order to make a cost effective version of the drug available to patients in India. As a result of its efforts, Natco developed a novel process for producing copolymer-1 and filed patent applications covering its process. Presently, Natco’s copolymer-1 product is sold in India under the mark “GLATIMER”.
Captain, Jews make money by expensive drugs and patents
Indian companies make generic medicines
Captain,
ReplyDeleteToday one boy and a girl were standing on the street just near my office, they were raising money for cancer patients
They were from a NGO which was operated by one American NGO
They looks from some good house and educated
I ask them why America is interested in indian people....
They didn't have any answer
They were getting 30% commission of the total amount they collect from people
" Jain Muni Tarun Sagar in Aap Ki Adalat With Rajat Sharma "
ReplyDeletehttps://www.youtube.com/watch?v=bkprKc7oVGI
During 90s when I was studying in 2nd standard our school used to give golden colour vitamin A capsules to every child in the class
ReplyDeleteWhen my dad did enquiry, it was made with fish oil
So he scolded the school, how they gave it to the vegetarian children without permission from parents
When u enter a place inhabited by Muslims....It is easily recognised
ReplyDeleteThey live in the conjested way
They capture the footpath and road by their shop illegally
They park their vehicle carelessly anywhere
Everywhere dirt is spread
Goats roam or tied outside every home
Meat shops and children playing on the streets
I don't know why they don't live in a manners or civilized way
55 YEARS AGO WHEN I VISITED BY MUSLIM FRIEND TO PLAY ( RICH FAMILY ) I SAW HIS GRANMOTHER STANDING OUTSIDE THE DOOR AND SPITTING INSIDE THE HOUSE
DeleteTIME HAVE CHANGED
KERALA MUSLIMS ARE NOW EDUCATED AND CLEAN .. THEY LIVE IN HARMONY WITH HINDUS .
One reason maybe is they do everything opposite to that of Hindhu culture , can't blame them, it's the arab culture they imported upon themselves
DeleteSA, Please be careful of the stereotypes. Outside of goats and meat shops, you have described the marwari community of Kolkata. You can add red spit stained roads and sidewalks for the marwaris.
Deletehttp://timesofindia.indiatimes.com/india/man-behind-liquor-ban-sulks-as-chandigarh-bars-and-pubs-go-dry/articleshow/57980474.cms
ReplyDeleteWHY ARE COLLEGIUM JUDGES CREATING LAWS ?
I DRINK BEER DAILY
I DONT BEAT MY WIFE--NOR DO I HAVE ILL HEALTH
http://ajitvadakayil.blogspot.in/2013/03/beer-moderate-drinking-for-good-health.html
http://timesofindia.indiatimes.com/nri/us-canada-news/russia-was-certainly-involved-in-us-presidential-polls-haley/articleshow/57978525.cms
ReplyDeleteDONALD TRUMP
INDIA DOES NOT CARE FOR THIS HALEY BITCH
Captain, this is a great post. Truly impressed that you know about classical dance as well. I have not been kathakali fan, but after reading this I want to watch narasimham story in kathakali at next opportunity. I have wondered why kathakali uses such elaborate costumes and makeup, you are the first one to explain that.
ReplyDeleteOn a different topic, I googled on fake Sita Maathi (seetha samadhi sthal) in UP. Since you said uttara ramayana is fake, I had a hunch sita samadhi is also fake. Guess who found the location of sita samadhi ? None other than our fake tulsidas! Apparently the Sita samadhi temple is built only in 1992 on the advise of one swami jitendranand thirth who identified the spot as described by tulsidas. On his advice , the temple was built by an indistrialst from the company Punj Lloyd who is into defence equipment. This temple has statues of Luv, Kush and the horse of Ashvamedham :). They celebrate Janaki navami, luv Kush jayanti etc.
Captain,
ReplyDeletehttp://timesofindia.indiatimes.com/india/dalai-lama-and-tibet-indias-leverage-against-china/articleshow/57981126.cms
Dalai Lama India's leverage? i don't agree. i think he is a millstone in India's neck.
TOI is propagandizing up Dalai Lama as India's weapon against China. nothing could be far from truth. we know TOI reads your blogs, and now i think they are paying special attention to what is said about Dalai Lama in the blog. They know that your readers have realized why Dalai Lama has been kept in India fo so long. so they are trying to show how valuable Lama is. Perhaps Dalai Lamas's cause is a right one;
perhaps Tibetans need freedom; but is no India's sole responsibility.
we do not want any levers against China or millstones in our neck. we wand good peaceful neighbors and trade & commerce.
Above all, i mean ABOVE ALL, if it comes from Times of India or BBC, the exact opposite is true.
as such captain it is nice of you to drink beer daily. i wish i could. i am a little scared so i will keep it rare. may i ask what brand you drink? i know you rated Tsingtao very high. in the USA here i rate Stella Arteos and Killian's Irish red. especially the latter if it is draught, by lord i could drown in a vat and go happy.
I ASK MODI
DeleteDO NOT JUMP TO THE TUNE OF JEW ROTHSCHILDs AGENT DALAI LAMA
I WONT TELL THIS TO YOU AGAIN
THERE WILL BE SEVERE RETRIBUTION FROM THIS BLOGSITE ..
DALAI LAMA WEARS A 60,000 DOLLAR GOLD ROLEX WATCH, HE PUSHES HOMOSEXUALITY
BUDDHISM WAS DEAD IN INDIA, TILL IT WAS REVIVED BY JEW ROTHSCHILD USING BR AMBEDKAR
http://ajitvadakayil.blogspot.in/2014/08/chanakya-taxila-university-professor.html
http://ajitvadakayil.blogspot.in/2015/10/the-only-dalit-freemason-of-india-capt.html
HERE IS FROM WIKIPEDIA--
QUOTE In the fall of 2011, Kalu Yangsi gave a talk at the University of British Columbia in Vancouver.[6] At the end of the talk, a student in the audience asked for his perspective on the sexual abuse and sexualisation of children in the west. Kalu disclosed he was abused, paused then broke down, revealing for the first time that he had been sexually abused at the age of 12 by older monks[7] from the monastery he attended. Shortly after that he posted a video on YouTube[8] so that the story would not become unsubstantiated gossip.UNQUOTE
99.5 % HOMOSEXUALS ARE PEDOPHILES.
https://www.youtube.com/watch?v=z5Ka3bEN1rs
BRAHMACHARYA WAS CREATED BY JEW ROTHSCHILD
capt ajit vadakayil
..
To be honest I am not sure of what Buddha contributed to religion other than leaving out the 'r' in certain words. I am not joking. What were his new thoughts?
DeleteCaptain Sir, Who exactly are these Jains? Behind most large financial scandals it always seems to end up at a Jain. The do hypocrisy when the shield their mouth (which I feel is a misdirection), meanwhile they are exporting beef, enjoying leather furniture. Is Modi a Jain or Jew or are they both the same thing? Jains must be jews or else antwerp diamond industry wouldn't have gone to them.
ReplyDeleteAMIT SHAH WHO TRIED TO CONVERT ONAM INTO VAMANA DIVAS AND GOT SCALDED BY THE PEOPLE OF KERALA ( HINDUS/ MUSLIMS/ CHRISTIANS ) IS A JAIN
DeleteGANDHI WAS A KATHIWARI JAIN JEW .
VERY OLD INDIANS IN SOUTH AFRICA , WHO STAYED WITH GANDHI IN TOLSTOY FARM AS CHILDREN --HAD TOLD ME IN 1977 THAT GANDHI NEVER PRAYED TO ANY HINDU GOD IN PRIVATE.
BUT GANDHI USED TO GO OVERBOARD WITH HIM "RAGHUPATI RAAGHAVA RAJA RAM " STUFF IN PUBLIC.
I WAS A GREAT SUPPORTER OF GANDHI--TILL I GOT MORE INFORMATION ABOUT HIM IN 1993 WHEN SHIP SHIP USED TO GO REGULARLY TO SOUTH AFRICA ( capetown/ durban / richards bay ) ON LINER CONTAINER SHIP.
The ship used to do South Africa- Mauritius - Singapore- Hongkong- Taiwan- Japan
AFTER THIS EXTRA INFROMATION FROM SOUTH AFRICA ( FROM A GUJARATI DESCENDENT OF TOLSTOY FARM CLOSE TO KASTURBA ) I DONT LIKE GANDHI.
NOBODY KNOWS HOW GANDHI USED TO BEAT UP HIS SIMPLE AND LOYAL WIFE AND TREAT HIS OWN CHILDREN -- HE MADE KASTURBA DO DEMEANING THINGS .
http://ajitvadakayil.blogspot.in/2017/01/mahatma-gandhi-and-his-endless.html
THERE WAS A TIME, I USED TO BEAT UP PEOPLE WHO SAID A BAD WORD AGAINST GANDHI--DESPITE WHAT I KNEW ABOUT HIM IN 1977.
WHY ?
BECAUSE WE BOTH SHARED THE SAME BIRTHDAY 2ND OCT
I REMEMBER I WAS A GREAT FAN OF AJIT WADEKAR--JUST BECAUSE WE SHARED THE SAME NAME AJIT
I GUESS I WAS AN ASSHOLE WHEN I WAS YOUNG
CHECK OUT A TRUE INCIDENT WHEN I PUT MY BOOTS ON A CHUTNEY MARYs SHOULDER
http://ajitvadakayil.blogspot.in/2011/11/keenan-and-reuben-killed-for-protesting.html
I WAS RECKLESS AS A BACHELOR .
I HAVE SLOWED DOWN --MATURED WITH AGE AND RESPONSIBILITIES
capt ajit vadakayil
..
http://timesofindia.indiatimes.com/business/india-business/fresh-row-at-infosys-as-narayana-murthy-slams-coos-pay-hike/articleshow/57981626.cms
ReplyDeleteWE WILL NOT ALLOW EXCESSIVE SALARIES AND SEVERANCE PAYS ( BUYING SILENCE ) IN INDIA
WE ASK MODI TO GET PERSONALLY INVOLVED
THIS IS CANCER.
MANY COMPANIES STEAL FROM OTHER COMPANIES-- SILENCE IS BOUGHT , WHEN HE LEAVES THE COMPANY , WITH A SIGNED AFFIDAVIT
WE ASK MODI NOT TO ALLOW COLLEGIUM JUDGES TO CREATE LAWS. A JUDGE CREATES NEW LAWS , HE USES BENAMI MEDIA TO PUBLISH IT --BYPASSING EVERY SYSTEM IN THIS NATION
WHO IS A JUDGE TO RULE THAT THERE CAN BE NO BARS ON A HIGHWAY ?
NOW PRIVATE AIRLINES ARE CREATING "NO FLY LIST " BASES ON WHAT AN MP DID IN A EMPTY PARKED PLANE .
ARE WE ALLOWING JEW ROTHSCHILD AND HIS MEDIA TO RULE INDIA --BY BYPASSING THE SYSTEM?
PU THIS COMMENT IN MODIs , RAJNATH SINGHs , LAW MINISTERs ,ATTORNEY GENERALS WEBSITES.. ASK FOR AN ACK
capt ajit vadakayil
..
http://timesofindia.indiatimes.com/city/bengaluru/200-harassed-cisf-jawans-move-karnataka-high-court/articleshow/57981601.cms
ReplyDeleteTROJAN HORSE FOREIGN FUNDED NGOs ARE BEHIND THIS..
SACK ALL 200 JAWANS WHO HAVE SIGNED THE LEGAL COMPLAINT..
THERE IS A SYSTEM , THEY MUST FOLLOW IT...
https://www.washingtonpost.com/news/the-fix/wp/2017/04/02/a-judge-rules-trump-may-have-incited-violence-and-trump-again-has-his-own-mouth-to-blame/?utm_term=.9efa8b984059
ReplyDeleteDONALD TRUMP
LISTEN UP
IN INDIA WE HAVE THE SAME PROBLEM WHERE COLLEGIUM JUDGES AND MEDIA WORK AS A TEAM TO SUBVERT THE SYSTEM....
YESTERDAY WE HAD A SUPREME COURT LAWYER PRASHANT BHUSHAN DENIGRATING HINDU GOD KRISHNA..
NOT A SINGLE ENGLISH TV CHANNEL SHOWED THIS MAJOR NEWS...
YET THEY REPORT MINOR NEWS--MOSTLY LIES,, TO DENIGRATE THE WATAN ( NATION )
WE THE PEOPLE WILL BREAK THIS JUDICIAR/ MEDIA / RAJYA SABHA ( HOUSE OF LORDS ) NEXUS
JUST LIKE HOW YOU HAVE A FREEDOM CAUCUS ( MORE THAN 40 REPUBLICAN CONGRESSMEN IN JEW ROTHSCHILDs PAYROLL ) --WE HAVE THIS SAME PROBLEM IN INDIA TOO.
WE THE PEOPLE WILL DEAL WITH THEM.
OUR PM MODI IS UNABLE TO CONTROL THE COLLEGIUM JUDICIARY / ROTHSCHILD MEDIA / JUDAS POLITICIAN NEXUS--DUE TO SOME COMPULSIONS..
capt ajit vadakayil..
http://timesofindia.indiatimes.com/life-style/relationships/7-wacky-condoms-that-will-make-your-night-unforgettable/Pikachu-condoms/photostory/57940699.cms
ReplyDeleteBASTARDS --PEDDLING PORN
OUR MINISTER IN WHITE DHOTI MUST BE JACKING OFF
Namastey captain
ReplyDeletehttp://zeenews.india.com/hindi/india/fir-lodged-in-an-objectionable-comment-on-lord-krishna-by-prashant-bhushan/323078
Finally FIR lodged but we people have no faith in judiciary.they are collusion eachother.
If we hindus gather and beat up this moron then benami media propagates as Ugra hindu (communal )
Who will punsh this man?
The above comment just proves that R can run India as he pleases with just the media, judiciary and some key elected representatives - check mate!
ReplyDeleteI agree with the above comment, the public cannot win against Prashant Bhushan, if we do nothing he wins, if we do something he wins.
https://www.youtube.com/watch?v=VCatYnhgFko
ReplyDeleteCHECK OUT THIS ROGUE GURU WHO MILKS HINDUISM AND LIVES IN LUXURY
HE IS LOVED BY UN , FREEMASONS
WE KNOW WHY
HE SPOKE IN THE UN-- YOGA DOES NOT BELONG TO INDIA
THIS FELLOW SADGURU JAGGI VASUDEV KNOWS NOTHING OF SANATANA DHARMA
APCO BRANDED MODI GAVE THIS ROGUE SADGURU JAGGI VASUDEV A PADMA VIBHUSHAN --INDIAs SECOND HIGHEST AWARD
WE KNOW WHY !
capt ajit vadakayil
..
http://www.ndtv.com/tamil-nadu-news/false-allegations-says-yoga-centre-accused-of-brainwashing-women-1440914
Deletehttp://www.business-standard.com/article/pti-stories/land-grabbing-allegation-against-isha-foundation-116100300724_1.html
DeleteWHY DOES ART OF LIVING ( SRI SRI RAVISHANKAR ) AND ISHA FOUNDATION ( SADGURU JAGGI VASUDEV ) NEED LAWYERS TO THREATEN PEOPLE WHO TELL THE TRUTH ABOUT THEM ?
https://beyondaolfree.wordpress.com/2012/06/19/the-lawsuit-is-over-and-we-won/
why do fake gurus patent FAKE yoga ?
http://ajitvadakayil.blogspot.in/2016/09/hyperventilation-followed-by-valsalva.html
capt ajit vadakayil
..
Dear Guruji
ReplyDeleteRequest to please put a post on Sri Thyagaraja and Sri Krishnadevaraya
PRanams SB
Hari Om Ajit'ji
ReplyDeleteWithout taking your permission i have posted your message regarding Newton with your photo in Google+
Please check for any corrections or if you don't like it please tell us.
Being your sincere follower this is my first attempt to bring your message in social media
Hari Om
ALL I ALLOW IS A LINK TO BE PASTED
DeleteHari Om Ajit'ji
DeleteDhanyavad 🙏
Hari Om
http://timesofindia.indiatimes.com/india/somali-pirates-hijack-indian-commercial-ship-official/articleshow/57987553.cms
ReplyDeleteTHIS IS NOT A SHIP--IT IS A MERE DHOW
http://timesofindia.indiatimes.com/india/india-failed-to-deter-xenophobic-racist-attacks-on-africans-envoys/articleshow/57989227.cms
ReplyDeleteSORRY --THESE AFRICANS PUSH DRUGS AND PROVIDE PAID SEX.............
############### SUBJECT--- DRUGS AND NIGERIAN STREET PEDDLERS ############
WE ASK THE MODI GOVT…………
PROTECT THE WATAN FROM THESE NIGERIAN DRUG PEDDLERS……..
IF IT WAS USA ALL OF THEM WOULD BE IN JAIL BY NOW……..
IN INDIA , INDIANS ARE BEING PUNISHED FOR RESISTING THESE EVIL NIGERIANS………
MAKE IT COMPULSORY FOR ALL FOREIGN STUDENTS IN INDIA TO RECORD ATTENDANCE IN CLASS ………….
PUT CCTV AT THE COLLEGE ENTRANCE --BECAUSE THEY PAY GOOD MONEY TO TEACHERS/ PEONS TO MARK THEIR ATTENDANCE ……….
ANY AFRICAN WITHOUT PASSPORT IS AN ILLEGAL IMMIGRANT….. MOST NIGERAIN DRUG PEDDLERS HAVE BURNT THEIR OWN PASSPORTS …………………
ARE THERE NO LAWS ?....
WHY IS THE MODI GOVT APPEASING THESE DRUG PUSHERS?....
WHY IS THE COLLEGIUM JUDICIARY, NCW, NCM, NCHR , BENAMI MEDIA ON THE SIDE OF THE FOREIGN MAFIA NIGERIANS RATHER THAN DESH BHAKT INDIAN CITIZENS WHO ARE AT THE RECEIVING END….
WE ASK , WHAT IS MORE HEAVY -- ONE PHYSICAL PUNCH GIVEN TO AN EVIL FOREIGN DRUG MAFIA MAN OR LOSING YOUR DEAR CHILD TO DRUGS ?...........
Go0gle for the blogpost below------
……………………………………………… JEWISH RUSSIAN MAFIA VADAKAYIL …………………………..
Capt ajit vadakayil
..
I suspect that Chinese is also involved in this tirade on India. These slanty eyed nation has huge presence in Africa. This only benefits them and their sponsers Jews.
DeleteHari Om Captain
ReplyDeleteHows you?
I wanted to tell about Unacademy.
Its an educational platform run by some enthusiastic youths.
Well while watching some videos of Roman Saini I felt that he reads yours blogsite.
It amazing your reach and effect. By the way I feel Unacademy's videos should be streamed through DTH. Government is trying swayam using old educational videos on DD free dish. God make my wish come true and government make collaboration with Roman Saini and others.
Thank you 😊
Sir what about Odissi dance ? Does it have any ancient past or it is just another fake injected by white invader ?
ReplyDeleteregards
Nelson Singh
sir please clear my doubt
DeleteEven I got the same doubt.
DeleteMr Vadakayil plzzz clarify our doubt.
I have noticed that you have never taken serious interest about Odisha or Odia.
We Odias are ready to accept heart wrenching facts but atleast shade the TRUTH about this State.
A state deliberately been kept poor and underdeveloped.
http://timesofindia.indiatimes.com/ban-on-booze-sale-on-highways/polls/57989217.cms
ReplyDeleteTHE MEDIA WHORES CALL THE DECISION GOOD
THEY HAVE TAKEN THE DECISION ON OUR BEHALF--- SEE THE COLLEGIUM JUDGES ARE GOD--THEY CAN DO SEVERE JUDICIAL OVERREACH CREATE LAWS....
WHEN YOU WANT TO CLAMP DOWN ON DRUNKEN DRIVERS-THE THING TO DO IS TO DO AN ALCOMETER TEST AND SUSPEND LICENCES FOR A FIXED TIME
THE ELECTED EXECUTIVE IS NAPUNSAK --THEY DONT HAVE BALLS
IF I WERE THE PM, I WILL CALL ALL HIGHWAYS--LOW WAYS AND CONTINUE AS BEFORE
PEOPLE HAVE LOST JOBS --HOW DO THEY PROVIDE BREAD ON THE TABLE ? HOW DO THEY PAY SCHOOL FEES ?
WHAT BULLSHIT IS THIS ?
WE HAVE A USELESS LAW MINISTER ..FIT ONLY TO GIVE EGO MASSAGE TO MODI..
capt ajit vadakayil
..
Hello Mr Vadakayil
ReplyDeleteSo now Wikipedia accepts this but even there's no direct reference nor guts!
Wiki says:
"Research conducted by GreatGameIndia Magazine has revealed that the Rothschild family was one of the controller families of the East India Company."
ROTHSCHILD SHIPS LOADED SPICES FROM CALICUT--MY HOMETOWN
DeleteTHE EUROPEAN PUTRID MEAT WOULD STINK--THEY WANTED PEPPER - OR THEY WOULD PUKE
http://ajitvadakayil.blogspot.in/2011/08/freemason-lodge-of-calicut-capt-ajit.html
http://ajitvadakayil.blogspot.in/2015/11/the-french-revolution-conceived-and.html
http://www.independent.co.uk/news/world/americas/cinemas-1984-worldwide-screening-anti-donald-trump-protest-george-orwell-nineteen-eighty-four-a7665471.html
ReplyDeleteTHIS IS WHAT JEW ROTHSCHILD HAS DONE FOR CENTURIES
CONVERT SUNRISE TO SUNSET
DONALD TRUMP IS SAVING HIS PEOPLE FROM JEW ROTHSCHILD --THE BIG BROTHER
WE THE PEOPLE ARE NOT STUPID...
http://ajitvadakayil.blogspot.in/2011/10/say-no-to-big-brother-of-george-orwells.html
JEW ROTHSCHILD ENSLAVED INDIA
HE SMASHED OUR NOSES INTO PULP WITH HIS SPIKED FIST
BUT HEY-- HE USED THE SLAVE PAYROLL JUDGES TO RULE THAT OUR NOSES CAUSED PAIN TO HIS FIST
NOT ANY MORE
WE HAVE WOKEN UP !
http://www.dnaindia.com/india/report-india-to-host-dalai-lama-in-disputed-territory-defying-china-2341206
ReplyDeleteIF I WERE THE PM ( IT COULD BE NEHRU OR INDIRA GANDHI TOO )
ALL INDIAN MEDIA WHO RAN THIS HEADLINE WILL BE SEVERELY FINED AND THE MEDIA BARON WOULD BE IN JAIL
https://twitter.com/i/web/status/849156554519707648
MR NARENDRA DAMODARDAS MODI -
WHAT ARE YOUR WORTH ?
KERALA CHRISTIAN AK ANTONY CATAPULTED TO TOP
ReplyDeleteAFTER ISRO SCIENTIST NAMBINARAYANAN WAS SABOTAGED
http://ajitvadakayil.blogspot.in/2012/09/isro-spy-case-s-nambinarayanan.html
AK ANTONY BECAME CM OF KERALA AND THEN DEFENCE MINISTER
THIS WAS A MAN WHO CANNOT EVEN ARTICULATE A SINGLE SENTENCE PROPERLY
TOWARDS THE END OF AK ANTONYs TENURE ( MAY 2014 ) AS DEFENCE MINISTER PAKISTAN COULD HAVE DEFEATED INDIA IN A WAR
EVEN TODAY PAKISTAN PAKISTAN HAS MORE ATTACK DRONES THAN INDIA-- WHO CAN SWAMP INDIA WITH EMP ATTACKS -- USING TACTICAL NUKES
READ ALL 4 PARTS --
http://ajitvadakayil.blogspot.in/2015/11/world-war-3-sans-gps-and-emp-taken-out.html
INDIAs DEFENCE LEADERSHIP IS A JOKE !
capt ajit vadakayil
..
Dear Guruji
ReplyDeletePranams. Blessed Rama Navami
Pl explain significance of festivals which end with the Thithi (like Naga PANCHAMI, Skanda Shasti, Rama Navami)
Pranams
SOMETIMES IT IS BETTER NOT TO KNOW
Delete##########
The REAL Navratri is from 21 September to 29 September 2017. Durga killed Mahishasura after 9 days of intense battle, triggering off the Navratri celebrations.
http://ajitvadakayil.blogspot.in/2014/09/navratri-festival-durga-puja-capt-ajit.html
The VASANT Navratri ( Chaitra ) ending April 5th 2017 was started by Jew Rothschild to demarcate the Indentured labour he scattered around the planet who were mostly Ram worshipping Indians ..This is to wedge apart Vaishnavites –DIVIDE AND RULE
Till the white invader came to India –we never celebrated Ram Navami as the end of Vasant Navratri.. Ram Navami falls on the ninth day after New Moon ( NO moon ) in the Hindu calendar month of Chaitra. ( Vasant Navratri )
capt ajit vadakayil
..
WHY IS FAROOQ ABDULLAH PRETENDING TO BE A KASHMIRI ?
ReplyDeleteHE IS MARRIED TO A BRITISH WOMAN MOLLY
HIS MOTHER IS BEGUM AKHBAR JEHAN ABDULLAH-- A CRYPTO JEWESS-- THE DAUGHTER OF A WHITE JEW MICHAEL HARRY NEDOU.
BEGUM AKHBAR JEHAN ABDULLAH WAS THE WIFE OF JEW LAWRENCE OF ARABIA --AS PER MY PAKISTANI OFFICERS
http://www.dailymail.co.uk/indiahome/indianews/article-2945108/Sheikh-Abdullah-s-grand-daughter-says-grandmother-NEVER-wed-Lawrence-Arabia.html
ROTHSCHILD DIVIDED INDIA INTO THREE-- TO BE RULED BY THREE JEWISH BLOODLINES --ONE WAS ABDULLAH BLOODLINE.. JINNAH WAS A JEW ...
http://ajitvadakayil.blogspot.in/2015/04/lawrence-of-arabia-truth-exhumed-capt.html
Dear Ajith Ji
ReplyDeleteYour face contour has changed a lot from your early 20s to late 50s but one thing has remained unchanged i.e. your eyes.
I can detect you by your eyes.
http://timesofindia.indiatimes.com/india/delayed-indo-russian-venture-to-produce-200-light-helicopters-for-1-billion-finally-set-to-take-off/articleshow/58031106.cms
ReplyDeleteWHY ARE PEA BRAINED WIVES GETTING INVOLVED ?
WHY IS THE DEFENCE MINISTRY ALLOWING THIS ?
IF THE WIVES FEEL THEIR HUSBANDS ARE COWARDS--THEY MUST JOIN A SAFE PROFESSION
THEY WANT BOOZE/ GOODIES FROM CANTEEN , WEAR UNIFORM AND STRUT LIKE PEACOCKS ?
I AM QUALIFIED TO ASK THIS , HAVING COMMANDED DANGEROUS SHIPS FOR 30 YEARS. WE WERE MORE AT RISK THAN THESE ARMED FORCES MEN. WE TOO HAD WIVES .
DIGRESSION:
TODAY USA IS ACTING TOUGH WITH NORTH KOREA AND IRAN
ADVISE TO DONALD TRUMP -- BLUSTER ASIDE--
FIRST EMP PROOF USA -- OR THESE TWO COUNTRIES HAVE THE CAPABILITY TO SEND YANKS TO THE STONE AGE.
read all 5 parts-
http://ajitvadakayil.blogspot.in/2015/11/world-war-3-sans-gps-and-emp-taken-out.html
capt ajit vadakayil
..
CAN ANYBODY GIVE PROFF THAT SHIV SENA MP RAVINDRA GAIKWAD BEAT THE AIR INDIAN EMPLOYEE WITH CHAPPAL 25 TIMES ?
ReplyDeleteNOBODY CAN !
IT IS A LIE !!
THE PLANE WAS PARKED ON THE TARMAC -- IT WAS NOT IN FLIGHT
ONE MP WANTED TO REGISTER A COMPAINT
DO A POLL --- " ARE YOU SATISFIED WITH AIR INDIA SERVICE "
IT WILL SHOW ZERO PERCENTAGE HAPPY -- 100% WILL SAY THE SERVICE IS CALLOUS--NAY--CHOOTIYA
MOST PRIVATE AIRLINES ARE OWNED BY WHITE DESH DROHI JEWS-- THEY USE BENAMI INDIAN FRONTS
WE WONT ALLOW JEW ROTHSCHILD TO DECIDE WHO WILL FLY AND WHO WONT
WHEN I WROTE THAT HOMI BHABHAs AIR INDIA PLANE WAS MISSILED FROM TE SKY--ALL WERE SARCASTIC
LATER ALL HAD TO LICK BACK THEIR OWN SPIT
http://ajitvadakayil.blogspot.in/2011/11/homi-bhabha-in-air-india-flight-ai-101.html
TODAY NDTV IS TELLING
ReplyDeleteINDIA HAS THE HIGHEST SUICIDE RATE IN THE WORLD
BALLS
INDIA HAS THE LOWEST SUICIDE RATE ON THE PLANET BY PERCENTAGE
capt ajit vadakayil
..
AVIATION MINISTER RAJU SAYS IN PARLIAMENT
ReplyDeleteWE WILL NOT COMPROMISE ON AIRLINE SAFETY
BALLS
AIR INDIA PILOTS ARE FLYING WITHOUT ALCOMETER TESTS
RAVINDRA GAIKWAD WAS ON A EMPTY PARKED PLANE
WE DEMAND THAT AIR INDIA CMD MUST BE SACKED --FOR EXCEEDING HIS BRIEF
FINE PRIVATE AIRLINES WHO PUT RAVINDRA GAIKWAD ON A NO FLY LIST .. DENY THEM FUEL IF THEY DONT PAY UP
ONCE AFTER COMPLAINING TO TWO AIR INDIA AIR HOSTESSES THAT MY SEAT BACK REST IS GOING BACK AUTOMATICALLY INTO A RECLINING/ LYING POSITION --THEY DID NOTHING
DeleteFINALLY A MALE STEWARD GAVE ME ANOTHER SEAT
10 MINUTES BEFORE DEPLANING I ASKED BOTH AIR HOSTESSES ( FAT UGLY NO CLASS PMS MUMMIES ) IF THEY HAVE REGISTERED MY COMPLAINT .. BOTH SAID THEY WILL LATER. I ASKED THEM WHAT IS THE DAMAGED SEAT NUMBER --THEY COULD NOT SAY
THAT SEAT WOULD BE LIKE THAT TILL THAT PLACE IS SCRAPPED ..THIS IS AIR INDIA
BULLSHIT AIRLINE
IN THE EARLY SEVENTIES AIR INDIA WAS THE PRIDE OF INDIA..
AIR INDIA STAFF IS A DISGRACE
THIS BLOGSITE SUPPORTS RAVINDRA GAIKWAD
HE IS MORE VALUABLE TO BHARATMATA THAN THESE DEH DROHI MEDIA WHORES
capt ajit vadakayil
..
BHARATMATA LOVES HER CHILDREN LIKE SHIV SENAs RAVINDRA GAIKWAD AND AAPs SOMNATH BHARTI
ReplyDeleteBHARATMATA HATES INDIAN MEDIA WHORES ---FOREIGN FUNDED TRAITORS WHO BLEED HER ENDLESSLY
Sir
ReplyDeleteAap Odissi nrutya ke upar aapni tippani
denge ya nahin kripya bata dijiye, hum aapke saath ish nrutya ko Lear aur charcha nahin karenge
Mein toh ummeed chor dunga agar aap kuch nahin likhenge
Okay Mr Vadakayil
DeleteThank you
I gave up
nami
ReplyDeleteMay 2, 2017 at 6:21 PM
http://postcard.news/watch-cpi-leader-d-rajas-daughter-insults-hindu-gods-no-media-outrage/
What else to expect.
ReplyDelete
Replies
#################
Capt. Ajit Vadakayil
May 2, 2017 at 6:39 PM
http://postcard.news/watch-cpi-leader-d-rajas-daughter-insults-hindu-gods-no-media-outrage/
THIS COMMIE DAUGHTER APARIJITA RAJA OF COMMIE D RAJA DOES NOT KNOW THAT KALI IS A BLACK HOLE -- A COSMIC ALLEGORY
HAVE YOU SEEN HER STUPID FATHER GIVING FUNDA ON TV ?
THE MORE D RAJA SPEAKS --THE MORE HE EXPOSES HIMSELF
AND APARIJIA -- CHECK OUT WHAT SHE IS WORTH IN THE VIDEO BELOW--
https://www.youtube.com/watch?v=IrKl8wWwjO8
capt ajit vadakayil
..
Dear Ajithji
ReplyDeletePlease write about Odissi classical dance.
Why this dance is so different.
It predates before the vulgar Devadasi system was introduced in Temples.
BHARAT name does NOT come from the FAKE “BHARAT” -- a FAKE character created by FAKE kalidasa .
ReplyDeletethe FAKE son of FAKE dushyanata and FAKE shakuntala was created by FAKE kalidasa
WE IN INDIA NEVER HEARD OF KALIDASA TILL THE WHITE INVADER CAME TO INDIA
ALL DASAS ARE FAKE AND BACKDATED CREATIONS OF JEW ROTHSCHILD
http://ajitvadakayil.blogspot.in/2013/06/kalidasa-did-not-exist-jainism-is.html
THE REAL BHARATA IS SON OF RISHABA ( 8190 BC )
SVAYAMBHUVA MANU ( 8275 BC ) — PRIYA VARTA ( 8255 BC )- AGNIDHARA – NABHI RAJA -- RISHABHA (8190 BC ) – BHARATA ( 8165 BC ) .
HOWEVER BHARATA HAS NOTHING TO DO WITH THE NAME OF A MORTAL NAMED BHARATA WHO RULED THIS PLANET ..
BHARATA IS AN AMAZING CONCEPT OF SHABDA BRAHMAN
BHAVA / RAGA/ TALA --BHA-RA-TA
BHAva / the eight natural emotional states-- RAga / the melodic framework---- TAla / time cycle --- BHARATA
LIES BY JEW ROTHSCHILD WILL NOT WORK ANYMORE
capt ajit vadakayil
..
brisbane malayali
ReplyDeleteJune 1, 2017 at 4:46 PM
Rahul easwar keeps bringing up Vavar and Lord Ayyappa being friends. He specially mentions how vavars shrine is within Sabarimala. How much of Vavars existence is true? I don't know if the sound v even exists in Arabic language?
ReplyDelete
Replies
##############
Capt. Ajit Vadakayil
June 1, 2017 at 8:14 PM
RAHUL EASHWAR DOES NOT REPRESENT HINDUISM OR SABARIMALA TEMPLE
JEW ROTHSCHILD PROMOTED HIS TELUGU TANTRI GRANDFATHER KANDARARU MAHESHWARARU , WITH ALL COCK AND BULL STORIES.
REMEMBER JEW ROTHSCHILD DELETED THE NINTH AVATAR OF VISHNU AYYAPPA AND INSERTED A MERE MORTAL BUDDHA WHO STRUGGLED FOR SALVATION
WE DONT NEED TELUGU TANTRI PRIESTS IN KERALA -- 100%.. WE HAVE NAMBOODIRIS .
MUSLIM VAVAR MUNI MEETING AYYAPPA AND HAVING HAJAAAAR CONVERSATIONS ?-- BALLS --WHAT A JOKE !
ISLAM IS JUST 1300 YEARS OLD.
AYYAPPA IS 5900 YEARS OLD
THE WHOLE IDEA IS TO CONVERT AYYAPPA INTO A MERE MORTAL ..
http://ajitvadakayil.blogspot.in/2017/05/land-of-punt-ophir-and-sheba-is-north.html
RAHIL EASHWAR KNOWS SHIT ABOUT SANATANA DHARMA--HE IS A DARLING OF ALL BENAMI TV CHANNELS --AS A PERCEPTION MOLDER
WE KNOW HOW RAHUL EASHWAR DID HIS HIGHER STUDIES AT LONDON --" GLOBAL LEADERSHIP AT ROTHSCHILDs LONDON SCHOOL OF ECONOMICS "
THERE ARE DESH DROHI FORCES WHO WANT TO KILL THE NO 1 PILGRIMAGE ON THIS PLANET
IT WONT WORK
http://ajitvadakayil.blogspot.in/2013/01/sabarimala-makaravilakku-three-light.html
CHRISTIANS ARE CLAIMING THAT AYYAPPA HAD HAJAAAAR FRUITFUL CONVERSATIONS WITH SOME FAKE CHRISTIAN PADRE ARTHUNKAL VELUTHACHAN-- BALLS !
capt ajit vadakayil
..
https://www.youtube.com/watch?v=6THxxZVaee4
ReplyDeleteANCIENT KATHAKALI THEYYAM SONG ABOUT BHAGAWATI ( DURGA/ KALI )--THOUSANDS OF YEARS OLD
THIS TEMPLE SONG IS MURDERED BELOW--
https://www.youtube.com/watch?v=4SDRrctDkvk
Pallivaalu ( KALIs CURVED SWORD ) bhadravattakam ( KALIs ANKLET )
READ ALL 4 PARTS BELOW--
http://ajitvadakayil.blogspot.com/2017/04/kathakali-dance-form-of-kerala-capt.html
THIS BLOGSITE WONT ALLOW OUR GLORIOUS CULTURE TO BE MURDERED BY CHUTNEY MARYs AND PICKLE JOHNS
https://www.youtube.com/watch?v=eiGdsH1g20k
capt ajit vadakayil
..
Unknown
ReplyDeleteSeptember 26, 2017 at 10:52 AM
At least answer yes or no- are Advaita vedanta and Dvaita vedanta in contrast with each other? Does Dvaita Vedanta recognize Brahman as the supreme God?
################
IMPORTANT--ALL HINDUS --LISTEN UP
THIS COMMENT IS THE MOST POTENT EVER MADE OR WILL BE MADE ON THIS PLANET. A BLOGGER DOES IT IN 2017.
AAA)--- THE ORIGINAL HINDU GOD IS BRAHMAN -- THE MORPHOGENETIC CONSCIOUSNESS FIELD ( ADVAITA ). THIS INTELLIGENT FIELD CANNOT BE PICKED UP BY THE 5 HUMAN SENSES . MOHAMMAD THE PROPHET A KERALA NAMBOODIRI MODELLED ALLAH OF ISLAM FROM THIS THIS. ADI SHANKARACHARYA A KERALA NAMBOODIRI HAS WRITTEN ABOUT ADVAITA VEDANTA 4000 YEARS AGO. IT IS THE BASE TEMPLATE OF SANATANA DHARMA. ON A MICRO SCALE THIS IS THE EMPTY SPACE WITHIN AN ATOM WHICH PROVIDES PERPETUAL MOTION AND WHICH PREVENTS AN ELECTRON FROM FALLING DOWN OR FLYING OFF CHANGING THE ELEMENT .
http://ajitvadakayil.blogspot.in/2016/12/perpetual-motion-of-orbiting-electrons.html
ON A MACRO SCALE THIS IS AAKASHA OR ZERO POINT FIELD -WHICH REGULATES THE VAST COSMOS .
http://ajitvadakayil.blogspot.in/2013/01/advaita-vedanta-philosophy-adi.html
CHECK OUT THE NONSENSE ON WIKIPEDIA
https://en.wikipedia.org/wiki/Advaita_Vedanta
ADI SHANKARACHARYA WAS MADE THE FIRST PONTIFF OF THE FAKE AND BACKDATED KANCHI MUTT BY JEW ROTHSCHILD .
BrahmAn pervades the smallest atom ( Microcosm ) to the vast cosmos (macrocosm).The microcosm would be is the empty space in an atom which is 99.9999999% of the atom, in which the electrons whiz around the nucleus. Akasha, macro the morphogenetic consciousness field , as per Vedanta is the source of everything that exists, and in which the memory of the cosmos is encoded. SEERS LIFTED OFF THE VEDAS FROM COSMIC SOUNDS OF AKASHA . VEDAS IN SRUTIS ( SANSKRIT VERSES ) WITH GOLDEN MEAN, FIBONACCI SERIES AND PASCALSs TRIANGE ENCLOSED BY SRI YANTRA , ARE NOT WRITTEN BY ANY MORTAL . AFTER 330 CENTURIES ON ORAL ROUTE , VEDAS WERE WRITTEN DOWN 70 CENTURIES AGO AND THE HUMAN DNA WAS DEGRADING. Consciousness ( Brahman ) is the only element in creation that knows itself."Prajnānam brahma”-- Brahman knows everything.The field of brahmAn ( God ) has limitless power and is the e key to everything: creation and transmutation.
##############
BBB) BY ITSELF THE BASE FIELD CANT DO MUCH . IT CAN CREATE BUT THERE HAS TO BE PRECISE BALANCE AND HARMONY. THIS IS WHERE THE DVAITA VEDANTA COMES IN AS A TEMPLATE TO SUPER IMPOSE . THIS BLOGSITE WAS THE FIRST TO WRITE ABOUT IT--THOUGH THIS TRINITY IS CLEARLY INDICATED IN THE RIG VEDA 7000 YEARS AGO. THE TRINITY IS BRAHMA ( CREATOR )/ VISHNU ( MEDIATOR ) / SHIVA ( DESTROYER ). THIS IS THE DANCE OF OPPOSITE FORCES BRAHMA - SHIVA ( CONDENSATION/ EVAPORATION ) MEDIATED BY A PRESERVER ( WATER ). BRAHMA AND SHIVA ARE LIKE THE POLES OF AC ELECTRICITY . THEY CAN INTERCHANGE --SHIVA CAN CREATE . BRAHMA- VISHNU- SHIVA AND THEIR WIVES SARASWATI - LAXMI - PARVATI ARE COSMIC FIELDS . THEY ARE NOT MORTALS . SARASWATI , WIFE OF BRAHMA IS THE SUM TOTAL OF QUASARS . PARVATI ( DURGA/ KALI/ DEVI/ BHAGAWATI / SHAKTI ) THE WIFE OF SHIVA IS THE SUM TOTAL OF BLACKHOLES .
http://ajitvadakayil.blogspot.in/2013/05/dvaita-vedanta-of-sanatana-dharma-or.html
CHECK OUT THE NONSENSE ON WIKIPEDIA.. MADHAVACHARYA WAS ROTHSCHILDs BACKDATED FAKE CREATION OF THE FAKE UDUPI MUTT
https://en.wikipedia.org/wiki/Dvaita_Vedanta
CONTINUED TO 2-
CONTINUED FROM 1-
DeleteTamas and Rajas are opposing fields like positive and negative while Sattva is neutral. In Dvaita Hinduism opposite poles Tamas and Rajas are conscious of each other. Tamas creates Rajas, and Rajas activates/ excites Tamas.7000 year old Vedas say that the only constant in the cosmos is change, everything is in a state of flux, nothing is static-- everything is vibratory. This is what guarantees growth and evolution. It is a cosmic spiraling dance of separate opposing forces, which sustains this universe. No life is possible on earth without this subtle tension . What has a front has a back-- what has a beginning has an end. Sanatana dharma does not allow stagnancy. If stagnancy happens there will be PRALAYA ( dissolution of cosmos ).. Brahma / Vishnu / Shiva and their wives and children work in tandem and perfect harmony—amazing cosmic allegories personalized as Hindu Gods. Like Padma Vibhushan holder Sri Sri Ravishankar tweeted , Shiva cannot anally FUCK Vishnu-- to producce Ayyappa ( the 9th avatar of Vishnu ) as they are NOT mortals. No phenomenon in this universe is completely devoid of its opposite. They consume each other yet support each other.Whatever is in excess gets reduces, whatever is deficient gets replenished.You must ponder over each waxing-waning cycle to appreciate the absolute truth . They keep each other in check, yet provide fuel to feed off each other.It is a perfect tango of dynamic balance where one polar opposite changes into another smoothly and constantly . If the restraining balance or equilibrium is lost by the mediator ( Vishnu ) , the universe will spiral out of control and end. This is why Lord Vishnu is called the PRESERVER god. It is about the quantum possibility wave vibration between two poles-there is not an IOTA of superstition in Sanatana Dharma .
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CCC- THE THIRD TEMPLATE IS SANKHYA VEDANTA.
http://ajitvadakayil.blogspot.in/2013/05/sankhya-philosophy-of-hinduism.html
CHECK OUT THE NONSENSE IN WIKIPEDIA
https://en.wikipedia.org/wiki/Samkhya
IN SANKHYA , THE PRIMORDAL TANTRIC FORCES ARE PURUSHA AND PRAKRITI. WE EQUATE THEM WITH SHIVA AND HIS WIFE SHAKTI. THESE FORCES HAVE TO COUPLE --THERE IS NO SEMEN OR SEX INVOLVED AS THESE ARE COSMIC FORCES. HERE WHEN THE INSENTIENT PRAKRITI ( FEMALE ) COMES IN CONTACT WITH THE SENTIENT PURUSHA ( MALE ) THE UNIVERSE EVOLVES . THIS INTELLIGENT CONCEPT CANNOT BE UNDERSTOOD BY HALF WITS. In the Tantric cosmology, the whole universe is perceived as being created, penetrated and sustained by two fundamental forces, which are permanently in a perfect, indestructible UNION. These forces or universal aspects are called Shiva and Shakti. Tantra is NOT perverted sex as made out to be by the white invader .Purusha is the embodiment of pure consciousness, and Pragati as the embodiment of pure energy. Shiva is the changeless static aspect of Consciousness, and Shakti is the kinetic, active aspect of the same Consciousness.When the insentient Prakriti comes in contact with the sentient Purusha , the universe evolves. The cosmos in all its manifestations, as an act of love. Shiva resides in the highest Sahasrāra Chakra and Shakti in the lowest Mūlādhāra Chakra. When Prakriti and Purusha unite in the Sahasrāra Chakra ( raising of Kundalini ) , knowledge, knower and the object of knowledge become one.
If Hinduism is the vast ocean, the rest all combined together is a drop of dirty water.
I ASK MY READERS TO SPREAD THIS MESSAGE TO EVERY DESH BHAKT AND HINDU STALWART. SEND IT TO YOUR FRIENDS AND RELATIVES . TRANSLATE TO VERNACULAR IF YOUR FRIENDS DONT KNOW ENGLISH. I WANT EVERY READER TO TEACH TEN PEOPLE. MAKE THIS A CHAIN RELAY.
INDIANS WILL NO LONGER BE SELF LOATHING--THIS BLOGSITE GUARANTEES IT
http://ajitvadakayil.blogspot.in/2014/07/nasadiya-sukta-rig-veda-5000-bc.html
capt ajit vadakayil
..